Simplegadi最新文献_第9页

[rec. to] Lorenzo Mari. Forme dell’interregno. Past Imperfect di Nuruddin Farah tra letteratura post-coloniale e world literature 洛伦佐·马里。过渡时期的形式。努鲁丁·法拉在后殖民文学与世界文学之间的过去缺陷

Simplegadi Pub Date : 2018-11-01 DOI: 10.17456/simple-112

S. Guarracino

引用次数: 3

Hostile Country, Hospitable Language: Telling Stories to Survive History. Contemporary Attempts in British Literature and Theatre to Reshape the Language of Migration 敌对的国家，友好的语言:讲故事，让历史存活。当代英国文学和戏剧重塑移民语言的尝试

Simplegadi Pub Date : 2018-11-01 DOI: 10.17456/SIMPLE-99

D. Salusso

引用次数: 0

In Every Holt and Heath: Spatial Counter-Actions in Contemporary British Literature on Migrants 在每一个霍尔特和希思:当代英国移民文学的空间反作用

Simplegadi Pub Date : 2018-11-01 DOI: 10.17456/SIMPLE-95

P. Deandrea

{"title":"In Every Holt and Heath: Spatial Counter-Actions in Contemporary British Literature on Migrants","authors":"P. Deandrea","doi":"10.17456/SIMPLE-95","DOIUrl":"https://doi.org/10.17456/SIMPLE-95","url":null,"abstract":"I: Abstract II: Focusing on the literature on globalisation’s migrants in contemporary Britain, this article examines the forms of spatial seclusion imprisoning these new slaves – be they refugees, asylum seekers or ‘economic migrants’. More specifically, the contribution concentrates on the institutional forms of spatial imprisonment, highlighting their similarities with illegal exploitation. Works like Kay Adshead’s play The Bogus Woman and collections on refugees such as Refugee Tales, Over Land, Over Sea and A Country of Refuge point to the ways in which migrants are brutally detained and at how subtler forms of institutionally-induced detention are disseminated through the country, while proposing counter-actions which aim at reimagining contested spaces. On this final aspect, the article identifies four main strategies: meta-literary, metaphorical, re-imaginative and re-appropriative. Nell’occuparsi della letteratura sui migranti nella Gran Bretagna della globalizzazione contemporanea, questo articolo prende in esame le forme di segregazione spaziale che imprigionano questi nuovi schiavi – siano essi rifugiati, richiedenti asilo o ‘migranti economici’. Nello specifico, il contributo si concentra sulle forme istituzionali degli spazi di detenzione, mettendone in luce le affinità con le forme di sfruttamento illegale. Opere come The Bogus Woman di Kay Adshead e le raccolte sul tema dei rifugiati come Refugee Tales, Over Land, Over Sea e A Country of Refuge mettono all’indice le modalità in cui i migranti vengono brutalmente detenuti e come forme più subdole di detenzione indotte dalle istituzioni siano disseminate nel territorio; allo stesso tempo, queste opere propongono azioni di contrasto che cercano di re-inventare gli spazi in questione. Su questo aspetto conclusivo, l’articolo identifica quattro strategie principali: meta-letteraria, metaforica, re-immaginativa e riappropriativa.II: Focusing on the literature on globalisation’s migrants in contemporary Britain, this article examines the forms of spatial seclusion imprisoning these new slaves – be they refugees, asylum seekers or ‘economic migrants’. More specifically, the contribution concentrates on the institutional forms of spatial imprisonment, highlighting their similarities with illegal exploitation. Works like Kay Adshead’s play The Bogus Woman and collections on refugees such as Refugee Tales, Over Land, Over Sea and A Country of Refuge point to the ways in which migrants are brutally detained and at how subtler forms of institutionally-induced detention are disseminated through the country, while proposing counter-actions which aim at reimagining contested spaces. On this final aspect, the article identifies four main strategies: meta-literary, metaphorical, re-imaginative and re-appropriative. Nell’occuparsi della letteratura sui migranti nella Gran Bretagna della globalizzazione contemporanea, questo articolo prende in esame le forme di segregazione spaziale che imprigionano ","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43774442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Old Calabria di Norman Douglas come ricerca del senso perduto 诺曼·道格拉斯的《老卡拉布里亚》寻找失去的理智

