Heranca Pub Date : 2023-05-13 DOI: 10.29073/heranca.v6i2.642

Sofia Silva

{"title":"A ÓPERA DE PEQUIM DOS PRIMEIROS 17 ANOS DA REVOLUÇÃO CHINESA (1949–1966)","authors":"Sofia Silva","doi":"10.29073/heranca.v6i2.642","DOIUrl":"https://doi.org/10.29073/heranca.v6i2.642","url":null,"abstract":"O presente trabalho tem por objetivo uma análise à influência das políticas para a ópera de Pequim adotadas pelo governo encabeçado por Mao Zedong na encenação de peças do repertório tradicional (pré-1949), nomeadamente ao nível da trama e caracterização das personagens, argumentando que as políticas estabelecidas conduziram a uma revisão mais ou menos profunda de algumas obras de acordo com os novos valores e ideias a disseminar pelo Partido Comunista Chinês (PCC), não deixando, contudo, de manter um conjunto de elementos considerados “prejudiciais” como forma de retratar a condição humana na sociedade “feudal” chinesa. Numa primeira secção, será feita uma apresentação geral da ópera de Pequim, enumerando as principais características e desenvolvimento histórico até à primeira metade do séc. XX. Na segunda secção, apresentar-se-ão as medidas adotadas pelo PCC para a ópera ao longo dos primeiros dezassete anos da China Comunista, divididos em três períodos, cada um deles marcado por um slogan que ditaria a atitude a tomar para com a forma artística. Por fim, na terceira secção, será analisado o impacto destas políticas na revisão de duas peças: “Afronta ao Pai Tirano” (yuzhou feng) e “As Bodas de Niu Gao” (Niu Gao zhao qin).","PeriodicalId":53165,"journal":{"name":"Heranca","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49191256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ERA UMA VEZ O OLD BLANDY'S WINE LODGE — INVESTIMENTOS IMOBILIÁRIOS E ESTRATÉGIAS EMPRESARIAIS NA MADEIRA (1811–1855) 很久以前，老布兰迪的葡萄酒旅馆-马德拉的房地产投资和商业策略(1811 - 1855)

Heranca Pub Date : 2023-05-13 DOI: 10.29073/heranca.v6i2.656

António Silva

引用次数: 0

CONTEXTUALISING THE CONTESTED: XR AS EXPERIMENTAL MUSEOLOGY 将有争议的xr作为实验博物馆学进行语境化

Heranca Pub Date : 2023-03-08 DOI: 10.29073/heranca.v6i1.676

Joanna Rivera-Carlisle

{"title":"CONTEXTUALISING THE CONTESTED: XR AS EXPERIMENTAL MUSEOLOGY","authors":"Joanna Rivera-Carlisle","doi":"10.29073/heranca.v6i1.676","DOIUrl":"https://doi.org/10.29073/heranca.v6i1.676","url":null,"abstract":"Museums are becoming increasingly multi-medial experiences and with the emergence of the metaverse (Coates, 2021), immersive technologies (XR) are projected to form an important part of future museum experiences. With options to provide a multiplicity of non-hierarchical information, support individualised paths through exhibitions, and experiential visits, XR has the potential to help keep visitors engaged around complex and nuanced information (Mulcahy, 2017). Working on devices that most museum visitors already own, XR technologies present a promising move towards more inclusivity, accessibility, and active audience engagement. Contributing to research on the multiple uses of XR in UK museums, this paper focuses on how XR can be operationalised to address contested displays in Western museums. Using an external app for the British Museum as an example, this paper discusses the challenges arising from this intersection, including the entrenchment of immersive technologies in colonial power dichotomies, the risks of performative virtual interventions, and the conflicting agencies museums, companies, and individuals must navigate in this context. The author suggests, as a possible experimental approach, wiki-based XR interactions which engage with non-Eurocentric epistemologies and are co-created by communities commonly disenfranchised in Western museum spaces.","PeriodicalId":53165,"journal":{"name":"Heranca","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69682258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

