{"title":"Contribution of Cognitive-Emotional Approach to Music Listening on Students’ Cognitive and Emotional Experience","authors":"Sabina Vidulin, Marlena Plavšić","doi":"10.4312/mz.56.1.225-241","DOIUrl":"https://doi.org/10.4312/mz.56.1.225-241","url":null,"abstract":"It was explored whether cognitive-emotional and standard approach to music listening in music teaching contribute to different students’ cognitive and emotional experiences regarding the artworks Masquerade, Wellington’s Victory, Scheherazade, MZ_2020_1_FINAL.indd 225 24. 06. 2020 12:00:51 226 M U Z I K O L O Š K I Z B O R N I K • M U S I C O L O G I C A L A N N U A L LV I / 1","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87629375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The structure of musical preferences of youth: cross-cultural perspective","authors":"Katarina Habe, Snježana Dobrota, Ina Ercegovac","doi":"10.4312/MZ.54.1.141-156","DOIUrl":"https://doi.org/10.4312/MZ.54.1.141-156","url":null,"abstract":"The aim of this study was to explore the differences in musical preferences between Slovene and Croatian students. The sample consisted of 369 students from Slovenia and 371 students from Croatia. The results show that there are significant differences in musical preferences between Slovene and Croatian students. Furthermore, differences with regard to gender, age and study program were confirmed.","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77338127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Glasba kot globalizacijski jezik? : metajezikovni kontekst Lebičeve glasbe","authors":"Matjaž Barbo","doi":"10.4312/MZ.43.1.187-192","DOIUrl":"https://doi.org/10.4312/MZ.43.1.187-192","url":null,"abstract":"Glasba je izpostavljena kot najbolj odmeven medij globalizirajocega sveta. S svojo navidezno nepojmovnostjo in kulturno nedeterminiranostjo predstavlja model jezika, ki ne razdvaja. Vendarle skusa nova glasbena hermenevtika najti sirso kontekstualno dolocenost v interpretaciji glasbe. Glasba Lojzeta Lebica je lahko paradigma glasbe, ki raste iz takega kontekstnega opredeljevanja. Njegove skladbe rastejo iz besedilne tradicije njegove kulture in jih dolocajo tonski arhetipi, stroga strukturna konstrukcija ter avtorjeva avtonomna odlocitev, da se izbranim modelom v nekem trenutku odpove in lastna pravila prekrsi.","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2007-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76740007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Maribor - prizorišče dogajanja v pogrešani operi \"La sorella di Mark\" italijanskega skladatelja Giacoma Setacciolija","authors":"Manica Špendal","doi":"10.4312/MZ.21.1.51-59","DOIUrl":"https://doi.org/10.4312/MZ.21.1.51-59","url":null,"abstract":"V tedniku slovenski gospodar st. 25 z dne 25. julija 1986 je bil natisnjen clanek jezikoslovnega in slovstvenega publicista Franca Solcavskega. V njem avtor poroca, da je libretist Enrico Golisciani izbral Maribor oziroma njegovo okolico za kraj dogajanja v operi \"La sorella di Mark\", ki jo je uglasbil italijanski skladatelj Giacomo Setaccioli (1868-1925).","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1985-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79349103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Samospevi J. Pavčiča","authors":"Manica Špendal","doi":"10.4312/MZ.16.1.63-69","DOIUrl":"https://doi.org/10.4312/MZ.16.1.63-69","url":null,"abstract":"Josip Pavcic began his creative career at the turn of the century, at a time when Slovene composers were doing their best to lay the basis of Slovene musical culture. Together with A. Lajovic and E. Adamic he became one of the most promising contributors to the \"Novi akordi\" review. Whereas the first twoenriched their romanticism with elements of newer stylistic trends, Pavcic remained a romantic throughout. He wrote piano and choral works as well as some excellent lieder. As regards the development of this compositional form, Pavcic's lieder do not represent landmarks of their species; however, regarding their technical and expressive qualities, especially those on texts by O. Župancic (Flowery Dreams, Grandfather Oneleg, Ciciban - Cicifuj) and some others (Spring Has Arrived, The Woman-Harvester), they place Pavcic on animportant position in the history of Slovene music. This can be supported by the great popularity of his lieder, a popularity that has continued up to the present. A good pianist, he showed a great sense for the piano part which enriches the vocal line broadening it up to a congruent part","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1980-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90967590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}