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Silences 沉默
Cultural Studies Review Pub Date : 2018-10-10 DOI: 10.5130/csr.v24i2.5877
Lucy Tatman
{"title":"Silences","authors":"Lucy Tatman","doi":"10.5130/csr.v24i2.5877","DOIUrl":"https://doi.org/10.5130/csr.v24i2.5877","url":null,"abstract":"How is it possible to write of the myriad kinds of silence with which we are surrounded? I am thinking especially of those dense or jagged silences so impervious to words, which increasingly appear in a world become too much, and too little, to bear.","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78027731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wages for Self-Care: Mental Illness and Reproductive Labour 自我照顾的工资:精神疾病和生育劳动
Cultural Studies Review Pub Date : 2018-05-04 DOI: 10.5130/CSR.V24I2.5582
Francis Russell
{"title":"Wages for Self-Care: Mental Illness and Reproductive Labour","authors":"Francis Russell","doi":"10.5130/CSR.V24I2.5582","DOIUrl":"https://doi.org/10.5130/CSR.V24I2.5582","url":null,"abstract":"This paper will explore both the ways in which the practices of self-care, specifically related to mental health, have emerged as responses to the increasingly precarious status of life after the economic shocks of the Global Financial Crisis (GFC), whilst also looking to the work of Silvia Federici and Kathi Weeks to propose models for immanent critique of these practices. Although it cannot be taken as a pure origin, post-GFC mental health discourse has increasingly seen mental health discussed as a form of resilience to precarity. Furthermore, practices of self-care, and psychological forms of treatment such as cognitive behavioural therapy (CBT) have become vehicles for the intensification of personal resilience in the face of systemic crisis. If self-care involves an inward looking and depoliticised subject, surely political emancipation lies elsewhere. The possibility of some alternative to our present state of affairs, where self-care increasingly appears as a form of ‘voluntary servitude,’ that is to say, a form of self-subjugation with serious political risks, must surely be taken as a continual project for those engaged in critical inquiry. Then again, to suggest that those engaging in self-care are simply reproducing neoliberal subjectivity would surely miss the ways in which such forms of self-preservation might appear as unavoidable for the individuals in question. Through an engagement with their work—and one that draws parallels between their strategic critiques of reproductive labour broadly speaking, and the more specific area of mental illness and neoliberal governmentality—the question of the “necessity” of self-care will be brought into alignment with the possibilities of its practicality.","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87709093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Sight Unseen: Our Neoliberal Vision of Insecurity 看不见的景象:我们对不安全的新自由主义看法
Cultural Studies Review Pub Date : 2018-05-02 DOI: 10.5130/CSR.V24I2.6051
Bruce Buchan
{"title":"Sight Unseen: Our Neoliberal Vision of Insecurity","authors":"Bruce Buchan","doi":"10.5130/CSR.V24I2.6051","DOIUrl":"https://doi.org/10.5130/CSR.V24I2.6051","url":null,"abstract":"Is security seen? Is security seen in images of peace and safety, or is it perceived in the troubled images of the horrors of violence and suffering? Vision has played a crucial role in shaping the modern Western preoccupation with, and prioritisation of security. Historically, security has been visually represented in a variety of ways, typically involving the depiction of its absence. In Medieval and Early Modern Europe especially, security and insecurity were presented as coterminous insofar as each represented separate conditions – their shared boundary envisioned in representations of the temporal threshold separating human mortality from divine salvation. This ocular demonstration of thresholds has been heightened by the ‘war on terror’ conducted by neo-liberal states since 2003. Neoliberalism operates as a discourse of constant global circulations (of money, goods and people) premised on a perpetual anticipation and pre-emption of insecurity. In the neoliberal scheme, security and insecurity are no longer coterminous, but mutually sustaining in perpetuity. In that sense, neoliberal security is ‘sight unseen’ - an uncanny presence that is not there. In the reiterated troubled images of horror amplified by the seemingly endless 'war on terror', neoliberal security operates as a terrifying visual reflex: we cannot see it but in new horrors.","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84777043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Son of Saul and the ethics of representation: troubling the figure of the child 扫罗之子和表现的伦理:困扰孩子的形象
Cultural Studies Review Pub Date : 2018-05-02 DOI: 10.5130/CSR.V24I2.6056
M. Gibson, A. Howell
{"title":"Son of Saul and the ethics of representation: troubling the figure of the child","authors":"M. Gibson, A. Howell","doi":"10.5130/CSR.V24I2.6056","DOIUrl":"https://doi.org/10.5130/CSR.V24I2.6056","url":null,"abstract":"Taking Laszlo Nemes’ film Son of Saul (2015) as both an aesthetic intervention into the public remembering of the Holocaust and as a critical/creative essay on representations of the horrors of war and violence more generally, this paper considers its use of the image and idea of the dead child—the child victim—and its ability to move, to communicate, to galvanise action, to seemingly cut through the chaos of communication. A figure presented as tangible and mournable in a way that the many anonymous, barely-glimpsed and largely ignored dead of the film are not, we consider it in relation to previous representations of the child in Holocaust film, but also, importantly, in relation to contemporary photographic examples of the child victim-as-icon, whose images seemingly require no caption to communicate and which inspire deeply-felt responses across cultures, organising structures of public feeling. As Nemes’ film makes clear, the claim of the child victim on the witness is profound, immediate, and potentially transformative. We will consider how the image of the child operates as a fluid signifier of both hope and despair, shared desires and fears, a not-unproblematic image through which the obscene and the unthinkable are mediated and made visible.","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78202082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Troubling representations of Black masculinity in the documentary film Raising Bertie 纪录片《抚养伯蒂》中黑人男子气概令人不安的表现
