{"title":"“Non vide mei di me chi vide il vero”: l’arte “verace” nel girone dei superbi come mise en abyme dell’arte dantesca nella Commedia","authors":"Maria Maślanka-Soro","doi":"10.4467/20843917rc.21.005.13673","DOIUrl":"https://doi.org/10.4467/20843917rc.21.005.13673","url":null,"abstract":"“Non vide mei di me chi vide il vero”: L’art “verace” in the circle of proud as a mise en abyme of Dante’s art in the Comedy The purpose of this study is to discuss the problem of meta-poetic themes in the Divine Comedy, focusing in particular on the relationship between God’s art and Dante’s art in the context of the impression caused by the sight of the rock reliefs in the cornice of the proud in the Purgatorio, where the poet, presenting and imitating the art of God, in fact shows the mastery of his own art. The analysis leads to the conclusion that the examples of humility and pride carved on the walls and the rock path – the perfect work of God-the Artist, vibrant with life and called by Dante visibile parlare – are, on the one hand, a mise en abyme of its macroscopic version, which is the Universe created by him, and, on the other hand, a mise en abyme of the universe narrated with the simile perfection by Dante.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70987210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La política afectiva en Después del invierno de Guadalupe Nettel. Hacia una sociedad más inclusiva","authors":"Mariola Pietrak","doi":"10.4467/20843917rc.21.013.14068","DOIUrl":"https://doi.org/10.4467/20843917rc.21.013.14068","url":null,"abstract":"Affective politics in Guadalupe Nettel’s After the Winter. Towards a more inclusive society This paper proposes an approach to Guadalupe Nettel’s After the Winter from the theory of emotions as understood by Sara Ahmed (2015, 2019). The Mexican author carries out an affective politics that, firstly, tracks the emotions related to otherness (disabled, immigrants); secondly, she resignifies “other bodies” in such a way that they are perceived with positive emotions. She consciously makes use of the emotions of love and melancholy to resist the normalising and repressive discourses of “should be.” It is a novel politics that seeks to come into contact with the reader – it seeks an emotional contagion – whose purpose is clear: a cultural and social change that aims for a more inclusive society.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70987568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"« Faire la vaisselle » ou la mission littéraire selon Matéi Visniec","authors":"Sylwia Kucharuk","doi":"10.4467/20843917rc.21.016.14071","DOIUrl":"https://doi.org/10.4467/20843917rc.21.016.14071","url":null,"abstract":"“Washing the dishes” or the mission of literature according to Matéi Visniec Matéi Visniec can be considered a “committed” author, in the broadest sense of the term, because he often speaks on current socio-political problems. For him, writing is a mission, as evidenced in numerous interviews and the peritexts of his works. This article aims to analyse Visniec’s relationship to literature and to his own writing, as well as to define his literary mission and to analyse the way it manifests itself in his dramatic work.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70987496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La mirada costumbrista de Jerónimo López Mozo sobre la pandemia COVID-19","authors":"J. Nawrot","doi":"10.4467/20843917rc.21.018.14190","DOIUrl":"https://doi.org/10.4467/20843917rc.21.018.14190","url":null,"abstract":"The costumbrista look of Jerónimo López Mozo on the COVID-19 pandemic During 2020 the COVID-19 pandemic affected the entire world. One of the areas that suffered from the situation caused by the virus was culture, and especially the performing arts. To counteract the crisis, various solutions were sought that, on the one hand, would give continuity to theatrical art, and on the other, would maintain the relationship between the artists and the spectators. At the same time, the coronavirus became a subject of literary and theatrical creation, as in the case of five short pieces by Jerónimo López Mozo that have been studied in this article.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70987612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Codificación del movimiento por aprendices checos de españo: influencia de los patrones de pensar para hablar de la L1 en la L2","authors":"Rosa Bocanegra","doi":"10.4467/20843917rc.21.024.14196","DOIUrl":"https://doi.org/10.4467/20843917rc.21.024.14196","url":null,"abstract":"Motion encoding by Czech learners of Spanish: Influence of L1 Thinking-for-Speaking patterns in L2 This paper studies verbal encoding of motion events by Czech advanced learners of Spanish and Spanish native speakers. Since these languages differ in terms of Talmy’s (2000) typology of motion encoding, the study aims to assess to what extent the learners acquired the Thinking-for-Speaking patterns (Slobin 1996) of the L2. To this end, written narratives by natives and learners are examined and compared. The results show that the construction “path verb + manner complement”, a typical structure for verb-framed languages such as Spanish, is used significantly less often by the learners compared with the natives. The results also indicate that L1 interference happens when expressing boundary crossing situations in Spanish by the learners, since they tend to use a Manner of motion verb.