West 86th-A Journal of Decorative Arts Design History and Material Culture最新文献

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Thinking through Molds: Metal Flow and Visualizing the Unseen 通过模具思考:金属流动和可视化看不见的东西
Andrew Lacey, P. Smith
{"title":"Thinking through Molds: Metal Flow and Visualizing the Unseen","authors":"Andrew Lacey, P. Smith","doi":"10.1086/721207","DOIUrl":"https://doi.org/10.1086/721207","url":null,"abstract":"Thinking through Molds Until techniques like those described in this article were available, clues to how molten metal behaved inside a mold had to be sensed from phenomena occurring outside the mold, including how fast the mold filled, metal splashes, and cracking. But sixteenth-century sources show that the flow of metal through the mold was visualized in advance during the construction of the mold itself. This article focuses on evidence from an anonymous sixteenth-century source that demonstrates such thinking through molds about the unseen.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"28 1","pages":"259 - 268"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43921827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Metalwork and Serial Sculpture in Germany, 1870–1930 德国的金属制品和系列雕塑,1870-1930
M. Luke
{"title":"Metalwork and Serial Sculpture in Germany, 1870–1930","authors":"M. Luke","doi":"10.1086/721210","DOIUrl":"https://doi.org/10.1086/721210","url":null,"abstract":"This essay considers the role of lost-wax casting, electrotyping, and the model metalwork provided more generally for the production and distribution of serial sculpture in Germany at the turn of the twentieth century. Responses by major critics of the decorative arts, from Gottfried Semper to Max Sauerlandt, inform analyses of various examples, including reductions of sculptures by Max Klinger issued by the Galdenbeck Bronzegießerei and electrotypes of the Bamberg Rider marketed by the Württembergische Metallwarenfabrik (WMF).","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"28 1","pages":"284 - 289"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47968615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Color in Ancient Chinese Bronzes 中国古代青铜器的颜色
D. Strahan
{"title":"Color in Ancient Chinese Bronzes","authors":"D. Strahan","doi":"10.1086/721216","DOIUrl":"https://doi.org/10.1086/721216","url":null,"abstract":"Determining the original color of ancient bronzes is difficult. Over the millennia Shang dynasty Chinese bronze vessels were depicted as dull green corroded objects without color. Discovery through examination and scientific research has determined that many vessels were originally a golden bronze with red or black inlays highlighting their intricate designs.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"28 1","pages":"327 - 331"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44148938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Utensils and Metallurgical Knowledge in South Asia 南亚的器具和冶金知识
E. Cooke
{"title":"Utensils and Metallurgical Knowledge in South Asia","authors":"E. Cooke","doi":"10.1086/721204","DOIUrl":"https://doi.org/10.1086/721204","url":null,"abstract":"Drawing upon the examination of historical examples and historical records, and informed by fieldwork in contemporary practices, this study of the production of copper-alloy utensils in South Asia highlights important metalworking technology far from Europe. In the medieval and early modern periods, South Asian craftspeople relied on deep tacit knowledge of local materials, direct low-technology approaches, and a distributed labor system to produce high-quality copper-alloy vessels.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"28 1","pages":"240 - 246"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46236963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Metal Welding in Postwar US Sculpture: Between Expressionism and Vulgarity 战后美国雕塑中的金属焊接:介于表现主义与俗气之间
Robert S. Slifkin
{"title":"Metal Welding in Postwar US Sculpture: Between Expressionism and Vulgarity","authors":"Robert S. Slifkin","doi":"10.1086/721214","DOIUrl":"https://doi.org/10.1086/721214","url":null,"abstract":"This essay considers a number of artists, including David Smith, Theodor Roszak, and Herbert Ferber, who utilized the welding process in the decades following World War II to invest their sculptures with a sense of precarious danger that summoned the violence of militarized technology and the fearful possibility of future nuclear annihilation. These works’ notably figurative allusions to technologically driven apocalypse align them with Cold War–era science fiction, a comparison that complicates their status within modernist aesthetic criteria.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"28 1","pages":"312 - 318"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46296711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fungible Things: Economies of Desire in the (De)formation of Chinese Bronzes 可替代物:中国青铜器形成过程中的欲望经济
Jeffrey Moser
{"title":"Fungible Things: Economies of Desire in the (De)formation of Chinese Bronzes","authors":"Jeffrey Moser","doi":"10.1086/721212","DOIUrl":"https://doi.org/10.1086/721212","url":null,"abstract":"the meagerness of his","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"28 1","pages":"298 - 305"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43709331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shifting Expectations: Metalwork and the Reception of African Arts at the Turn of the Twentieth Century 期望的转变:20世纪之交的金属制品与非洲艺术的接受
Yaëlle Biro
{"title":"Shifting Expectations: Metalwork and the Reception of African Arts at the Turn of the Twentieth Century","authors":"Yaëlle Biro","doi":"10.1086/721200","DOIUrl":"https://doi.org/10.1086/721200","url":null,"abstract":"The European reception of gold and brass castings from West Africa was steeped in contradictions at the turn of the twentieth century: on the one hand, the works were admired for their technical mastery and the inherent value of their media; on the other, the narratives of imperial submission with which they were entangled left little room for sober appreciation.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"28 1","pages":"201 - 208"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42807716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editors’ Introduction: Putting Work into Metal 编者简介:《把工作变成金属
Caspar Meyer, Ittai Weinryb
{"title":"Editors’ Introduction: Putting Work into Metal","authors":"Caspar Meyer, Ittai Weinryb","doi":"10.1086/721196","DOIUrl":"https://doi.org/10.1086/721196","url":null,"abstract":"A copper ingot found in Cyprus signifies both the beginning and the end of life for many items of metalwork. The ingot (fig. 1) either was made from smelted copper unearthed from the Cypriot copper mines and formed into its shape or represents the afterlife of a broken, dysfunctional vessel or other object, melted down only to be shaped again into an ingot in an endless cycle of material and form. The ingot has the potentiality to mutate into a near-limitless variety of objects, through either simple hammering techniques or more complex ones involving casting. As a resource for artisans, the ingot could also serve as commodity money in an exchange. In its amorphic presence, the humble object thus offers a springboard for pondering all that metalwork is and can be, while elaborating on ideas of its design, making, use, and reception. sum","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"28 1","pages":"179 - 183"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46374727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Arctic: Culture and Climate. Edited by Amber Lincoln, Jago Cooper, and Jan Peter Laurens Loovers. London: Thames & Hudson, 2020. 304 pp.; 350 color ills. Hardcover $60.00. ISBN 9780500480663 北极:文化与气候。Amber Lincoln, Jago Cooper和Jan Peter Laurens lovers编辑。伦敦:Thames & Hudson, 2020。304页;350种颜色的病。精装书60.00美元。ISBN 9780500480663
Sarah M. Pickman
{"title":"Arctic: Culture and Climate. Edited by Amber Lincoln, Jago Cooper, and Jan Peter Laurens Loovers. London: Thames & Hudson, 2020. 304 pp.; 350 color ills. Hardcover $60.00. ISBN 9780500480663","authors":"Sarah M. Pickman","doi":"10.1086/721222","DOIUrl":"https://doi.org/10.1086/721222","url":null,"abstract":"","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47800548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Real to Virtual and Back Again 从真实到虚拟再回来
Wendy Yothers
{"title":"From Real to Virtual and Back Again","authors":"Wendy Yothers","doi":"10.1086/721220","DOIUrl":"https://doi.org/10.1086/721220","url":null,"abstract":"","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"28 1","pages":"351 - 360"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47897967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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