Athanor最新文献 - Book学术

Memory Preservation in Cambodian Graphic Narratives 柬埔寨图画叙事中的记忆保存

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134934

Anneliese Hardman

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引用次数: 0

Fragmented Hours: The Biography of a Printed Devotional Book by Thielman Kerver 零碎的时光一本印刷灵修书籍的传记》，作者：Thielman Kerver

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134933

Stephanie Haas

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引用次数: 0

Death – (Re)Birth, Image – Setting: Symbiotic Relationships in a Byzantine Rock-Cut Church 死亡-（再）诞生，形象-背景：拜占庭岩石切割教堂中的共生关系

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134935

Sarah Mathiesen

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引用次数: 0

Memory Preservation in Cambodian Graphic Narratives 柬埔寨图画叙事中的记忆保存

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134934

Anneliese Hardman

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引用次数: 0

Blackness in Black and White: Serra Pelada and Sebastião Salgado 黑与白中的黑色塞拉佩拉达和塞巴斯蒂昂-萨尔加多

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134936

Samuel Rushing

{"title":"Blackness in Black and White: Serra Pelada and Sebastião Salgado","authors":"Samuel Rushing","doi":"10.33009/fsu_athanor134936","DOIUrl":"https://doi.org/10.33009/fsu_athanor134936","url":null,"abstract":"Since their publication in Sunday Times Magazine in 1987, the photographs of the biblically sized Serra Pelada gold mine in northern Brazil by Sebastião Salgado have garnered an emphatically positive reception. In “Blackness in Black and White: Sebastião Salgado and Serra Pelada,” I argue there is a system of racial coding in his photographs of the Serra Pelada gold mine, which has received little attention in the photographic discourse. I examine the photographs in dialogue with visual histories of enslavement and the exploitation of black bodies in 19th century Brazil and the United States, and the complexities of racial identity and hierarchy in late 20th century Brazil. Through this analysis, I also highlight blind spots in the English-language discourse on Salgado’s gold photographs, which seek to both universalize their themes and aestheticize their content, as well as challenge his own characterization of the photographs. My primary objective is not to argue that Salgado’s photographic decisions, which were made manifest in this systemization, were premeditated, but rather to assert its presence within the photographs and in doing so, offer a more politically and culturally nuanced and specific analysis of the photographs.","PeriodicalId":517236,"journal":{"name":"Athanor","volume":"20 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139893308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Fragmented Hours: The Biography of a Printed Devotional Book by Thielman Kerver 零碎的时光一本印刷灵修书籍的传记》，作者：Thielman Kerver

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134933

Stephanie Haas

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引用次数: 0

Invisible Infrastructure: Reinforcing Postwar Gender Inequality in Tokyo’s Nakagin Capsule Tower 无形的基础设施：强化战后东京中银胶囊塔中的性别不平等

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134937

Kelsea Whaley

{"title":"Invisible Infrastructure: Reinforcing Postwar Gender Inequality in Tokyo’s Nakagin Capsule Tower","authors":"Kelsea Whaley","doi":"10.33009/fsu_athanor134937","DOIUrl":"https://doi.org/10.33009/fsu_athanor134937","url":null,"abstract":"1970s Japan saw major changes in the way society lived and worked. A changing family structure, one led by the patriarchal “salaryman,” created new demands for housing. The Nakagin Capsule Tower, completed by architect Kisho Kurokawa in 1972, formerly located in the business district of Shimbashi, Tokyo, Japan, was Kurokawa’s utopian model for Japan’s salarymen. This presentation investigates how the Nakagin Capsule Tower inscribed gendered institutional thought in its construction, restricting women to the home and maintaining male power in the public sphere. Moreover, I explore the relationship between the construction of masculinity and urban space in postwar Japan and discuss the ways in which a housewife is unable to fulfill societal expectations within the Nakagin Capsule Tower. While Kurokawa believed the Nakagin Capsule Tower was a utopian architecture that would improve society, it maintained the salaryman/housewife relationship that prevented Japan from socially evolving to include women in their workforce and reinforced the city as a place only for men in service to the economy. This assessment investigates how the built environment has the power to detract from women’s opportunities outside of the home and the ways architecture met the social demands of men in postwar Japan.","PeriodicalId":517236,"journal":{"name":"Athanor","volume":"19 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139896737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Blackness in Black and White: Serra Pelada and Sebastião Salgado 黑与白中的黑色塞拉佩拉达和塞巴斯蒂昂-萨尔加多

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134936

Samuel Rushing

{"title":"Blackness in Black and White: Serra Pelada and Sebastião Salgado","authors":"Samuel Rushing","doi":"10.33009/fsu_athanor134936","DOIUrl":"https://doi.org/10.33009/fsu_athanor134936","url":null,"abstract":"Since their publication in Sunday Times Magazine in 1987, the photographs of the biblically sized Serra Pelada gold mine in northern Brazil by Sebastião Salgado have garnered an emphatically positive reception. In “Blackness in Black and White: Sebastião Salgado and Serra Pelada,” I argue there is a system of racial coding in his photographs of the Serra Pelada gold mine, which has received little attention in the photographic discourse. I examine the photographs in dialogue with visual histories of enslavement and the exploitation of black bodies in 19th century Brazil and the United States, and the complexities of racial identity and hierarchy in late 20th century Brazil. Through this analysis, I also highlight blind spots in the English-language discourse on Salgado’s gold photographs, which seek to both universalize their themes and aestheticize their content, as well as challenge his own characterization of the photographs. My primary objective is not to argue that Salgado’s photographic decisions, which were made manifest in this systemization, were premeditated, but rather to assert its presence within the photographs and in doing so, offer a more politically and culturally nuanced and specific analysis of the photographs.","PeriodicalId":517236,"journal":{"name":"Athanor","volume":"13 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139897116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Parrots, Princes, and Popes: Translatio Imperii in Jean Clouet’s Portrait of Francis I as St. John the Baptist 鹦鹉、王子和教皇：让-克鲁瓦（Jean Clouet）的《施洗者圣约翰弗朗西斯一世肖像》中的 "国王翻译"（Translatio Imperii

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134932

Emily DuVall

引用次数: 0

Parrots, Princes, and Popes: Translatio Imperii in Jean Clouet’s Portrait of Francis I as St. John the Baptist 鹦鹉、王子和教皇：让-克鲁瓦（Jean Clouet）的《施洗者圣约翰弗朗西斯一世肖像》中的 "国王翻译"（Translatio Imperii

Athanor Pub Date : 2024-02-02 DOI: 10.33009/fsu_athanor134932

Emily DuVall

引用次数: 0