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70988149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sui requisiti di una buona comunicazione nel libro di Kamila Miłkowska-Samul (S)cortesia e social network. Opportunità e rischi del dibattito pubblico su Facebook","authors":"Magdalena Bartkowiak-Lerch","doi":"10.4467/20843917rc.21.008.13676","DOIUrl":"https://doi.org/10.4467/20843917rc.21.008.13676","url":null,"abstract":"On the requirements of good communication in the book by Kamila Miłkowska-Samul (S)cortesia e social network. Opportunità e rischi del dibattito pubblico su Facebook The article aims to discuss the latest book by Kamila Miłkowska-Samul, entitled (S)cortesia e social network. Opportunità e rischi del dibattito pubblico su Facebook, published in 2019. It is the second time that the author takes up the subject of the language of Italian politics, this time in a pragmalinguistic and communicative perspective. The interpretation key to which the analysis of numerous examples of politicians’ statements on Facebook was subordinated is the theory of politeness (or impoliteness). The reader will also find an in-depth study of individual theoretical component issues: concerning the language of the Internet, politics, and the already mentioned theory of politeness and related sociopragmalinguistic issues.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70987041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Les traductions polonaises des Lettres persanes de Montesquieu","authors":"P. Matyaszewski","doi":"10.4467/20843917rc.21.006.13674","DOIUrl":"https://doi.org/10.4467/20843917rc.21.006.13674","url":null,"abstract":"Polish translations of Montesquieu’s Persian Letters The purpose of the present article is to show the history of Polish translations of a famous epistolary novel Persian Letters written in 1721 by Montesquieu. In his work, the author neither introduces linguistic matters of the translations, nor he analyses their correctness; however, he presents strictly historical and cultural aspects of the process of translation. What is more, the article aims at presenting the intentions of Polish translators, the historical context of their work and its importance for a Polish reader. Regardless of the era when they produced their translations, starting as early as the eighteenth century, Polish translators always saw in Montesquieu’s Persian Letters something more than a simple and light epistolary novel of the Regency era.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70987275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La formula di saluto «salve» nell’insegnamento della lingua italiana come lingua straniera (livello di competenza A1)","authors":"Alicja Paleta","doi":"10.4467/20843917rc.21.010.14065","DOIUrl":"https://doi.org/10.4467/20843917rc.21.010.14065","url":null,"abstract":"The greeting formula “salve” in teaching Italian as a foreign language at reference level A1 The aim of this this paper is to examine the greeting formula “salve” in the context of teaching Italian as a foreign language at A1 level of competence. First, the topic is investigated from the perspective of pragmatics and communicative competence. Then we analyse a range of teaching materials to see how “salve” is realized on a more practical level and to check how the authors of the coursebooks understand its function.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70987694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Caligula : malade mental ou fou de lucidité ? (Rostworowski et Camus)","authors":"Renata Jakubczuk","doi":"10.4467/20843917rc.21.015.14070","DOIUrl":"https://doi.org/10.4467/20843917rc.21.015.14070","url":null,"abstract":"Caligula: Mental illness or lucid madman? (Rostworowski and Camus) This article – focused on two plays about the Roman Emperor Caligula – has a double objective: firstly, it puts aside two dramatic versions of history of Caligula, and, secondly, it asks a question whether it is more legitimate to consider Caligula as a madman or as a mental patient. After introducing the playwrights Karol Hubert Rostworowski and Albert Camus, as well as the basic terminological concepts concerning the notion of madness and mental illness, the article analyses the symptoms of the illness and the madness included in the studied texts.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70987836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La révolte et la croix : Paul Claudel de La Ville","authors":"Boštjan Marko Turk","doi":"10.4467/20843917rc.21.019.14191","DOIUrl":"https://doi.org/10.4467/20843917rc.21.019.14191","url":null,"abstract":"The revolt and the cross : Paul Claudel from La Ville The second variant of La Ville, written in the light of conversion in 1886, bears the marks of readings made by the author at a crucial moment in the evolution of his thought. Apart from the declared animosities (towards Renan and Taine, above all), the spirit of revolt, as well as the reminiscences of the natural disaster, bring to mind Claudel’s enthusiasm for the Illuminations. But that’s not the only source of inspiration. Claudel, in the throes of conversion, introduces the Judeo-Christian narrative to thwart the enigma of predestination. La Ville is also based on Christian eschatological symbols : at the end of the drama these allow the son of the poet (Coeuvre) and his muse (Lâla) to carry out the general conversion. The kingdom of heaven is now, mutatis mutandis, within the reach of humankind.","PeriodicalId":53485,"journal":{"name":"Romanica Cracoviensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70988326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}