Cultural Studies Review Pub Date : 2018-05-02 DOI: 10.5130/CSR.V24I2.6010
Barbara Pini, W. Keys
{"title":"Troubling representations of Black masculinity in the documentary film Raising Bertie","authors":"Barbara Pini, W. Keys","doi":"10.5130/CSR.V24I2.6010","DOIUrl":"https://doi.org/10.5130/CSR.V24I2.6010","url":null,"abstract":"In this paper we undertake a critical reading of the documentary Raising Bertie (2016). Directed by Margaret Byrne, the film tells the story of three poor, young Black American males living in Bertie County. In the paratextual material associated with the film, Byrne demonstrates reflexivity about stereotyping, revealing she engaged authentically with participants over a period of six years. Further, she begins the film by signalling the critical importance of situating the boys’ lives in a long history of discrimination and disadvantage. However, this focus on context soon disappears, and an observational mode of filmmaking is engaged. As a result, the type of negative images of Black masculinity that have had considerable currency in popular culture are reproduced and overstated in the film. Raising Bertie’s images of Black males as violent and criminal, and as absent and passive, are not effectively embedded in any broader narratives of disadvantage. Despite the director’s intentions, the film risks positioning rural Black males as responsible for their own plight. Poverty is racialised and individualised. The problem the film presents becomes one of troublesome Black masculinity, rather than one of a racialised, economically and geographically unjust world.","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83007706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Do You Really Want to Live Forever?’: Animism, Death, and the Trouble of Digital Images 你真的想长生不老吗?:万物有灵论、死亡和数字图像的麻烦
Cultural Studies Review Pub Date : 2018-05-02 DOI: 10.5130/CSR.V24I2.5995
G. Bollmer, K. Guinness
{"title":"‘Do You Really Want to Live Forever?’: Animism, Death, and the Trouble of Digital Images","authors":"G. Bollmer, K. Guinness","doi":"10.5130/CSR.V24I2.5995","DOIUrl":"https://doi.org/10.5130/CSR.V24I2.5995","url":null,"abstract":"This essay examines two works of video art to think through the apparent ‘immortality’ of recorded data and digital images, along with the use of ‘animism’ as a framework to describe the ‘liveliness’ of objects in recent cultural theory. In discussing Cecile B. Evans’ Hyperlinks or it Didn’t Happen (2014) and Korakrit Arunanondchai’s Painting with history in a room filled with people with funny names 3 (2016), we highlight how framings of death and digital images are not uniform, and are often articulated to other cultural beliefs. Yet these beliefs cannot be temporally or spatially opposed in any rigid fashion (as ‘modern’ or ‘premodern’, ‘Western’ or ‘Eastern’), in spite of attempts to suggest a ‘return’ to animism to theorise the agency of objects is an embrace of premodern, non-Western epistemologies and ontologies. The ‘troubled images’ we discuss here should be thought through a sense of ‘trouble’ derived from Donna Haraway: as stirring up, or making cloudy. We aim to further complicate and ‘trouble’ the ethical imperatives of animism (in the work of those like Haraway) given the role of digital media in sustaining or putting into practice the animisms of our present. In doing this, we also advance an ontological argument about data and its relationality, suggesting that data be theorised through tropes of metonymy and synecdoche.","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88007955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Neurodiversity and Communication Ethics: How Images of Autism Trouble Communication Ethics in the Globital Age 神经多样性与传播伦理:自闭症影像如何在全球时代困扰传播伦理
Cultural Studies Review Pub Date : 2018-05-02 DOI: 10.5130/CSR.V24I2.6040
A. Reading
{"title":"Neurodiversity and Communication Ethics: How Images of Autism Trouble Communication Ethics in the Globital Age","authors":"A. Reading","doi":"10.5130/CSR.V24I2.6040","DOIUrl":"https://doi.org/10.5130/CSR.V24I2.6040","url":null,"abstract":"While research has addressed the ways in which autism is represented in popular culture, in literature and in film, this article points to how autistic cultural assemblages afforded by the unevenly global-digital or globital age act to queer neurotypical communication and media ethics more broadly. The article argues that evidence points to the emergence of new human communication ethics that embraces neurodiversity and that values the sensorial, perceptual, cognitive and communicative variety of human meaning making as well as including the communicative affordances of non-human persons and our environment. . Since communication and ethics are configured through a culture of ‘normalcy’ this article asks how images about, by and with people with autism invite a reorientation of ethical assumptions about images more widely. How do new kinds of digital images of autistic people made possible through the affordances of the globital age trouble or rather unsettle not only a history of troubled images of autistic people in medicine and popular culture but also ontologically challenge the human-centric and neurotypical bias of communication ethics? The article draws on self-advocacy You Tube videos made by and with autistic people, a campaign video made by the UK’s National Autistic Society, and films as ‘translations’ of a nonverbal autistic world to suggest these unsettle and queer a genealogy and history of troubled images of autistic people .","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79367254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 11
