Cultural Trends最新文献_第5页

Dynamics of cultural policy valuations in contemporary Europe 当代欧洲文化政策价值的动态

2区社会学

Cultural Trends Pub Date : 2023-09-11 DOI: 10.1080/09548963.2023.2255835

Claire Dedieu, Félix Dupin-Meynard, Eszter Gyorgy, Emmanuel Négrier, Gábor Oláh, Gábor Sonkoly

{"title":"Dynamics of cultural policy valuations in contemporary Europe","authors":"Claire Dedieu, Félix Dupin-Meynard, Eszter Gyorgy, Emmanuel Négrier, Gábor Oláh, Gábor Sonkoly","doi":"10.1080/09548963.2023.2255835","DOIUrl":"https://doi.org/10.1080/09548963.2023.2255835","url":null,"abstract":"ABSTRACTThis paper questions the configurations in which contemporary European cultural policies attribute explicit positive values to culture. It begins with a reflection on the meaning of value, before identifying, through the analysis of a corpus of scientific articles, books and research reports as well as press articles, the numerous values identifiable in the history of cultural policies. From this collection, we propose a principle of classification into five major families of values: democracy, identity, well-being, aesthetics and economy. Finally, we describe the dynamics of emergence and transformation of the values attributed to culture in historical configurations, through three examples: the valuation of heritage, the conflicts over the values of democracy, and the values underpinning the concept of sustainable development. Our exploratory research shows that values already present in the twentieth century are becoming increasingly important in cultural policies, without taking precedence over values with which they can compete or, on the contrary, find a form of compatibility.KEYWORDS: ValuesEuropecultural policiesdemocracycultural heritagesustainable development Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 This research focuses on the “explicit” values, as “promoted”, “attributed” to culture by cultural policies, in contexts of “democratic” regimes studied by the literature we have considered, thus necessarily “positive” in their formulations; we do not take this “positivity” for granted, but discuss it, on the one hand in itself, and on the other hand in interaction between a plurality of values (tensions).2 “Democracy” was chosen, rather than “politics”, as politics is an extremely broad “domain”, whereas “democracy” can be considered as a value containing particular normative orientations.3 “Economy” is understood here as the sphere of values related to power, competition and profit.","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135939267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cultural “levelling up” through the music corporation? The case of EMI North 通过音乐公司实现文化“升级”?百代北方公司的案例

IF 3.1 2区社会学

Cultural Trends Pub Date : 2023-09-01 DOI: 10.1080/09548963.2023.2253169

Allan Watson

引用次数: 0

Deepening precarity – the impact of COVID-19 on freelancers in the UK television industry 不稳定性加深——新冠肺炎对英国电视行业自由职业者的影响

IF 3.1 2区社会学

Cultural Trends Pub Date : 2023-08-18 DOI: 10.1080/09548963.2023.2247375

J. Swords, J. Johns

引用次数: 0

The cultural industries of India: an introduction 印度文化产业概论

IF 3.1 2区社会学

Cultural Trends Pub Date : 2023-08-08 DOI: 10.1080/09548963.2023.2247368

Rohit K. Dasgupta, Clelia Clini

{"title":"The cultural industries of India: an introduction","authors":"Rohit K. Dasgupta, Clelia Clini","doi":"10.1080/09548963.2023.2247368","DOIUrl":"https://doi.org/10.1080/09548963.2023.2247368","url":null,"abstract":"This special issue of Cultural Trends is dedicated to the Indian cultural and creative industries. By covering specific aspects of the cultural and creative sectors in India– from film festivals to music and performing arts, from cinema to tourism, including a policy review on innovation in the creative industries – the articles included in this special issue offer a comprehensive overview of the relationship between the cultural and creative industries and the wider economic, social, cultural and political processes taking place within India and its diaspora. Following the definition provided by the UNESCO, we understand the cultural and creative industries as those “sectors of organized activity that have as their main objective the production or reproduction, the promotion, distribution, or commercialization of goods, services and activities of content derived from cultural, artistic or heritage origins” (Raufast et al., 2015, p. 11). This is a definition particularly useful in the context of India, as it acknowledges the cultural value of the creative industries while emphasising their economic aspect, especially considering that the very commercialisation of cultural products in India is often entangled in a complex web of formal and informal practices which are creative in themselves. As the articles in this special issue show, this is true for example in the case of the transnational circulation of music, the performing arts as well as the organisation and promotion of tourist packages or tourism trails abroad. Cultural and creative industries represent important drivers of economic development, cultural activism (Dasgupta & Mahn, 2023) and their potential for economic growth was recently reiterated in a report published by the United Nations Conference on Trade and Development, which observes that they “provide 6.2 per cent of all employment, generating nearly 50 million jobs worldwide” (UNCTAD, 2022, p. 1). Research in the field also tends to highlight the creative sector’s potential for the promotion of “cultural diversity, social inclusion and environmental sustainability” (UNCTAD 2022 , p. xix; see also Shaban et al., 2022, pp. 4–6), urban regeneration (Florida, 2002), and social and cultural development more generally. In the context of South Asia, Malik and Dudrah (2016, p. 133) observe that cultural and creative industries are valued especially for their potential to “stimulate cultural and social development; and provide an economic tool for growth and development based on the potential to create employment, generate income, earn export revenues and alleviate poverty”. India also has a large informal economy which has grown around handicraft and textile production. Handicrafts is in fact the second largest employer after agriculture","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":null,"pages":null},"PeriodicalIF":3.1,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45601599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The REED typology: understanding market-orientation and instrumental values in cultural policy across Europe REED类型学：理解整个欧洲文化政策中的市场导向和工具价值

IF 3.1 2区社会学

Cultural Trends Pub Date : 2023-08-05 DOI: 10.1080/09548963.2023.2243837

V. Alexander, Oliver Peterson Gilbert

引用次数: 0

Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy 谁关心创意和文化工作者？中介机构在欧洲创意经济中的作用

IF 3.1 2区社会学

Cultural Trends Pub Date : 2023-08-02 DOI: 10.1080/09548963.2023.2236980

Tam Dent, R. Comunian, Jessica Tanghetti

引用次数: 2

Turning post-materialism on its head: self-expression, autonomy and precarity at work in the creative industries 颠覆后物质主义:创意产业工作中的自我表达、自主性和不稳定性