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The Eugene O'Neill Review最新文献

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O’Neill’s Nina Erupts: A Not-So-Strange Interlude with Glenda Jackson 奥尼尔的《妮娜爆发》：与格伦达-杰克逊的一段不那么奇怪的插曲
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0047
Sheila Hickey Garvey
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引用次数: 0
Into Night: A Day at Tao House 进入夜晚陶屋的一天
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0094
Alexander Pettit
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引用次数: 0
Vows, Veils, and Masks: The Performance of Marriage in the Plays of Eugene O’Neill 誓言、面纱和面具：尤金-奥尼尔戏剧中的婚姻表演
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0081
Dorothy Chansky
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引用次数: 1
The Smuggler 走私者
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0108
David Palmer
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引用次数: 0
The Iceman Cometh 冰人来了
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0100
Roena L. Haynie, Charles Reitz
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引用次数: 0
“Crazy Yourself!”: Eugene O’Neill’s Letters to Djuna Barnes (August 25, 1924, and Spring 1931) "疯狂的自己！"：尤金-奥尼尔写给朱娜-巴恩斯的信（1924 年 8 月 25 日和 1931 年春）
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0001
Drew Eisenhauer
{"title":"“Crazy Yourself!”: Eugene O’Neill’s Letters to Djuna Barnes (August 25, 1924, and Spring 1931)","authors":"Drew Eisenhauer","doi":"10.5325/eugeoneirevi.45.1.0001","DOIUrl":"https://doi.org/10.5325/eugeoneirevi.45.1.0001","url":null,"abstract":"\u0000 An evaluation of the evolution of the relationship between Eugene O’Neill and Djuna Barnes based on two letters from O’Neill to Barnes (1924 and 1931). This article also touches on the little-known history of Barnes’s attempts to have two dramas, Ann Portuguise and Biography of Julie von Bartmann, produced by the Experimental Theatre, Inc. (O’Neill, Kenneth Macgowan, and Robert Edmond Jones). This group ran the Provincetown Playhouse after the demise of Jig Cook’s original Provincetown Players, with whom Barnes had previously staged three short plays.","PeriodicalId":517925,"journal":{"name":"The Eugene O'Neill Review","volume":"65 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140401582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Twentieth-Century Chinese Translations of Eugene O’Neill Plays 二十世纪尤金-奥尼尔戏剧的中译本
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0086
Shouhua Qi
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引用次数: 0
Long Day’s Journey Into Night 漫漫长夜
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0103
Paul S. Meltzer
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引用次数: 0
Something Very Formal and Weird: Branden Jacobs-Jenkins on Eugene O’Neill 非常正式而古怪的东西：布兰登-雅各布斯-詹金斯谈尤金-奥尼尔
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0063
B. Rowen
{"title":"Something Very Formal and Weird: Branden Jacobs-Jenkins on Eugene O’Neill","authors":"B. Rowen","doi":"10.5325/eugeoneirevi.45.1.0063","DOIUrl":"https://doi.org/10.5325/eugeoneirevi.45.1.0063","url":null,"abstract":"","PeriodicalId":517925,"journal":{"name":"The Eugene O'Neill Review","volume":"55 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140407143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Adapting O’Neill in Wartime China: Beyond the Horizon as Propaganda Drama 改编战时中国的奥尼尔：作为宣传剧的《地平线外》
The Eugene O'Neill Review Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0013
Shuying Chen
{"title":"Adapting O’Neill in Wartime China: Beyond the Horizon as Propaganda Drama","authors":"Shuying Chen","doi":"10.5325/eugeoneirevi.45.1.0013","DOIUrl":"https://doi.org/10.5325/eugeoneirevi.45.1.0013","url":null,"abstract":"\u0000 In 1941, as the War of Resistance against Japan raged on, a production of Eugene O’Neill’s Beyond the Horizon was staged in Chongqing, the wartime capital of China. The Chinese version, Look into the Distance adapted by playwright Li Qinghua, served as propaganda to mobilize the masses for war. Through analyzing the characterization, conflicts, and theme, this article explores how the adaptation attempts to reach Chinese audiences to rally patriotism and national consciousness. Drawing on Linda Hutcheon’s theory of adaptation, this article demonstrates that Look into the Distance situates the source text into the local reality of wartime China through creative appropriation and intertextual engagement. This article aims to bring the Chinese wartime production of Beyond the Horizon to broader critical attention and further contribute to the study of Eugene O’Neill’s global reach.","PeriodicalId":517925,"journal":{"name":"The Eugene O'Neill Review","volume":"83 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140403160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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