帕维尔的文学起源Juráček和简·施密特的电影《狼的处境》(1971-1972)

IF 0.3 0 FILM, RADIO, TELEVISION
Lea Mohylová
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引用次数: 0

摘要

摘要本研究运用伊恩·麦克唐纳的银幕理念,重构了编剧帕维尔·Juráček和导演简·施密特的电影《狼的处境》(1971-1972)的文学起源。重建的基础是比较文学准备的个别写作阶段-杰克·伦敦的原创短篇小说,大纲,短篇小说和文学剧本。这个项目的发展一方面受到艺术因素的影响,因为它是伦敦的阿拉斯加短篇小说《意想不到的》(1906)的电影改编,它有西方类型的一些方面,Juráček作为电影文学准备的所有文本的作者,必须适应电影媒介的条件。另一方面,该项目的起源基本上是由背景条件塑造的-捷克斯洛伐克在八月占领(1968年)后的社会政治局势,这导致了极权主义的回归和捷克斯洛伐克电影的正常化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The literary genesis of Pavel Juráček and Jan Schmidt’s film project the Situation of the Wolf (1971–1972)
Abstract The study uses Ian W. Macdonald’s concept of the screen idea to reconstruct the literary genesis of the film project The Situation of the Wolf (1971–1972) by screenwriter Pavel Juráček and director Jan Schmidt. The reconstruction is based on a comparison of individual written phases of literary preparation of the intended film – original short story by Jack London, synopsis, short story and literary script. The development of this project was influenced on the one hand by artistic factors, as it was a film adaptation of London’s Alaskan short story The Unexpected (1906) which has some aspects of the western genre and which Juráček, as the author of all texts of literary preparation of the film, had to adapt to the conditions of the film medium. On the other hand, the genesis of the project was fundamentally shaped by the contextual conditions – the sociopolitical situation of Czechoslovakia after the August occupation (1968), which led to the return of totalitarianism and to the normalization of the Czechoslovak cinema.
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来源期刊
Studies in Eastern European Cinema
Studies in Eastern European Cinema Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
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发文量
34
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