Geohumanities最新文献

{"title":"What Color Is This Place?","authors":"T. Edensor","doi":"10.1080/2373566x.2023.2188095","DOIUrl":"https://doi.org/10.1080/2373566x.2023.2188095","url":null,"abstract":"","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"79 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76665452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On Art and Experimentation as Geographical Practice","authors":"M. Kelly, Nick Lally, Philip J. Nicholson","doi":"10.1080/2373566x.2023.2187313","DOIUrl":"https://doi.org/10.1080/2373566x.2023.2187313","url":null,"abstract":"","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"1 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81288459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ballet in a Box: Iso-Ballet, Lockdown, and the Reconstruction of the Domestic Space","authors":"P. Atkinson, Michelle Duffy, J. Ailwood","doi":"10.1080/2373566x.2023.2188064","DOIUrl":"https://doi.org/10.1080/2373566x.2023.2188064","url":null,"abstract":"In the first wave of the Covid-19 pandemic, the principal mitigation strategies were physical distancing and the dramatic restriction of socializing with others. The absence of live performances meant arts institutions had to reconsider their relationship with audiences and thoroughly rethink what they do. While many institutions uploaded videos of past performances, some dance companies created new performances specifically for online media that have provided an opportunity for dancers to remain active and visible during the COVID lockdowns. We borrow the term iso-dance to collectively refer to these performances, a term that succinctly invokes both the medium (dance) and the conditions under which the performance is conducted (isolation). We examine how performances of ballet dancers from professional companies were informed by the home environment. We propose the examination of iso-ballet helps us understand relationships between video, bodily movement and the particular affordances of the home, as well as invite us to question the ways we inhabit and constitute places through creative, bodily practices. (English) [ FROM AUTHOR] Durante la primera oleada de la pandemia del COVID-19, las principales estrategias de mitigación fueron el distanciamiento físico y la dramática restricción de socializar con los demás. La ausencia de actuaciones escénicas en directo significó que las instituciones de arte tuvieran que reconsiderar lo que hacían. Si bien muchas de las instituciones subieron videos de actuaciones anteriores, algunas compañías de baile montaron nuevas actuaciones destinadas específicamente a los medios en línea, que han proporcionado a los bailarines la oportunidad de continuar activos y visibles durante los encierros por el COVID. Tomamos en préstamo la expresión iso-danza para referirnos colectivamente a estas representaciones, una expresión que de modo sucinto invoca tanto al medio (la danza) como las condiciones bajo las cuales se conduce la actuación (aislamiento). Examinamos cómo el entorno hogareño pudo influir en las actuaciones de los bailarines de ballet de las compañías profesionales. Proponemos que el examen del iso-ballet nos ayude a entender las relaciones entre vídeo, el movimiento corporal y las posibilidades particulares del hogar, igual que nos invite a cuestionar las formas como habitamos y construimos lugares por medio de prácticas creativas y corpóreas. (Spanish) [ FROM AUTHOR] COVID-19初期的主要应对措施, 是保持距离和尽量限制社交。现场演出的禁止, 意味着艺术团体必须重新考虑与观众的关系、彻底重新思考其工作。许多艺术团体上传了之前的演出视频, 一些舞蹈公司还在网络媒体创作了新的演出, 为舞者在COVID-19封锁期间保持活跃度和关注度提供了机会。我们将这些演出统称为\"隔离舞蹈”, 以简洁地涵盖媒介（舞蹈）和演出条件（隔离）。我们研究了住宅环境如何影响专业公司芭蕾舞演员的演出。我们认为, 对\"隔离芭蕾舞”的研究, 有助于理解视频、身体活动和住宅条件之间的关系, 并通过创造性身体行为去质疑我们占据和构建场所的方式。 (Chinese) [ FROM AUTHOR] Copyright of GeoHumanities is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email ","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"20 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77772577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Wake Work: Unearthing the Legacy of Slavery at the United States’ First Publicly Chartered University","authors":"R. Berry, J. Rice, A. Trauger, Haley R DeLoach, Amelia H. Wheeler, A. Hilton","doi":"10.1080/2373566x.2023.2170813","DOIUrl":"https://doi.org/10.1080/2373566x.2023.2170813","url":null,"abstract":"","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"68 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87645205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Legal Pluralism on Dyarubbin: Country-as-Lore/Law in Western Sydney, Australia","authors":"","doi":"10.1080/2373566x.2023.2182699","DOIUrl":"https://doi.org/10.1080/2373566x.2023.2182699","url":null,"abstract":"","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"17 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85281683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reciprocity: An Ethos “More Than Human”","authors":"Joseph P. Brewer II, Jay T. Johnson","doi":"10.1080/2373566x.2022.2158899","DOIUrl":"https://doi.org/10.1080/2373566x.2022.2158899","url":null,"abstract":"","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"27 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80474695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Did You Hear? Mavericks Is Closing!” Punk Refusal of Gentrified Endings","authors":"Sarah B. Gelbard","doi":"10.1080/2373566X.2023.2180418","DOIUrl":"https://doi.org/10.1080/2373566X.2023.2180418","url":null,"abstract":"Decades of experience with closed, relocated, and renamed venues, make punks very familiar with cycles of gentrification. Often established in edge neighborhoods, punk venues participate in reproducing the “grit” of urban decline and subculture. Urban revitalization plans that promise community, livability, and culture, rarely