{"title":"认知-情感教学法对学生认知和情感体验的影响","authors":"Sabina Vidulin, Marlena Plavšić","doi":"10.4312/mz.56.1.225-241","DOIUrl":null,"url":null,"abstract":"It was explored whether cognitive-emotional and standard approach to music listening in music teaching contribute to different students’ cognitive and emotional experiences regarding the artworks Masquerade, Wellington’s Victory, Scheherazade, MZ_2020_1_FINAL.indd 225 24. 06. 2020 12:00:51 226 M U Z I K O L O Š K I Z B O R N I K • M U S I C O L O G I C A L A N N U A L LV I / 1","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":"9 1","pages":"225-241"},"PeriodicalIF":0.2000,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Contribution of Cognitive-Emotional Approach to Music Listening on Students’ Cognitive and Emotional Experience\",\"authors\":\"Sabina Vidulin, Marlena Plavšić\",\"doi\":\"10.4312/mz.56.1.225-241\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"It was explored whether cognitive-emotional and standard approach to music listening in music teaching contribute to different students’ cognitive and emotional experiences regarding the artworks Masquerade, Wellington’s Victory, Scheherazade, MZ_2020_1_FINAL.indd 225 24. 06. 2020 12:00:51 226 M U Z I K O L O Š K I Z B O R N I K • M U S I C O L O G I C A L A N N U A L LV I / 1\",\"PeriodicalId\":52025,\"journal\":{\"name\":\"Muzikoloski Zbornik\",\"volume\":\"9 1\",\"pages\":\"225-241\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muzikoloski Zbornik\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4312/mz.56.1.225-241\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzikoloski Zbornik","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4312/mz.56.1.225-241","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 3
摘要
探讨音乐教学中认知-情感和标准的音乐聆听方式对不同学生对艺术作品《假面戏》、《惠灵顿的胜利》、《谢赫拉扎德》、《MZ_2020_1_FINAL》的认知和情感体验的影响。印度225 24。06. 2020年12:00:51 226 U我K L O OŠK Z B O R N K•M U S I C O L O G我C L N N U L LV I / 1
Contribution of Cognitive-Emotional Approach to Music Listening on Students’ Cognitive and Emotional Experience
It was explored whether cognitive-emotional and standard approach to music listening in music teaching contribute to different students’ cognitive and emotional experiences regarding the artworks Masquerade, Wellington’s Victory, Scheherazade, MZ_2020_1_FINAL.indd 225 24. 06. 2020 12:00:51 226 M U Z I K O L O Š K I Z B O R N I K • M U S I C O L O G I C A L A N N U A L LV I / 1