Nordic Theatre Studies最新文献

{"title":"Obituary: Kela Kvam 1931-2019","authors":"K. Vedel, Stig Jarl","doi":"10.7146/nts.v31i2.120186","DOIUrl":"https://doi.org/10.7146/nts.v31i2.120186","url":null,"abstract":"","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"40 1","pages":"138-139"},"PeriodicalIF":0.3,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87334277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century","authors":"Caoimhe Mader McGuinness","doi":"10.7146/nts.v31i2.120184","DOIUrl":"https://doi.org/10.7146/nts.v31i2.120184","url":null,"abstract":"","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"9 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87569143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Foreign-Policy Aspect of Mei Lanfang’s Soviet Tour in 1935","authors":"J. Risum","doi":"10.7146/nts.v31i2.120123","DOIUrl":"https://doi.org/10.7146/nts.v31i2.120123","url":null,"abstract":"The Soviet tour in 1935 of the eminent Chinese male interpreter of female roles, Mei Lanfang, attracted justified international attention as a pioneering instance of cultural and aesthetic exchange. This is not least due to the fact that it was the first time a traditional Chinese theatre troupe made a guest appearance in Europe and that so many prominent Russian and other European theatre innovators consequently eagerly followed the event and reacted to the traditional Chinese stage conventions according to their very different aesthetic points of view. Complementing my published research over the years into the details of this major intercultural stage event, in this article I reverse my perspective and almost exclusively focus on its foreign-policy context. I demonstrate that from the more pragmatic point of view of international politics at the time, another aspect of Mei’s tour was much more important: It was an act of cultural diplomacy which helped break a deadlock in foreign relations between the Soviet Union and the Republic of China, and in so doing helped facilitate their formation of a defensive military alliance in response to the rapidly increasing Japanese aggression against them both. War memories, as well as memory wars, formed part of this foreign policy staging of Mei Lanfang’s Soviet guest appearance and its subsequent documentation.","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"84 1","pages":"89-101"},"PeriodicalIF":0.3,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85971306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Theatre and Memory Wars","authors":"Edgaras Klivis, Rūta Mažeikienė","doi":"10.7146/nts.v31i2.120116","DOIUrl":"https://doi.org/10.7146/nts.v31i2.120116","url":null,"abstract":"","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"12 1","pages":"2-6"},"PeriodicalIF":0.3,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74460012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Theatricalization in the Cultural History Museum","authors":"K. Vedel","doi":"10.7146/nts.v31i2.120118","DOIUrl":"https://doi.org/10.7146/nts.v31i2.120118","url":null,"abstract":"The article examines theatricalization and visitor participation as curatorial strategies in new museological practices. It asks: How are theatrical and participatory elements put into use and what is their effect on the visitor experience in terms of meaning-making. Based on a first-person phenomenological description, the analysis centres on the exhibition An Army of Concrete in The Tirpitz Museum on the west coast of Denmark. Looking at the processes of theatricality in the exhibition, it is argued that meaning-making ultimately relies on visitor participation and is produced self-reflexively in the engagement with the immersive environments, theaudio-narratives and the displayed objects.","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"96 1","pages":"23-36"},"PeriodicalIF":0.3,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86078491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Para-Anthropo(s)cene Aesthetics Between Despair and Beauty","authors":"Kim Skjoldager-Nielsen, Daria Skjoldager-Nielsen","doi":"10.7146/nts.v32i1.120407","DOIUrl":"https://doi.org/10.7146/nts.v32i1.120407","url":null,"abstract":"The Anthropocene is gaining recognition as an epoch in Earth’s history in which mankind is changing the environment and the biosphere (Steffen et.al. 2011). Hotel Pro Forma’s visual opera NeoArctic (2016) and Yggdrasil Dance’s dance meditation Siku Aapoq/ Melting Ice (2015) explore how to aesthetically shape the ecological impact on human existence. The article discusses the performances’ impact on potential responses to the climate crisis. \u0000In NeoArctic, human activities have caused “overflow feedback”: a constant flow of digital vistas of pollution, raging weather, temperature rises alternate with the planet’s eternal processes, while underscored by ambience and operatic electro-pop. The images are front-projected onto the stage backdrop to create a literal overflow of the steadfast choir-performers, in which they almost disappear or become ghostly shadows, implying their imminent demise or insignificance on a planetary scale. \u0000Siku Aapoq engages with Greenland’s melting icecap: two dancers, Norwegian and Inuit, interact with a fabric understood as the melting ice, while enveloped in evocative lights, the crackling of glaciers, Inuit chants, ambience, and jazz. The Norwegian and the Inuit take turns enacting the ice, suggesting the interconnectedness with nature of both cultures. \u0000Both performances seem to invite acceptance of inevitable disaster. Yet, human prevalence is implied in the stagings by convergence of past and future in the present, which suggests that the future is still undecided, and survival depends on an ability to respond to the materiality of the environment that we are already entangled in through a profound sense of beauty. \u0000Theoretically, the analyses mainly draw on agential realism (Karen Barad) in order to outline a “para-Anthropo(s)cene aesthetics” that may reach beyond the human and engage spectators in realizing their ethical entanglement and the call for climate action. Considering intentions and reception, and the dystopian nature of the performances, the responses to climate change that the aesthetics may instigate are discussed.","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"717 1","pages":"44-65"},"PeriodicalIF":0.3,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83132393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Flirtation and Seduction as Dramaturgical Devices in Interactive Acting","authors":"L. Bagger","doi":"10.7146/nts.v24i1.114927","DOIUrl":"https://doi.org/10.7146/nts.v24i1.114927","url":null,"abstract":"","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"91 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74970756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Erik Exe Christoffersen (ed.): Odin Teatret: et Dansk Verdensteater","authors":"Kent T. Nielsen","doi":"10.7146/nts.v24i1.114929","DOIUrl":"https://doi.org/10.7146/nts.v24i1.114929","url":null,"abstract":"","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"149 ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72444858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ola Johansson: Community Theatre and AIDS","authors":"Dirk Gindt","doi":"10.7146/nts.v24i1.114931","DOIUrl":"https://doi.org/10.7146/nts.v24i1.114931","url":null,"abstract":"","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"29 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82275385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"One State, Two Nations","authors":"Zane Radzobe","doi":"10.7146/nts.v24i1.114928","DOIUrl":"https://doi.org/10.7146/nts.v24i1.114928","url":null,"abstract":"","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"15 4 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89787048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}