Film History最新文献

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Back Matter 回到问题
Film History Pub Date : 2021-01-01 DOI: 10.2979/filmhistory.33.3.bm
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引用次数: 0
Back Matter 回到问题
Film History Pub Date : 2020-01-01 DOI: 10.2979/filmhistory.32.2.bm
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引用次数: 0
Through Her Eyes: An Interview with Fakhri Fay Vaziri 透过她的眼睛:对法赫里·法伊·瓦齐里的采访
Film History Pub Date : 2020-01-01 DOI: 10.2979/filmhistory.32.3.07
Milani
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引用次数: 0
On Location: Tracking Secret Agents and Films, between Bombay and Beirut 外景:追踪秘密特工和电影,在孟买和贝鲁特之间
Film History Pub Date : 2020-01-01 DOI: 10.2979/filmhistory.32.3.05
Sunya
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引用次数: 1
Paul Julien: An Intensely Public Private Filmmaker 保罗·朱利安:一个极度公开的私人电影人
Film History Pub Date : 2019-01-01 DOI: 10.2979/filmhistory.31.4.05
de Klerk
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引用次数: 0
Back Matter 回到问题
Film History Pub Date : 2019-01-01 DOI: 10.2979/filmhistory.31.4.bm
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引用次数: 0
Back Matter 回到问题
Film History Pub Date : 2019-01-01 DOI: 10.2979/filmhistory.31.3.bm
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引用次数: 0
What Should the Role of Official Institutions Be in Relation to the Use of Cinema as an Instrument of Culture 在电影作为一种文化工具的使用中,官方机构应该扮演什么角色
Film History Pub Date : 2018-01-01 DOI: 10.2979/FILMHISTORY.30.1.08
Masha Salazkina, Enrique Fibla-Gutiérrez
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引用次数: 0
Seeing through Spirits: Superimposition, Cognition, and The Phantom Carriage 透视灵魂:叠加、认知与幻影马车
Film History Pub Date : 2016-01-01 DOI: 10.2979/FILMHISTORY.28.2.05
Tybjerg
{"title":"Seeing through Spirits: Superimposition, Cognition, and The Phantom Carriage","authors":"Tybjerg","doi":"10.2979/FILMHISTORY.28.2.05","DOIUrl":"https://doi.org/10.2979/FILMHISTORY.28.2.05","url":null,"abstract":"Superimposition was long a popular technique for showing ghosts in films. Through the example of Victor Sjöström’s film Körkarlen (The Phantom Carriage, 1921), the article will examine the technique and its critical reception. André Bazin wrote an important essay on superimposition (first published in 1945) where he dismissed the use of double exposure to depict ghosts in films. The article examines Bazin’s remarks in detail. The credibility—and the fraudulent associations—of multiple-exposure effects may derive from their similarity to spirit photography, but the article also argues that our understanding of superimposed phantoms may be enhanced if we draw on the cognitive study of religion.","PeriodicalId":51888,"journal":{"name":"Film History","volume":"1 1","pages":"114"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89801729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Rule of Thumb: Ebert at the Movies 经验法则:看电影的艾伯特
Film History Pub Date : 2015-07-01 DOI: 10.5860/choice.50-1366
Z. Ingle
{"title":"Rule of Thumb: Ebert at the Movies","authors":"Z. Ingle","doi":"10.5860/choice.50-1366","DOIUrl":"https://doi.org/10.5860/choice.50-1366","url":null,"abstract":"Rule of Thumb: Ebert at the Movies. Todd Rendleman. New York: Continuum, 2012. 209 pages. $17.09. Paperback.When Roger Ebert passed away in April 2013, I was coincidently in the middle of three of his books: his memoir Life Itself, The Great Movies III, and A Horrible Experience of Unbearable Length: More Movies That Suck. Yet despite Ebert's unrivaled influence on the way Americans watch movies, monographs analyzing Ebert's work have been lacking. Into the void arrives Todd Rendleman's Rule of Thumb: Ebert at the Movies, with a foreword by Ebert himself in which he expresses his surprise that a \"newspaperman\" could be taken so seriously.Presented with an opening chapter entitled \"Godchild,\" those familiar with Ebert's religious upbringing may expect an account of his childhood; instead, the author traces Ebert's influences as a film critic, most critically Pauline Kael and Andrew Sarris. In regards to auteurist approaches, Ebert forged a via media between the extremes of Sarris and Kael. While Ebert certainly had directors he loved to champion (Errol Morris, Werner Herzog, Ramin Bahrani), Rendleman points out that it was usually \"a careful scouring of the movie, not the director's resume that governed] Ebert's conclusion\" (41). This middle ground may also be the result of Ebert's \"healthy Midwestern pragmatism,\" which Rendleman often references. The author also proves himself almost as equally well-versed in the work of Kael, Sarris, John Simon, and a host of others as he is in Ebert's.Rendleman helpfully identifies three key themes in Ebert's criticism: the critical relationship between style and content, a consideration of the film's moral implications, and a respect and protective attitude toward actors. On this last theme, compare Ebert's civility as a critic with John Simon's witty, but mean-spirited and almost juvenile insults of actresses, often concerning their appearance. Ebert sometimes expressed moral outrage when he thought actors were being exploited, perhaps most (in)famously in his one-star review of Blue Velvet (1986) to which Rendleman devotes an entire chapter. Rendleman does not address the fact that after his first book of \"hated\" films was released-/ Hated, Hated, Hated This Movie (2000)-followed soon after by Your Movie Sucks (2007) and A Horrible Experience of Unbearable Length: More Movies That Suck (2012), Ebert would seem to have become less tactful. The author often refers to one of Ebert's greatest contributions, a quote Ebert himself would sometimes refer to as \"Ebert's Law\": \"It is not what a film is about. …","PeriodicalId":51888,"journal":{"name":"Film History","volume":"39 1","pages":"68"},"PeriodicalIF":0.0,"publicationDate":"2015-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84867768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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