发布求助
文献互助 智能选刊 最新文献

Studies in Eastern European Cinema最新文献

筛选
英文 中文
The sound of the other: Albanian–Italian relations and Kinostudio films 对方的声音:阿尔巴尼亚-意大利关系和Kinostudio电影
Studies in Eastern European Cinema Pub Date : 2021-07-08 DOI: 10.1080/2040350X.2021.1938396
Fabio Bego
{"title":"The sound of the other: Albanian–Italian relations and Kinostudio films","authors":"Fabio Bego","doi":"10.1080/2040350X.2021.1938396","DOIUrl":"https://doi.org/10.1080/2040350X.2021.1938396","url":null,"abstract":"Abstract This paper investigates Albanian-Italian relations through the analysis of two relatively notable films produced by Kinostudio in the Seventies: Gjeneral Gramafoni (General Gramophone, 1977) directed by Viktor Gjika and Koncert në Vitin 1936 (Concert in 1936, 1978) by Saimir Kumbaro. Since both films narrate events related to the propagation of Italian language and music, I analyse the way in which the directors portray the experience of listening as a mediator of Albanian-Italian relations. The investigation of these works is particularly useful to understand the contradictory ways in which filmmakers considered the effects of Italian and ‘Western’ cultural influences in Albanian society. By drawing on theoretical insights taken from postcolonial studies and phenomenology, I argue that Albanians’ attitude toward Italy and the ‘West’ was conditioned by the decolonisation process and by the way in which the regime positioned toward Western Europe.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"6 1","pages":"3 - 20"},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87483363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fantasy and latency: Rainer Simon’s late DEFA films 幻想和延迟:雷纳·西蒙晚期的DEFA电影
Studies in Eastern European Cinema Pub Date : 2021-06-07 DOI: 10.1080/2040350X.2021.1935118
Larson Powell
{"title":"Fantasy and latency: Rainer Simon’s late DEFA films","authors":"Larson Powell","doi":"10.1080/2040350X.2021.1935118","DOIUrl":"https://doi.org/10.1080/2040350X.2021.1935118","url":null,"abstract":"Abstract Article proposes to look at the last decade (1980–1989) of DEFA film production, still not been much discussed in scholarship, through the lens of the work of Rainer Simon (b. 1941), arguably one of DEFA’s last auteurists (although the auteurist label does not fit DEFA comfortably). Simon’s later movies, after the censoring of his Gegenwartsfilm (film of the present) Jadup und Boel (1980/1988), reworked the genre of historical film in new ways, via a politics of fantasy. The difficulty of defining these films’ genres is tied to its lack of defined address or alternative public sphere within the GDR.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"78 1","pages":"56 - 69"},"PeriodicalIF":0.0,"publicationDate":"2021-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77194174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mapping out Polish modernist cinema 描绘波兰现代主义电影
Studies in Eastern European Cinema Pub Date : 2021-05-18 DOI: 10.1080/2040350X.2021.1922201
E. Ostrowska
{"title":"Mapping out Polish modernist cinema","authors":"E. Ostrowska","doi":"10.1080/2040350X.2021.1922201","DOIUrl":"https://doi.org/10.1080/2040350X.2021.1922201","url":null,"abstract":"","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"197 1","pages":"293 - 295"},"PeriodicalIF":0.0,"publicationDate":"2021-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74507593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Breaking away from the hegemony of high culture 摆脱高雅文化的霸权
Studies in Eastern European Cinema Pub Date : 2021-05-10 DOI: 10.1080/2040350X.2021.1922215
Paulina Duda
{"title":"Breaking away from the hegemony of high culture","authors":"Paulina Duda","doi":"10.1080/2040350X.2021.1922215","DOIUrl":"https://doi.org/10.1080/2040350X.2021.1922215","url":null,"abstract":"","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"7 1","pages":"296 - 298"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75562276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Filmtett: what about the name? Filmtett:名字呢?