AUGMENTED REALITY SUPPORTED PARTICIPATORY WEB PLATFORM TO TRACK EASTERN ANATOLIAN CARAVANSERAIS 增强现实支持参与式网络平台跟踪东安纳托利亚商队

Heranca Pub Date : 2023-03-08 DOI: 10.52152/heranca.v6i1.678

Gülce Kirdar, Feyza Nur Kocer Ozgun, Özgün Balaban, Güzden Varinlioğlu

引用次数: 1

DIGITAL KITAMBO: DECOLONISING NARRATIVES AND BRINGING THE PAST INTO THE FUTURE AT THE NATIONAL MUSEUMS OF KENYA 数字kitambo:肯尼亚国家博物馆的非殖民化叙事，将过去带入未来

Heranca Pub Date : 2023-03-08 DOI: 10.29073/heranca.v6i1.667

Kristina Wright, David Wright, Nicholas Whltshire, Jenna Lavin

{"title":"DIGITAL KITAMBO: DECOLONISING NARRATIVES AND BRINGING THE PAST INTO THE FUTURE AT THE NATIONAL MUSEUMS OF KENYA","authors":"Kristina Wright, David Wright, Nicholas Whltshire, Jenna Lavin","doi":"10.29073/heranca.v6i1.667","DOIUrl":"https://doi.org/10.29073/heranca.v6i1.667","url":null,"abstract":"The Swahili word ‘kitambo’, which refers to occurrences in the past that are understood to be at least indirectly connected to the speaker, can be used to describe experimental museology through digital cultural heritage. There is a need to improve access and enhance conservation goals within African cultural heritage institutions, and the National Museums of Kenya (NMK) has been developing innovative technologies and communication tools with the Kenya Heritage Resource Information System (KEHRIS). This paper will discuss Digital Kitambo—a pilot project completed at NMK from 2013 – 2019 to create the spatially integrated database KEHRIS, digitise 10,000 artefacts and specimens from the archaeology and palaeontology collections, and develop digital learning programmes to engage a wider audience. Qualitative research methodology included participant observation, qualitative interviews and focus groups with museum staff as well as focus groups with primary and secondary teachers to develop curricula for local schools. This paper traces the evolution of Digital Kitambo from its inception and reflects on both the successes and shortcomings of the initiative with particular attention to its goals of decolonising the museum’s collections and contributing to new national narratives by engaging the public through digital initiatives.","PeriodicalId":53165,"journal":{"name":"Heranca","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69682147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

FROM “EXHIBITION” TO “LABORATORY”: RETHINKING CURATORIAL PRACTICES THROUGH A DIGITAL EXPERIMENTAL PROJECT. THE CASE STUDY OF #DOLOMITESMUSEUM - LABORATORY OF STORIES 从“展览”到“实验室”:通过数字实验项目重新思考策展实践。#白云石博物馆-故事实验室案例研究

Heranca Pub Date : 2023-03-08 DOI: 10.29073/heranca.v6i1.680

Stefania Lacedelli, Fabiana Fazzi, Chiara Zanetti, G. Pompanin

{"title":"FROM “EXHIBITION” TO “LABORATORY”: RETHINKING CURATORIAL PRACTICES THROUGH A DIGITAL EXPERIMENTAL PROJECT. THE CASE STUDY OF #DOLOMITESMUSEUM - LABORATORY OF STORIES","authors":"Stefania Lacedelli, Fabiana Fazzi, Chiara Zanetti, G. Pompanin","doi":"10.29073/heranca.v6i1.680","DOIUrl":"https://doi.org/10.29073/heranca.v6i1.680","url":null,"abstract":"Digital curation is one of the most experimental areas of museum practice introduced by the digital revolution. A whole new generation of cultural experiences are emerging from the interaction with online spaces and social media platforms, encouraging museums to explore new curatorial approaches. In this paper, we will show how a digital experimental project led to the rethinking of the exhibition format into a more collaborative, interdisciplinary and laboratory approach to museum curation. The case study analysed is Laboratory of Stories, a dynamic participatory archive which was co-designed with a vibrant community of heritage professionals, local communities, and lovers of the Dolomites during a three-year project. An evaluation study combining different qualitative and quantitative methods was implemented to explore the nature of this curatorial practice. A series of key findings emerged from the study: the introduction of new narrative styles and interdisciplinary perspectives; the involvement of different communities in the curatorial process; the shift from a tangible, object-based, to a more intangible, open, and dialogic interpretation of heritage and of knowledge making. The findings show how the ‘laboratory’ metaphor can help museums to embrace the challenges of a participatory, post-digital society, suggesting a novel approach where the co-creation of narratives is at the heart of the curatorial practice.","PeriodicalId":53165,"journal":{"name":"Heranca","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69682311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

