Bollywood and slum tours: poverty tourism and the Indian cultural industry

IF 1.7 2区 社会学 Q1 CULTURAL STUDIES
Clelia Clini, Deimantas Valančiūnas
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引用次数: 0

Abstract

ABSTRACT An article published on India Outlook in July 2019 stated that Dharavi, Mumbai’s biggest slum, has now beaten the Taj Mahal as the most popular tourist destination in India, having “received a push by Hollywood and Indian films alike” (2019). Following Hesmondalgh’s observation that cultural industries reflect the inequalities of capitalist societies (2007), we examine precisely the relationship between poverty tours, cinema and Bollywood as a cultural industry. Through the analysis of literature on poverty tourism and film-induced tourism in India, and the thematic analysis of entries in a Tripadvisors page dedicated to Bollywood and slum tourism in Mumbai, we argue that the combination of Bollywood and slum tours speaks of the parallel trajectories which lead towards the perception of the slum and Bollywood as the two most prominent symbols of authentic India in the global marketplace, and that this promise of authenticity makes slums popular as tourist destinations.
宝莱坞和贫民窟之旅:贫困旅游与印度文化产业
2019年7月,《印度展望》杂志发表文章称,在“好莱坞和印度电影的共同推动下”,孟买最大的贫民窟达拉维已经击败泰姬陵,成为印度最受欢迎的旅游目的地。根据赫斯蒙达尔的观察,文化产业反映了资本主义社会的不平等(2007),我们精确地研究了作为文化产业的贫困之旅、电影和宝莱坞之间的关系。通过对印度贫困旅游和电影诱导旅游的文献分析,以及对tripadvisor专门介绍孟买宝莱坞和贫民窟旅游的页面条目的专题分析,我们认为宝莱坞和贫民窟旅游的结合说明了平行的轨迹,这些轨迹导致人们认为贫民窟和宝莱坞是全球市场上真实印度的两个最突出的象征。这种真实性的承诺使得贫民窟成为热门的旅游目的地。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Cultural Trends
Cultural Trends Multiple-
CiteScore
5.90
自引率
16.10%
发文量
36
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