Studies in Eastern European Cinema Pub Date : 2021-04-19 DOI: 10.1080/2040350X.2021.1905943
Klára Buzogány, Nándor Jakab-Benke
{"title":"Filmtett: what about the name?","authors":"Klára Buzogány, Nándor Jakab-Benke","doi":"10.1080/2040350X.2021.1905943","DOIUrl":"https://doi.org/10.1080/2040350X.2021.1905943","url":null,"abstract":"","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"143 1","pages":"299 - 301"},"PeriodicalIF":0.0,"publicationDate":"2021-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73809421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Where do the theory and the teaching of screenwriting intersect? A Survey of teachers of screenwriting from East-Central European film schools 编剧的理论和教学在哪里相交?对中东欧电影学院编剧教师的调查
Studies in Eastern European Cinema Pub Date : 2021-04-15 DOI: 10.1080/2040350x.2021.1915680
J. Černík
{"title":"Where do the theory and the teaching of screenwriting intersect? A Survey of teachers of screenwriting from East-Central European film schools","authors":"J. Černík","doi":"10.1080/2040350x.2021.1915680","DOIUrl":"https://doi.org/10.1080/2040350x.2021.1915680","url":null,"abstract":"Abstract Do screenwriting teachers share any common theoretical basis? Are screenwriting teachers interested in research into screenwriting? The survey presents their views on the topics of screenwriting manuals, training programs, screenwriting research and their personal preferences in the teaching of screenwriting.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"984 ","pages":"173 - 181"},"PeriodicalIF":0.0,"publicationDate":"2021-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/2040350x.2021.1915680","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72506310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The unseen shots: anti-imperialist and anti-colonialist aspects of unmade co-productions about the 1914 Sarajevo Assassination 看不见的镜头:关于1914年萨拉热窝暗杀的未制作的合拍片的反帝国主义和反殖民主义方面
Studies in Eastern European Cinema Pub Date : 2021-04-14 DOI: 10.1080/2040350X.2021.1908772
Dragan Batančev
{"title":"The unseen shots: anti-imperialist and anti-colonialist aspects of unmade co-productions about the 1914 Sarajevo Assassination","authors":"Dragan Batančev","doi":"10.1080/2040350X.2021.1908772","DOIUrl":"https://doi.org/10.1080/2040350X.2021.1908772","url":null,"abstract":"Abstract Based on sources found in the Archive of Bosnia and Herzegovina, this article examines Sarajevo studio Bosna Film’s postwar attempts to co-produce a film about the assassination of the Archduke Franz Ferdinand of Austria and Duchess Sophie Hohenberg. Yugoslav filmmakers’ celebration of Young Bosnia’s resistance to Austro-Hungarian imperialism and colonialism is juxtaposed to the official condemnation of the assassins’ ‘terrorism’. I investigate how the Yugoslavs confronted their partners’ purported exploitation of Yugoslav production resources and inclination toward narrative modifications of history as promising to attract a larger international audience. Examples of Bosna Film’s collaborations demonstrate the uneasy balance between memory production, socialist state-building, international cultural promotion and sustainable business development.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"30 1","pages":"21 - 37"},"PeriodicalIF":0.0,"publicationDate":"2021-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81314380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Holocaust and the Czech new wave: revisiting Diamonds of the Night (1964) 大屠杀与捷克新浪潮:重看《夜之钻石》(1964)
Studies in Eastern European Cinema Pub Date : 2021-04-13 DOI: 10.1080/2040350X.2021.1908762
Masha Shpolberg
{"title":"The Holocaust and the Czech new wave: revisiting Diamonds of the Night (1964)","authors":"Masha Shpolberg","doi":"10.1080/2040350X.2021.1908762","DOIUrl":"https://doi.org/10.1080/2040350X.2021.1908762","url":null,"abstract":"","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"1 1","pages":"302 - 304"},"PeriodicalIF":0.0,"publicationDate":"2021-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72989759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The literary genesis of Pavel Juráček and Jan Schmidt’s film project the Situation of the Wolf (1971–1972) 帕维尔的文学起源Juráček和简·施密特的电影《狼的处境》(1971-1972)
Studies in Eastern European Cinema Pub Date : 2021-03-19 DOI: 10.1080/2040350X.2021.1905344
Lea Mohylová
{"title":"The literary genesis of Pavel Juráček and Jan Schmidt’s film project the Situation of the Wolf (1971–1972)","authors":"Lea Mohylová","doi":"10.1080/2040350X.2021.1905344","DOIUrl":"https://doi.org/10.1080/2040350X.2021.1905344","url":null,"abstract":"Abstract The study uses Ian W. Macdonald’s concept of the screen idea to reconstruct the literary genesis of the film project The Situation of the Wolf (1971–1972) by screenwriter Pavel Juráček and director Jan Schmidt. The reconstruction is based on a comparison of individual written phases of literary preparation of the intended film – original short story by Jack London, synopsis, short story and literary script. The development of this project was influenced on the one hand by artistic factors, as it was a film adaptation of London’s Alaskan short story The Unexpected (1906) which has some aspects of the western genre and which Juráček, as the author of all texts of literary preparation of the film, had to adapt to the conditions of the film medium. On the other hand, the genesis of the project was fundamentally shaped by the contextual conditions – the sociopolitical situation of Czechoslovakia after the August occupation (1968), which led to the return of totalitarianism and to the normalization of the Czechoslovak cinema.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"32 1","pages":"153 - 172"},"PeriodicalIF":0.0,"publicationDate":"2021-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81774888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Janovics’ Menace: inquiries into a duplicated silent film script 雅诺维奇的威胁:对默片剧本复制的调查
Studies in Eastern European Cinema Pub Date : 2021-03-04 DOI: 10.1080/2040350X.2021.1898115
Delia Enyedi
{"title":"Janovics’ Menace: inquiries into a duplicated silent film script","authors":"Delia Enyedi","doi":"10.1080/2040350X.2021.1898115","DOIUrl":"https://doi.org/10.1080/2040350X.2021.1898115","url":null,"abstract":"Abstract In 1920, Hungarian artist Jenő Janovics directed Menace, a film that would become the last title belonging to the Transylvanian silent cinema industry. On a comparative note, its script bears similarities to The Blight, an adaptation of Eugène Brieux’s play Damaged Goods, produced two years prior by Janovics. While both films were written by the same scriptwriter and shared the operator and most of the cast, Menace remains in film history as a Romanian achievement. It was ordered by the Romanian Ministry of Health as a social hygiene drama warning on the devastating effects of syphilis, an effort integrated into the international health campaign of the post-World War I era. The paper explores the screenwriting morphology of The Blight and Menace by means of two complementary approaches. An examination of the figure of Janovics based on archival documents demonstrates his affiliation to the Hungarian generation of 1900. An ensuing comparative script analysis explores the conflicting status of Menace in his silent film portfolio in the light of this fundamental finding.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"49 1","pages":"109 - 120"},"PeriodicalIF":0.0,"publicationDate":"2021-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87566079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信