{"title":"Samuel R. Delany as Genre Flaneur: Encountering Science Fiction in Dhalgren","authors":"A.J. Rocca","doi":"10.1353/sfs.2024.a920233","DOIUrl":"https://doi.org/10.1353/sfs.2024.a920233","url":null,"abstract":"ABSTRACT: Samuel R. Delany's Dhalgren (1975) moves through different genres and styles of literature in much the same way that Walter Benjamin's flaneur moves through the spaces of the city. Delany as a writer makes contact with any number of other traditions outside of science fiction, but he expresses no radical desire to revolutionize sf or move it into mainstream literature. Delany does not assimilate or synthesize outside influences into his work so much as he encounters them. In Starboard Wine (1984), his book of sf criticism, Delany defines \"encounter\" in literature as the interpretation of a text associated with one genre through the reading protocols associated with another. I argue that \"encounter\" is analogous to \"contact,\" a concept from Delany's Times Square Red, Times Square Blue (1999) that relates to the real, physical interaction of individuals in an urban environment. Nowhere is this convergence of literary encounter and urban contact clearer than in his novel, Dhalgren. Dhalgren uses the city as a conceptual framework for encounters among a diverse array of influences including myth, poetry, autobiography, and literary modernism. These types of encounters are also plentiful in Delany's earlier work, but Dhalgren pushes them to a point where even sf itself is decentered and becomes just one more thing to be met in the space of the city.","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"69 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140403816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Violent and Vibrant Kinship in N.K. Jemisin ed. by Berit Åström and Jenny Bonnevier (review)","authors":"","doi":"10.1353/sfs.2024.a920237","DOIUrl":"https://doi.org/10.1353/sfs.2024.a920237","url":null,"abstract":"","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"11 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140400203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Queering Time's Arrow: Temporal Drag in Priya Sarukkai Chabria's Clone","authors":"Carissa Ma","doi":"10.1353/sfs.2024.a920234","DOIUrl":"https://doi.org/10.1353/sfs.2024.a920234","url":null,"abstract":"ABSTRACT: In Priya Sarukkai Chabria's science-fiction novel Clone (2019), the central character Clone 14/54/G is a cyborg replica of her Original, named Aa-Aa, an incarcerated dissident writer who met a violent death just before delivering a potentially incendiary public address. Against her programming, the mutant Clone experiences flashbacks (or \"visitations\") of her Original's past life and fictional oeuvre, which makes it possible for her to revisit disparate temporalities of Indian history. While many existing interventions attempt to extend or apply the familiar conventions of postcolonial analysis to works of postcolonial science fiction, this essay sets out to ask rather how the emergence of the latter serves to both reconfigure and reclaim the affective stakes of an anti-imperialist politics that avoids a straightforward historical determinism. By reading Chabria's sf novel through affective articulations of spectrality and queer temporality, I present the novel as a form of narrative crypt that provides a phantasmal space for the spectral return of those who have been silenced or erased from history, not only as a consequence of their gender, race, and class, but also because of their inability or refusal to comply with the normative temporal rhythms of the society in which they live.","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"141 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140404923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Narrow Corner of Freedom by Luo Xiaoming (review)","authors":"","doi":"10.1353/sfs.2024.a920241","DOIUrl":"https://doi.org/10.1353/sfs.2024.a920241","url":null,"abstract":"","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"58 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140401759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frankenstein and the Science of Dreaming","authors":"Brian Attebery","doi":"10.1353/sfs.2024.a920230","DOIUrl":"https://doi.org/10.1353/sfs.2024.a920230","url":null,"abstract":"ABSTRACT: Science fiction claims Mary Shelley's Frankenstein as a progenitor on the basis of its extrapolation from speculations by Erasmus Darwin and others about the nature and origins of life. An equally strong narrative thread in the novel about extraordinary states of mind is usually taken as evidence of its grounding in supernatural and gothic fiction. The novel applies the same materialist assumptions and reasoned approach to dreaming, however, that it uses to explore biological science. Reading it in the context, first, of David Hartley's eighteenth-century Observations on Man and, second, of contemporary studies of the dreaming brain, we can see that Frankenstein is also science fiction of a different sort than usually supposed, a thought experiment about states of consciousness and unconsciousness and the strange experiences that arise from disrupting the boundary between sleep and waking.","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"160 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140286921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Toward a Science-Fictional Interpretational Method: Reading Three Borges Stories","authors":"Michael O'Krent","doi":"10.1353/sfs.2024.a920232","DOIUrl":"https://doi.org/10.1353/sfs.2024.a920232","url":null,"abstract":"ABSTRACT: This article reconsiders Samuel R. Delany's theory of science fiction as a form of language in order to develop the notion that science fiction is a method of making meaning and reading texts. Three stories by the Argentinian writer Jorge Luis Borges, \"The Aleph,\" \"The Library of Babel,\" and \"Tlön, Uqbar, Orbis Tertius,\" are read as science fiction to demonstrate how the method functions. Borges's ambiguous relationship with science fiction during his lifetime is well-documented, but no previous study of Borges as a science-fiction writer exists in English. The notion of science fiction as a way of reading enables a reading that treats the elements of textual playfulness that make Borges's texts so beloved throughout literary studies as science fictional, because they encourage the reader to reconstruct an alternate world around the text and create a comprehensive theory of how that world works.","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"20 21","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140407865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ethics in End Times by Peter Admirand (review)","authors":"","doi":"10.1353/sfs.2024.a920236","DOIUrl":"https://doi.org/10.1353/sfs.2024.a920236","url":null,"abstract":"","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"13 S5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140400177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}