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Estetika : The Central European Journal of Aesthetics最新文献

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The Implied Designer of Digital Games 数字游戏的隐含设计师
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.303
Nele Van de Mosselaer, S. Gualeni
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引用次数: 0
Looking through Images: A Phenomenology of Visual Media by Emmanuel Alloa 透过影像看:艾曼纽·阿罗的视觉媒体现象学
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.395
Joachim Rautenberg
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引用次数: 0
What Is Evolutionary Aesthetics? Three Waves 什么是进化美学?三波
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.344
Onerva Kiianlinna
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引用次数: 0
Emilia Dilke on Aesthetics 艾米莉亚·迪尔克论美学
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.328
Alison Stone
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引用次数: 0
Failure as Omission: Missed Opportunities and Retroactive Aesthetic Judgements 作为遗漏的失败:错失的机会和追溯性的审美判断
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.439
Elisabeth Schellekens
{"title":"Failure as Omission: Missed Opportunities and Retroactive Aesthetic Judgements","authors":"Elisabeth Schellekens","doi":"10.33134/eeja.439","DOIUrl":"https://doi.org/10.33134/eeja.439","url":null,"abstract":"In this paper I distinguish between different kinds of failures of aesthetic judgements with a view to exploring a form of failure that involves the outright omission of aesthetic judgement. Such omissions come to pass when an object of attention could or ought to have been experienced and judged aesthetically but where such an experience or judgement simply failed to arise, and can be traced back to at least three kinds of reason: (1) lack of aesthetic quality; (2) lack of appropriate ontological status; and (3) lack of aesthetic prominence. I shall examine some aspects of this kind of failure and argue that a missed opportunity to experience an object of attention’s aesthetic character is a missed opportunity to engage with that object’s aesthetic potential where such potential, although not always accessible to us, can nonetheless retroactively be said to pertain to the object in a meaningful sense also under experientially unfavourable conditions. This warrants talk of rehabilitation to some degree.","PeriodicalId":53570,"journal":{"name":"Estetika : The Central European Journal of Aesthetics","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135446210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aesthetic Absence and Interpretation 审美缺失与解读
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.315
David Fenner
{"title":"Aesthetic Absence and Interpretation","authors":"David Fenner","doi":"10.33134/eeja.315","DOIUrl":"https://doi.org/10.33134/eeja.315","url":null,"abstract":"At least within the last century, artists have produced works that seem to have something missing. Salvatore Garau’s sculpture Sono is (apparently) composed of empty space; the original drawing at the heart of Robert Rauschenberg’s Erased de Kooning Drawing is essentially gone; Rauschenberg’s White Paintings are primarily just white canvases. In this paper, I examine this ‘something missing’ – which I call an ‘aesthetic absence’. These absences are aesthetically relevant to the identities, meaning, and value of the works of art where audiences find such absences, but such relevance can only fully be ascertained and assessed once the absence is resolved, and this resolution comes through an act of interpretation.","PeriodicalId":53570,"journal":{"name":"Estetika : The Central European Journal of Aesthetics","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135446731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contemporary Art and the Problem of Indiscernibles: An Adverbialist Approach 当代艺术与不可分辨的问题:一种状语式的方法
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.283
T. Koblížek
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引用次数: 0
In Defence of Tourists 保护游客
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.343
Michel-Antoine Xhignesse
{"title":"In Defence of Tourists","authors":"Michel-Antoine Xhignesse","doi":"10.33134/eeja.343","DOIUrl":"https://doi.org/10.33134/eeja.343","url":null,"abstract":"It is not uncommon for art historians and philosophers of art to deride the kinds of aesthetic experiences tourists seek out by characterizing them as bowing to the will of the herd, succumbing to peer pressure, or simply seeking out what is popular. Two charges, in particular, tend to be levelled against tourists. The first, which I call the motivation problem, contends that tourists are motivated to seek out aesthetic experiences for the wrong kinds of reasons. The second, which I call the appreciation problem, maintains that tourist tastes are aesthetically uninformed and are thus the inauthentic product of aesthetic luck. But there is a better way of thinking about aesthetic tourism, one that can capture both the tourist’s motivations and the role of aesthetic luck. I argue that aesthetic tourists, like many experts, subscribe to the acquaintance principle, and that doing so generates aesthetic obligations to their practical identity. The tourist, in the end, is no more – and no less – a product of aesthetic luck than the expert connoisseur.","PeriodicalId":53570,"journal":{"name":"Estetika : The Central European Journal of Aesthetics","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135444832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Pictorial Narrator 画报叙述者
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.316
Vanessa Brassey
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引用次数: 0
Why It’s OK to Love Bad Movies by Matthew Strohl 马修·斯特罗尔:为什么喜欢烂电影是可以的
Estetika : The Central European Journal of Aesthetics Pub Date : 2023-01-01 DOI: 10.33134/eeja.418
Paisley Livingston
{"title":"Why It’s OK to Love Bad Movies by Matthew Strohl","authors":"Paisley Livingston","doi":"10.33134/eeja.418","DOIUrl":"https://doi.org/10.33134/eeja.418","url":null,"abstract":"A book review of Matthew Strohl, Why It’s OK to Love Bad Movies. New York: Routledge, 2022, 206 pp. ISBN 9780367407650.","PeriodicalId":53570,"journal":{"name":"Estetika : The Central European Journal of Aesthetics","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135445079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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