LABORATORY OF CONTEMPORANEITY: THE MARCO OF LA BOCA 当代性实验室:拉博卡的马可

Heranca Pub Date : 2023-03-08 DOI: 10.29073/heranca.v6i1.670

J. Feldman

引用次数: 1

UMA PLATAFORMA WEB PARTICIPATIVA APOIADA POR REALIDADE AUMENTADA PARA LOCALIZAR CARAVANÇARAIS (KHANS) ANATOLIANOS ORIENTAIS 一个由增强现实支持的参与式网络平台，用于定位东安纳托利亚汗族

Heranca Pub Date : 2023-03-08 DOI: 10.29073/heranca.v6i1.678

Gulce Kidar, Feyza Ozgun, Özgün Balaban, Guzden Varinlioglu

引用次数: 0

GAME DESIGN AT THE ART MUSEUM: THE NUBLA CASE OF EDUCATHYSSEN 艺术博物馆的游戏设计:educathyssen的案例

Heranca Pub Date : 2023-03-08 DOI: 10.29073/heranca.v6i1.681

A. Bahia

{"title":"GAME DESIGN AT THE ART MUSEUM: THE NUBLA CASE OF EDUCATHYSSEN","authors":"A. Bahia","doi":"10.29073/heranca.v6i1.681","DOIUrl":"https://doi.org/10.29073/heranca.v6i1.681","url":null,"abstract":"O artigo discute um dos principais projetos do departamento educativo do Museu Nacional Thyssen-Bornemisza (Madri/ES): Nubla: Laboratorio de Arte, Educación y Videojuegos, projeto esboçado em 2013, que ganhou corpo entre 2015-2017 e segue em curso. Neste artigo, busca-se compreender o que define Nubla e de que forma diferencia-se dos jogos digitais criados pelo EducaThyssen anteriormente, desde 2001. Foram utilizados os procedimentos de: pesquisa exploratória, nas plataformas online da instituição, e revisão bibliográfica. Primeiramente, o artigo contextualiza e descreve o caso Nubla. Então, discute como esse laboratório explora a linguagem dos videogames, o processo de game design e o desenvolvimento de produtos midiáticos. Destaca que o EducaThyssen realiza tudo isso de forma colaborativa, com o público jovem e através de parcerias com universidades e empresas da indústria de videogames. Por fim, analisa Nubla a partir dos conceitos “visitante ativo” (1998) e “pós-museu” (2000) de Eilean Hooper-Greenhill; e “ecossistema comunicativo” (2004) e “museu plural” (2000) de Jesús Martín-Barbero. Conclui que Nubla contribui para transformações de práticas e valores, não apenas no âmbito do museu, mas nas áreas de arte, de educação e na indústria dos videogames.","PeriodicalId":53165,"journal":{"name":"Heranca","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69682355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

A CASA DOS DOENTES DE PESTE DA CIDADE DE LISBOA: CONTRIBUTOS PARA O SEU ESTUDO HISTÓRICO, ARQUITETÓNICO E URBANÍSTICO 里斯本的瘟疫之家：对您的历史、建筑和城市化研究的贡献

Heranca Pub Date : 2023-01-01 DOI: 10.29073/heranca.v6i2.682

J. Pinho

引用次数: 0

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