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Samuel Beckett Today/Aujourd''hui最新文献

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La dilution du point ou le travail du point ‘cassant’ dans l’ œuvre de Beckett 稀释点或点‘功cassant’ 贝克特的作品中
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-04-11 DOI: 10.1163/18757405-03101003
Karine Germoni
{"title":"La dilution du point ou le travail du point ‘cassant’ dans l’ œuvre de Beckett","authors":"Karine Germoni","doi":"10.1163/18757405-03101003","DOIUrl":"https://doi.org/10.1163/18757405-03101003","url":null,"abstract":"\u0000 La dilution du point dans la littérature contemporaine prend la forme chez Beckett d’ un point ‘cassant’ récurrent dont le traitement, en regard des paramètres syntaxique et générique, évolue dans la diachronie. Ce sont les modalités des mises en œuvre de ce point ‘cassant,’ qui réverbèrent les problématiques et la poétique de l’ entre-deux au cœur de l’ opus beckettien, leurs effets, leur charge stylistique et poétique, que nous nous proposons d’ étudier dans le théâtre et la prose de l’ auteur, en puisant nos différents exemples dans les périodes les plus représentatives de son œuvre.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73446880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“je crois peut-être que tout est vrai” "也许我相信一切都是真的"
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-04-11 DOI: 10.1163/18757405-03101006
M. Jeantroux
{"title":"“je crois peut-être que tout est vrai”","authors":"M. Jeantroux","doi":"10.1163/18757405-03101006","DOIUrl":"https://doi.org/10.1163/18757405-03101006","url":null,"abstract":"\u0000 Le chemin qui mène des premiers manuscrits de Fin de partie à la dernière révision du texte sur la scène londonienne en 1980 est celui d’ un déploiement de l’ incertitude. Cette esthétique de l’ ambiguïté procède par toute une série de gommages et de déplacements qui clôturent l’ espace scénique, rendent équivoque la situation des personnages et donnent à lire, dans le processus même de l’ écriture, une poétique du doute qui interroge l’ origine et le sens de la création littéraire.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82036020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Writing and Staging Play 剧本与舞台表演
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-04-11 DOI: 10.1163/18757405-03101011
O. Beloborodova
{"title":"Writing and Staging Play","authors":"O. Beloborodova","doi":"10.1163/18757405-03101011","DOIUrl":"https://doi.org/10.1163/18757405-03101011","url":null,"abstract":"\u0000 The archival turn in Beckett studies has revealed a wealth of material that, despite being discarded or reworked, remains a valuable source of information on Beckett’s modus operandi as a writer. This article examines the genesis of Play from the postcognitive angle of extended cognition, and demonstrates how the author’s mind, contrary to the generally accepted Cartesian internal-external opposition, extends beyond the boundaries of skin and skull and forms a hybrid cognitive system with the emerging text in the drafts. Influenced by a number of other external factors, including the play’s first performances, Play was shaped by an intense and continuous interaction between several environmental elements and can serve therefore as an example of extended cognition in creative writing.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91120224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Occasional extinction or more likely occultation” “偶尔消失或更可能是掩星”
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-04-11 DOI: 10.1163/18757405-03101007
W. Davies
{"title":"“Occasional extinction or more likely occultation”","authors":"W. Davies","doi":"10.1163/18757405-03101007","DOIUrl":"https://doi.org/10.1163/18757405-03101007","url":null,"abstract":"\u0000 This article analyses Samuel Beckett’s unpublished prose piece “Long Observation of the Ray” (UoR MS 2909; 1975–1976) and considers the formal, thematic, and intertextual aspects of the text in order to reflect on its ‘abandoned’ status. By drawing attention to possible sources for the linguistic and descriptive choices that Beckett makes throughout the manuscript, the article argues that the text represents a partial return to the author’s abiding interest in calculations of light and distance first prompted by his study of astronomy, a return which he uses to further his experimentation with form and structure in “Long Observation of the Ray” and beyond.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87510917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
“A thing I carry about with me” "我随身携带的东西"
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-04-11 DOI: 10.1163/18757405-03101009
Pim Verhulst