leave spaces for established punk community and subculture. The newly branded Retail, Arts, and Theatre District in Ottawa, Canada is a case study in cultural urban development that operationalizes creative placemaking and its future-oriented visions of urban revitalization through cultural spaces and activities. Although the city’s Official Plan celebrates that existing cultural venues add diversity to the district, the pressure placed on punk venues by surrounding development reveal that not all venues are to be recognized by the city as legitimate or desirable forms of either diversity or culture. Close readings of official city planning documents, urban histories, development proposals, and marketing literature are juxtaposed with auto-ethnographic, storytelling, punk histories, and song writing. I argue that punk counter-cultural placemaking practices provide counter-information, counter-environments, and counter-temporalities to space in the city to resist gentrification and refuse displacement as endings. Gentrification kills punk. But punk always comes back, finds new places, haunts old sites, and remembers its past.","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"6 1","pages":"211 - 229"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85288781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Hostile Terrain 94, Installation, and Meditative Explorations of the US-Mexico Borderlands","authors":"Misha Hadar, Jared D. Margulies","doi":"10.1080/2373566X.2022.2160367","DOIUrl":"https://doi.org/10.1080/2373566X.2022.2160367","url":null,"abstract":"In the fall semester of 2021, we organized and curated the participatory art project Hostile Terrain ‘94 at the University of Alabama. The project, conceived and developed by the Undocumented Migration Project, consists of ∼3,200 toe-tags carrying information of deceased migrants found on the US side of the US-Mexico border in the Sonoran Desert. They produce a map of tremendous death. The project allowed participating institutions to make their own decisions regarding how to coordinate the creation of the material and staging and curation of the final exhibition. Apart from its importance as a way of engaging a public with the often-unseen consequences of US border policy and policing, it is also an experiment in collaborative art making. What kind of experience did we want to structure for those taking part in creating the materials? How were we going to stage the encounter with the finished materials? We discuss organizing the creation of materials, setting up the installation, and the period when the project was open to the public to highlight two elements that were of special importance in the process: the subject position engaged by the project, and the meditative practice proposed by the installation.","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"32 1","pages":"140 - 157"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77921881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Beyond the Flâneur: Urban Walking as Peripatetic Phenomenological Pedagogy","authors":"U. Strohmayer","doi":"10.1080/2373566X.2022.2154690","DOIUrl":"https://doi.org/10.1080/2373566X.2022.2154690","url":null,"abstract":"This essay analyses a key motif in geographical scholarship: the most basic form of mobility achieved by an abled-bodied person engaging in acts of walking. By embedding “walking” firmly within a phenomenological tradition, the essay places “being mobile” qua walking within a field of enquiry that conceptualises an embodied form of mobility as both enabling and limiting. Building furthermore from a growing body of literature that has differentiated between “walking” as an active form of engagement and a host of different geographically relevant modes of being, the paper adds a specifically epistemological set of considerations in an attempt critically to contribute to existing literatures and to interrogate the embodied practice of walking. Key in this endeavour is the contribution mobile modes of existence make to the construction of knowledge about the social world. The paper concludes with a prolegomena that recasts walking in the form of a geographically informed pedagogical practice.","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"3 1","pages":"78 - 101"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90929063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"What Remains? Salvaging Meaning from “Dementia Friendly Communities” Using Cut-Ups and Collage","authors":"Aelwyn Williams","doi":"10.1080/2373566X.2022.2150260","DOIUrl":"https://doi.org/10.1080/2373566X.2022.2150260","url":null,"abstract":"This paper explores the possibilities of using alternative forms of analysis when thinking about “dementia friendly communities,” a recent if not by now historic phenomenon. Using ethnographic methods, I ask the question: what remains beyond, in excess of, and is never quite captured in discourses around such communities, if they exist? Dementia is an elusive concept, often appearing as personal disruption, and often threatening the ways that contemporary lives are ordered. I ask whether there is value in questioning the fragmentary remains of researching dementia friendly communities from a different angle, by approaching the disparate assemblage of materials, fieldnotes, photos, recordings of ordinary practices, of state practices, through more creative means? Taking inspiration from the avant-garde techniques of William S. Burroughs, in particular cut-ups and collage, the aim here has been to pay attention differently and move beyond what is already known.","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"15 1","pages":"170 - 190"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83446876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}