Teaching Post-Pornography 教学Post-Pornography
Cultural Studies Review Pub Date : 2018-04-20 DOI: 10.5130/CSR.V24I1.5303
Tim Gregory, A. Lorange
{"title":"Teaching Post-Pornography","authors":"Tim Gregory, A. Lorange","doi":"10.5130/CSR.V24I1.5303","DOIUrl":"https://doi.org/10.5130/CSR.V24I1.5303","url":null,"abstract":"This article introduces the term ‘post-pornography’, drawing on diverse texts from the last three decades. We propose that ‘post-pornography’ expands Porn Studies beyond its focus on explicit representations of sex. First, we outline the history of post-pornography as a concept that emerged in the sex-positive, anti-censorship and queer/feminist moment in the United States in the 1980s and 1990s and has subsequently been taken up by a diverse group of artists, activists and scholars to describe practices that both reference and attempt to move beyond pornography. We define post-pornography as characterised by three aspects—the denaturalising of sex, the de-centring of the spectator and the recognition of media and technology as inseparable from sex. We examine the history of Porn Studies in the university, including in our own faculty at UNSW Art & Design, and the singular influence of Linda Williams in defining its place and setting out its pedagogical methods. We propose post-pornography as a framework that can confront prevailing assumptions about sex and sexuality that underpin Porn Studies and its critique of pornography, and outline a set of concepts that have emerged from the development of the second- and third-year art theory course Post-Pornographic Bodies.","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81578309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Forms of Life for Meaghan Morris 梅根·莫里斯的《生命形式》
Cultural Studies Review Pub Date : 2018-04-20 DOI: 10.5130/CSR.V24I1.5971
P. Brown
{"title":"Forms of Life for Meaghan Morris","authors":"P. Brown","doi":"10.5130/CSR.V24I1.5971","DOIUrl":"https://doi.org/10.5130/CSR.V24I1.5971","url":null,"abstract":"Meaghan once remarked (I think to the poet and art critic Ken Bolton) that she didn’t like poetry because of all the empty space on the page. A quarter of a century ago in 1992, in Ecstasy and Economics: American Essays for John Forbes, she said she was ‘a desultory reader of poetry’ and that reading poetry might induce a ‘scary cultural estrangement’.1 In the foreword, she extrapolates the ‘awkward’ place of poetry in cultural studies then as being more an American problem than an Australian one but nearly a quarter of a century later I wonder if poetry has made an individuated local spot for itself, or even if it cares to. I mean, ‘should poetry worry?’","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90144124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Meaghan Morris in Cultural Studies in Asia 米根·莫里斯,亚洲文化研究
Cultural Studies Review Pub Date : 2018-04-20 DOI: 10.5130/CSR.V24I1.5965
C. B. Huat
{"title":"Meaghan Morris in Cultural Studies in Asia","authors":"C. B. Huat","doi":"10.5130/CSR.V24I1.5965","DOIUrl":"https://doi.org/10.5130/CSR.V24I1.5965","url":null,"abstract":"Meaghan has been part of the Inter-Asia Cultural Studies project from the very beginning— she was at the founding conferences, organised by Chen Kuan-Hsing, in National Tsing Hua University, Taiwan, between 1992 and 1995. The two conferences bore the title of ‘Trajectories: Towards a New Internationalist Cultural Studies’ and ‘Trajectories II: A New Internationalist Cultural Studies’, respectively. According to Kuan-Hsing, he was motivated by historical changes in Asia, from postwar decolonisation to post-Cold War in late 1980s, marked locally in Taiwan with the lifting of martial law in 1987. This was also the period of the rise of Asia within global capitalism, beginning with Japan, followed by the so-called ‘Tiger’ or ‘Dragon’ economies of South Korea, Taiwan, Hong Kong and Singapore via the export-oriented industrialisation. The industrialisation model was subsequently picked up by China and the other Southeast Asian countries. The conferences certainly lived up to their promise of being international, with presenters from first and third world locations, and the core concerns were very much grounded in the historical conjuncture of Asia at the end of the twentieth century. One evening during the second conference, while the edited volume for selected papers were being prepared for publication, Rebecca Barton, the editor for the book project at Routledge, brought up the idea of an Asian cultural studies journal. In a hotel room in Taiwan, with Meaghan, the late Jeannie Martin, Kuan-Hsing and myself from the conference and Rebecca, the plan for Inter-Asia Cultural Studies was hatched. It was decided that Kuan-hsing and I would be the co-executive editors, supported by a relatively large editorial collective drawn across Asia and Australia.","PeriodicalId":51871,"journal":{"name":"Cultural Studies Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90443705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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