{"title":"“A thing I carry about with me”","authors":"Pim Verhulst","doi":"10.1163/18757405-03101009","DOIUrl":"https://doi.org/10.1163/18757405-03101009","url":null,"abstract":"\u0000 This article discusses Sisyphus as a recurrent (philosophical) image in Samuel Beckett’s work. Starting from his prewar reading notes, it moves on to the 1940s and the radio play All That Fall (1956), which is studied in light of Albert Camus’s essays Le Mythe de Sisyphe (1942) and L’ Homme révolté (1951). By focussing on how the radio play deals with the absurd, revolt, suicide and murder, the article reads All That Fall as one of Beckett’s most critical but overlooked engagements with Camus, merging classical and modern versions of the character Sisyphus.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85392652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Samuel Beckett’s Translations of Latin American Poets for UNESCO 塞缪尔·贝克特为联合国教科文组织翻译的《拉丁美洲诗人》
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-04-11 DOI: 10.1163/18757405-03101005
M. Carrera
{"title":"Samuel Beckett’s Translations of Latin American Poets for UNESCO","authors":"M. Carrera","doi":"10.1163/18757405-03101005","DOIUrl":"https://doi.org/10.1163/18757405-03101005","url":null,"abstract":"\u0000 Samuel Beckett’s self-avowed slight acquaintance with the Spanish language did not prevent him from tackling the translation of a poem by the Chilean Gabriela Mistral, as well as a whole anthology of Mexican poetry. Little attention has been paid to this sideline in Beckett’s career. This paper contextualizes Beckett’s involvement in these two UNESCO projects and shows, with recourse to his translation manuscripts, the intensity of the author’s work despite his distaste for these commissions.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76734060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Namelessness from Artaud to Beckett 无名从亚陶到贝克特
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-04-11 DOI: 10.1163/18757405-03101010
S. Slote
{"title":"Namelessness from Artaud to Beckett","authors":"S. Slote","doi":"10.1163/18757405-03101010","DOIUrl":"https://doi.org/10.1163/18757405-03101010","url":null,"abstract":"\u0000 After a period of electroshock therapy, Antonin Artaud claimed to have been able to regain his name and sense of self. The dehiscence of name and identification is reprised in Artaud’s final work, the radio play Pour en finir avec le jugement de Dieu. This consists of five texts, read by four people. Each text is followed by unintelligible, glossolalic screams performed by Artaud, as if Artaud were reacting against the speech acts performed by others in his name. The structure of this play suggests the predicament of Beckett’s Unnamable: an entity reacting in pain to its attempts to articulate itself in a language that is not his, but theirs.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81522891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Pentimenti Principle 笔刷原则
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-04-11 DOI: 10.1163/18757405-03101004
D. Hulle
{"title":"The Pentimenti Principle","authors":"D. Hulle","doi":"10.1163/18757405-03101004","DOIUrl":"https://doi.org/10.1163/18757405-03101004","url":null,"abstract":"\u0000 Considering deleted passages in a manuscript as a draft’s “draff,” this article investigates the status of such cancelled passages. Since they did not make it into the published text, are they still part of that work, or where do they belong? The proposed pentimenti model suggests a possible answer to this question by comparing cancelled passages to what in the visual arts are the visible traces of earlier painting beneath the top layer. The manuscripts of Beckett’s Fin de partie / Endgame in the recent digital genetic edition of the Beckett Digital Manuscript Project serve as a case study to illustrate this pentimenti model.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74873682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Angels in the Archive 档案中的天使
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-04-11 DOI: 10.1163/18757405-03101002
Helen Bailey
{"title":"Angels in the Archive","authors":"Helen Bailey","doi":"10.1163/18757405-03101002","DOIUrl":"https://doi.org/10.1163/18757405-03101002","url":null,"abstract":"\u0000 Beckett’s treatment of the “mixed choir of angels” in Watt complicates the relationship between archive and text. While references to this musical source were largely excised by the author, traces left behind in the published text(s) raise questions about whether it should be discounted as detritus. This paper explores how Beckett’s consignment of celestial music to the archive enacts a form of Heideggerian vermeiden, where the ‘spiritual’ potential of music is revealed only by avoiding its expression. From outside the published work, the choir haunts the text, anticipated though never arriving, yet always already present in its genesis.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82911791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Echo’s Bones 回声的骨头
IF 0.2
Samuel Beckett Today/Aujourd''hui Pub Date : 2019-01-29 DOI: 10.2307/j.ctvbcd17n.5
Samuel J. Beckett, M. Nixon
{"title":"Echo’s Bones","authors":"Samuel J. Beckett, M. Nixon","doi":"10.2307/j.ctvbcd17n.5","DOIUrl":"https://doi.org/10.2307/j.ctvbcd17n.5","url":null,"abstract":"","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85574151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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