The Pentimenti Principle

IF 0.3 0 LITERARY THEORY & CRITICISM
D. Hulle
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引用次数: 0

Abstract

Considering deleted passages in a manuscript as a draft’s “draff,” this article investigates the status of such cancelled passages. Since they did not make it into the published text, are they still part of that work, or where do they belong? The proposed pentimenti model suggests a possible answer to this question by comparing cancelled passages to what in the visual arts are the visible traces of earlier painting beneath the top layer. The manuscripts of Beckett’s Fin de partie / Endgame in the recent digital genetic edition of the Beckett Digital Manuscript Project serve as a case study to illustrate this pentimenti model.
笔刷原则
本文将原稿中被删减的段落视为草稿的“草稿”,考察这些被删减的段落的地位。既然它们没有出现在出版的文本中,它们是否仍然是作品的一部分,或者它们属于哪里?提出的画笔模型提出了一个可能的答案,通过将取消的段落与视觉艺术中早期绘画在顶层下的可见痕迹进行比较。在贝克特数字手稿项目最近的数字基因版中,贝克特的《最后的派对/终局》手稿作为一个案例研究来说明这种批注模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
22
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