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Addressing urban social and spatial stratification: testing the potential for integration of public housing 解决城市社会和空间分层问题:测试整合公共住房的潜力
Architecture_MPS Pub Date : 2024-07-02 DOI: 10.14324/111.444.amps.2024v28i1.004
Jason A Montgomery
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引用次数: 1
Home among right angles: cube living 直角之家:立方体生活
Architecture_MPS Pub Date : 2024-04-10 DOI: 10.14324/111.444.amps.2024v27i1.004
Shannon Wallace
{"title":"Home among right angles: cube living","authors":"Shannon Wallace","doi":"10.14324/111.444.amps.2024v27i1.004","DOIUrl":"https://doi.org/10.14324/111.444.amps.2024v27i1.004","url":null,"abstract":"\u0000This article focuses on the dwellings of the Villa in Beroun in the Czech Republic, designed by HŠH Architects, and Buckminster Fuller’s Dymaxion, with architectural designs inspired by games, toys and creative play. The architectural designs inspired by the stacking blocks Lego®, K’nex® and Cidori® are explored and compared to GC Prostho by Kengo Kuma. The environmental implications of housing designs with malleable layouts, which reduce the need for constant changing and moving of houses throughout occupant lifetimes, are explored. The melding of the house and the game as a basis for rethinking the home space, which allows for rearranging walls and renewable capsular compartments, are analysed through the unsuccessful Nakagin Capsule Tower case study. The Villa in Beroun was dissected using gestalt psychology in order to unpack how the human mind reads its enveloping, malleable design. Due to its unique approach to black steel, concrete and glass material, the Villa in Beroun was analysed against new brutalist definitions.\u0000","PeriodicalId":518028,"journal":{"name":"Architecture_MPS","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140717862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The poverty of embodiment in the work of Juhani Pallasmaa 尤哈尼-帕拉斯玛作品中的贫乏体现
Architecture_MPS Pub Date : 2024-02-01 DOI: 10.14324/111.444.amps.2024v27i1.002
Sean Griffiths
{"title":"The poverty of embodiment in the work of Juhani Pallasmaa","authors":"Sean Griffiths","doi":"10.14324/111.444.amps.2024v27i1.002","DOIUrl":"https://doi.org/10.14324/111.444.amps.2024v27i1.002","url":null,"abstract":"\u0000In books such as The Eyes of the Skin, architectural theorist Juhani Pallasmaa posits unmediated sensual encounters as the site of authentic engagement with the built environment. Such ideas are prevalent in mainstream architectural discourse today. In this article, I show that they are also highly problematic. Pallasmaa rejects visual intentionality, construing it as the instrument of an objectifying reason that distances us from our ‘being-in-the-world’. Referring to the phenomenologist philosophies of Martin Heidegger and Maurice Merleau-Ponty, and indebted to Henri Bergson’s concept of duration through lived experience, Pallasmaa’s theory promises a poetic inhabitation of the world, irreducible to reason and characterised by an animistic embodiment, allegedly offering a more meaningful architectural experience. Informed by contemporary rationalist thought and drawing on neuroscientific, anthropological and philosophical arguments, I first argue that Pallasmaa’s project is weakened to the point of collapse by the misunderstanding of his intellectual resources, particularly with respect to the use of incompatible concepts of embodiment in Heidegger’s and Merleau-Ponty’s works. I then show how his ideas of embodiment, disinterested vision and sensuality constitute an impoverished account of lived experience that, far from overcoming alienation, mystifies it. I specifically discuss Pallasmaa’s analysis of Frank Lloyd Wright’s Taliesin West, his comparisons of human- and animal-created structures and his forays into neuroscience. Finally, I dispute Pallasmaa’s claim that an immediate sensual encounter is the route to authentic engagement with the world, and question whether the unmediated lived experience he yearns for is even possible.\u0000","PeriodicalId":518028,"journal":{"name":"Architecture_MPS","volume":"721 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140528703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Time House: between cybernetics and phenomenology 时间屋:控制论与现象学之间
Architecture_MPS Pub Date : 2024-01-31 DOI: 10.14324/111.444.amps.2024v27i1.001
Ersi Ioannidou
{"title":"The Time House: between cybernetics and phenomenology","authors":"Ersi Ioannidou","doi":"10.14324/111.444.amps.2024v27i1.001","DOIUrl":"https://doi.org/10.14324/111.444.amps.2024v27i1.001","url":null,"abstract":"\u0000Martin Pawley’s ‘The Time House’ (1968) is a study on how to use multimedia technologies to provide a continuous record of individual experience within the domestic interior. The project’s underlying argument is that there is no authentic experience to be had in the public realm. As an antidote, Pawley proposes a retreat into a private world, where individuals, with the use of technology, can retain a continuous and repayable record of time. Thus, The Time House would enable its inhabitants to relive – phenomenologically, with all the senses – past experiences. Pawley believed that this repeated, unembellished re-creation of the past would reveal to its inhabitants a truer version of both the past and themselves, thus offering opportunities for introspection and self-knowledge. The Time House tries to bring together all the key concerns of architecture in the late 1960s: cybernetics, phenomenology, environmental behaviour studies, the use of cutting-edge technology, Cold War politics and fears, and the countercultural aim to expand human consciousness. Yet, Pawley’s proposition to use technology to simulate lived experiences with the aim of altering human behaviour still stimulates heated arguments today. These arguments stem from current fears about the effects of digital technologies on individuals and society: the disconnection with the here-and-now, the prioritisation of the individual over the collective, the disintegration of reality and the neglect of social public space. The Time House, which could be dismissed as a project of its time and place, is embedded in a web of ideas still resonant in our present. \u0000","PeriodicalId":518028,"journal":{"name":"Architecture_MPS","volume":"428 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140529079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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