{"title":"Kafka in Motion","authors":"Kata Gellen","doi":"10.1080/00168890.2024.2332186","DOIUrl":"https://doi.org/10.1080/00168890.2024.2332186","url":null,"abstract":"Franz Kafka, intrigued by the possibility of representing movement in a still medium, made several drawings of galloping horses. This essay examines these drawings in the context of contemporaneous...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141149811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing in the Time of Photo-, Phono-, and Cinematography. On Images in Franz Kafka’s Novel The Trial","authors":"Wolf Kittler","doi":"10.1080/00168890.2024.2332206","DOIUrl":"https://doi.org/10.1080/00168890.2024.2332206","url":null,"abstract":"The new edition of Kafka’s Drawings adds new material to the well-known fact that, in addition to his interests in both art history and the art of his own time, Kafka was a highly original draughts...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"41 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141149769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dynamic Repetition: History and Messianism in Modern Jewish Thought","authors":"Jacob Hermant","doi":"10.1080/00168890.2023.2286717","DOIUrl":"https://doi.org/10.1080/00168890.2023.2286717","url":null,"abstract":"Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 1, 2024)","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139773705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Canonical Pressures: German Literature and its Voices of Difference","authors":"Tanvi Solanki","doi":"10.1080/00168890.2023.2298842","DOIUrl":"https://doi.org/10.1080/00168890.2023.2298842","url":null,"abstract":"Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 1, 2024)","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"94 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139773703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hölderlin’s Heraclitean Canon","authors":"Anthony Curtis Adler","doi":"10.1080/00168890.2023.2292610","DOIUrl":"https://doi.org/10.1080/00168890.2023.2292610","url":null,"abstract":"This essay argues that Hölderlin develops a new understanding of canonicity by way of related concepts such as law, measure, and harmony. The final version of his novel Hyperion “bends” the straigh...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"17 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139903357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stifter’s Natives and Wandering Exotica: The Circulating Canons of “Die Narrenburg”","authors":"Catriona MacLeod","doi":"10.1080/00168890.2023.2300980","DOIUrl":"https://doi.org/10.1080/00168890.2023.2300980","url":null,"abstract":"Against the backdrop of readings of Adalbert Stifter’s 1844 Studienfassung of “Die Narrenburg” as an expression either of orientalist fantasy or of Austrian inner colonialism, this article traces t...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"221 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139904201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Schreibweisen des Exotismus. Sinnesfülle und Fremdheit in der westeuropäischen Literatur vom 18. bis zum 20. Jahrhundert","authors":"Thomas Schwarz","doi":"10.1080/00168890.2023.2286719","DOIUrl":"https://doi.org/10.1080/00168890.2023.2286719","url":null,"abstract":"Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 1, 2024)","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139904247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mendelssohn’s Upending of Canonical Appropriation","authors":"Willi Goetschel","doi":"10.1080/00168890.2023.2292600","DOIUrl":"https://doi.org/10.1080/00168890.2023.2292600","url":null,"abstract":"Mendelssohn’s Jerusalem or on Religious Power and Judaism cites a passage from the Psalms as prooftext to demonstrate that one of the key canonical texts—the literary corpus serving as the reposito...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139903360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Performance for Everyone? Othering and the Politics of Language in J.M.R. Lenz’s Die Soldaten (1776)","authors":"Mary Helen Dupree","doi":"10.1080/00168890.2023.2298843","DOIUrl":"https://doi.org/10.1080/00168890.2023.2298843","url":null,"abstract":"While J.M.R. Lenz has historically been considered something of an outsider in the eighteenth-century German canon, his play Die Soldaten has attracted interest from contemporary scholars due to it...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"178 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139903500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Queer Voice and Gaze in Eichendorff’s Das Marmorbild","authors":"J. Forrest Finch","doi":"10.1080/00168890.2023.2300968","DOIUrl":"https://doi.org/10.1080/00168890.2023.2300968","url":null,"abstract":"This essay investigates the alliance of ocularcentrism and cis-heteronormativity as canonical formations in Joseph von Eichendorff’s 1819 novella Das Marmorbild, which enact a process of masculine ...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"286 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139903359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}