SVMMA Pub Date : 2016-06-21 DOI: 10.1344/SVMMA2016.7.10

Cécile Voyer

{"title":"Between Heavenly and Earthly Liturgy: The Paintings in the Chapel of the Abbey House of Moissac (end of the 12th Century)","authors":"Cécile Voyer","doi":"10.1344/SVMMA2016.7.10","DOIUrl":"https://doi.org/10.1344/SVMMA2016.7.10","url":null,"abstract":"A wall-painting programme of great quality dating from the late twelfth century is extant in the late eleventh-century lower chapel of the medieval tower located northeast of the apse of the abbey church of Moissac. It is possible that this area belonged to the hotel Sainte-Foy, which fourteenth-century texts called the aula of the abbot. On the west wall of the chapel, a Tree of Jesse stretches across the barrel vault. The prophets, originally twelve, complete the central image. They are connected to the Apostolic College associated with the Christ Pantocrator placed next to depiction of Christ’s lineage. Besides the semantic richness of each image, their association in the space of the chapel is particularly significant. The polysemic programme evokes not only the continuity between the Old and New Testaments, but also, especially, the reaffirmation of the dual nature of Christ in the liturgical space and the meaning of the Church of Christ. Upon their completion, the paintings of the chapel were the subject of particular attention: they were enriched with glass and metal cabochons, precious pigments, and gold, generating effects for the benefit of the viewers-actors who stood in this space. We will look into both the meaning of these images and the staging of the sacred in a place of private devotion that was reserved for the abbot and the prestigious guests of the abbey.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"7 1","pages":"1-19"},"PeriodicalIF":0.0,"publicationDate":"2016-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66438287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Entre liturgie céleste et liturgie terrestre: les peintures de la chapelle du logis abbatial de Moissac (fin du XIIe siècle) 在天上的礼拜仪式和地上的礼拜仪式之间:莫伊萨克修道院教堂的绘画(12世纪末)

SVMMA Pub Date : 2016-01-01 DOI: 10.1344/svmma2016.7.2

C. Voyer

{"title":"Entre liturgie céleste et liturgie terrestre: les peintures de la chapelle du logis abbatial de Moissac (fin du XIIe siècle)","authors":"C. Voyer","doi":"10.1344/svmma2016.7.2","DOIUrl":"https://doi.org/10.1344/svmma2016.7.2","url":null,"abstract":"Dans la chapelle inferieure - construite a la fin du XIe siecle - de la tour medievale, situee au nord-est du chevet de l’eglise abbatiale de Moissac, a ete conserve un decor peint d’une grande qualite, datant de la fin du XIIe siecle. Il est possible que cet espace ait appartenu a l’hotel Sainte-Foy, designe par les textes du XIVe siecle comme l’aula de l’abbe. Sur le mur occidental de la chapelle est figure un arbre de Jesse qui s’etire sur la voute en berceau plein cintre. Des prophetes, initialement au nombre de douze, completent l’image centrale. Ils repondaient au college apostolique associe a la Maiestas Domini, juxtaposee a l’arbre de la lignee christique. Outre la richesse semantique de chacune des images, leur association dans l’espace de la chapelle est particulierement signifiante. Polysemique, le decor evoque non seulement la continuite entre l’Ancien et le Nouveau Testament, mais surtout la reaffirmation de la double nature du Christ dans l’espace liturgique et le sens de l’Eglise du Christ. Au moment de leur realisation, les peintures de la chapelle ont fait l’objet d’un soin particulier : des inclusions de cabochons en verre ou en metal, des pigments precieux et des apports d’or les enrichissaient, generant des effets sur les spectateurs-acteurs qui se tenaient dans cet espace. Nous nous interesserons donc a la signification de ces images, a la mise en scene du sacre dans un lieu de devotion privee, reserve a l’abbe et aux hotes de prestige accueillis dans l’abbaye.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"1-19"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66438128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

«Ni lla pora nuza baisar» amore fisico e ragionamenti d’amore nel manoscritto illustrato del Roman de Jaufre 《罗马约夫雷图画书》中的《肉体之爱与爱情推理》

SVMMA Pub Date : 2016-01-01 DOI: 10.1344/svmma2016.7.6

Anna-Lisa Vitolo

引用次数: 0

From Roman to Romanesque Lutes. An Archaeomusical Research on the History of Western Lutes Before the 13th Century. 从罗马到罗马式鲁特琴。13世纪以前西方琵琶历史的考古研究。

SVMMA Pub Date : 2016-01-01 DOI: 10.1344/svmma2016.8.12

O. Féraud

引用次数: 1

Del «forum Granate» a la fira de Vilafranca. Origen, creació i articulació d’una xarxa de mercats al Penedès feudal (segles ix-xii) 从Granate论坛到Vilafranca分支机构。封建半岛市场网络的起源、创建和表达

SVMMA Pub Date : 2015-12-21 DOI: 10.1344/svmma2015.6.5

M. Sala

{"title":"Del «forum Granate» a la fira de Vilafranca. Origen, creació i articulació d’una xarxa de mercats al Penedès feudal (segles ix-xii)","authors":"M. Sala","doi":"10.1344/svmma2015.6.5","DOIUrl":"https://doi.org/10.1344/svmma2015.6.5","url":null,"abstract":"Amb l’objectiu de millorar el nostre coneixement sobre el paper dels mercats en el proces de genesi i consolidacio del feudalisme, aquest treball analitza l’origen de la xarxa d’intercanvis desenvolupada al territori del Penedes entre els segles IX i XII. L’estudi integrat de fonts documentals, arqueologiques i territorials, i la utilitzacio dels Sistemes d’Informacio Geografica (GIS) en la representacio i analisi de les dades, permet acostar-nos al proces d’articulacio de la xarxa de mercats medieval. L’encontre comercial mes antic del Penedes feudal fou el de la Granada, celebrat sobre el tracat de la Via Augusta. A partir del segle XII la seva ascendencia va veure’s eclipsada per l’aparicio del mercat i fira de Vilafranca del Penedes, que ben aviat es convertira en el mercat mes important d’aquest territori. L’estudi de les motivacions politiques i economiques que ocasionaren aquest canvi de jerarquia ens ajuden a entendre la logica territorial i comercial del feudalisme. Assistim al proces de creacio d’una xarxa de mercats solida i ben articulada, liderada per Vilafranca de Penedes i reforcada, a partir del segle XIII, per la institucio de nous mercats i fires capacos d’abastir, amb el seu radi d’influencia, tot el territori penedesenc.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"45 1","pages":"67-86"},"PeriodicalIF":0.0,"publicationDate":"2015-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66438125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

La arqueta de Hišām: su epigrafía 嗨的arquetašām:你的金石学

SVMMA Pub Date : 2015-12-21 DOI: 10.1344/svmma2015.6.2

Ana Labarta

引用次数: 1

The Casket of Hisham and its Epigraphy 希沙姆的棺材及其铭文

SVMMA Pub Date : 2015-12-21 DOI: 10.1344/svmma2015.6.10

A. Labarta

引用次数: 0

Figures and Letters. A Methodological Remark on the Inscriptions in Catalan Romanesque Mural Paintings 数字和字母。加泰罗尼亚罗马式壁画铭文的方法论评析

SVMMA Pub Date : 2015-12-21 DOI: 10.1344/svmma2015.6.12

Vincent Debiais