Simplegadi Pub Date : 2018-11-01 DOI: 10.17456/SIMPLE-109

M. Sette

引用次数: 0

[rec. to] Luigi Cazzato. Sguardo inglese e Mediterraneo italiano. Alle radici del meridionismo 路易吉·迪克。英国和意大利地中海。南方的根基

Simplegadi Pub Date : 2018-11-01 DOI: 10.17456/SIMPLE-115

M. Cariello

引用次数: 1

Places of the Imagination: Ecological Concerns in David Malouf’s “Jacko’s Reach” 想象的地方:大卫·马卢夫《杰克的领地》中的生态问题

Simplegadi Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-57

A. Riem

引用次数: 1

“An art / That Nature makes”: The Alchemical Conception of Art and Nature in Shakespeare’s The Winter’s Tale “艺术/自然创造”:莎士比亚《冬天的故事》中艺术与自然的炼金术概念

Simplegadi Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-80

Martina Zamparo

引用次数: 0

[rec.] The Re-empowerment of Native Canadians through Literature: A Comparison between Lee Maracle’s Goodbye, Snauq and Tomson Highway’s Hearts and Flowers. [In:] Our Story: Aboriginal Voices on Canada’s Past [rec.]通过文学重新赋予加拿大原住民权力：李·马拉克尔的《再见》、《斯奈克》和汤森高速公路的《心与花》之比较。[在：]我们的故事：原住民对加拿大过去的声音

Simplegadi Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-85

G. Barca

引用次数: 0

A climate of Hope 希望的气氛

Simplegadi Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-53

B. Ashcroft

引用次数: 2

‘Hearts of Darkness’ in Shining India. Maps of Ecological Un-Sustainability in the North-East 《闪亮的印度》中的“黑暗之心”。东北部生态不可持续性地图

Simplegadi Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-59

R. Ciocca

{"title":"‘Hearts of Darkness’ in Shining India. Maps of Ecological Un-Sustainability in the North-East","authors":"R. Ciocca","doi":"10.17456/SIMPLE-59","DOIUrl":"https://doi.org/10.17456/SIMPLE-59","url":null,"abstract":"I: Rossella Ciocca ‘Hearts of Darkness’ in Shining India. Maps of Ecological Un-Sustainability in the North-East A number of recent novels have chosen to variously address the existing conditions of the multi-ethnic mosaic of the Indian North-East. These works of fiction shed light upon a dramatic contemporary condition and propound an alternative historical archive able to perturb the current image of India as a neo-liberal, globalized super power. Indeed, in India’s complex, uneven and contradictory patterns of economic and technological progress, perspectives of development prove highly controversial. In Surface, a novella written in 2005 by Siddhartha Deb, set in the Northeastern region and seemingly modeled upon Conrad’s colonial archetype Heart of Darkness, a post-millennial social community of investors, executives, administrators, traders, politicians, journalists, social workers and rebels, inhabit a very complex, and ‘dark’, territorial reality. Abstract II: Il tema delle controverse prospettive dello sviluppo e della globalizzazione in India sono state recentemente oggetto di attenzione narrativa. In particolare questo articolo analizza il romanzo di Siddhartha Deb del 2005 intitolato Surface che mostra come nel Nord-Est della nazione una nuova generazione di scrittori stia cercando di costruire un contro-archivio in grado di contestare l’immagine dell’India come emergente super-potenza globale. Dando conto di tutte le contraddizioni che il modello neo-liberista di sviluppo sta producendo soprattutto nelle zone più periferiche e multi-etniche del paese, il romanzo di Deb, sulla falsariga del modello conradiano, mette a nudo il cuore oscuro del cosiddetto “India Shining”. A number of recent novels have chosen to variously address Indian economic modernization, conjugating fiction with a new environmentalist sensibility. These works shed light upon a dramatic contemporary condition and shape an alternative historical archive able to perturb the emerging image of India as a globalized super power encapsulated within the 2004 electoral slogan “India Shining”1. Indeed, in India’s complex, uneven and often contradictory route towards economic and technological progress, perspectives of development, conceived under the aegis of global capitalism, prove to be highly controversial. Surface, a 1 The “India Shining” slogan was initially conceived as part of an official national campaign intended to promote India internationally. The expression was subsequently used as an electoral slogan in the campaign for the 2004-2005 national elections by the nationalist right-wing formation Bharatiya Janata Party.","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":"1 1","pages":"90-98"},"PeriodicalIF":0.0,"publicationDate":"2017-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46562539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0