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Perífrasis. Revista de Literatura, Teoría y Crítica最新文献

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Quillahuaman, Rocío. Marrón. Memorias. Blackie Books, 2022, 200 pp. Quillahuaman, Rocío.马龙回忆录》。布莱基图书公司，2022 年，200 页。
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-05-07 DOI: 10.25025/perifrasis202415.32.08
Esther Argüelles Rozada
{"title":"Quillahuaman, Rocío. Marrón. Memorias. Blackie Books, 2022, 200 pp.","authors":"Esther Argüelles Rozada","doi":"10.25025/perifrasis202415.32.08","DOIUrl":"https://doi.org/10.25025/perifrasis202415.32.08","url":null,"abstract":"","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141005590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reescribir para descodificar: traducción radicante en El libro de Tamar de Tamara Kamenszain y Tratado de arqueología peruana de Roberto Zariquiey 重写解码：塔玛拉-卡门萨因的《塔玛尔之书》和罗伯托-扎里基伊的《秘鲁考古学论文集》中的激进翻译。
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-05-07 DOI: 10.25025/perifrasis202415.32.04
Claudia Pulido Hernández
{"title":"Reescribir para descodificar: traducción radicante en El libro de Tamar de Tamara Kamenszain y Tratado de arqueología peruana de Roberto Zariquiey","authors":"Claudia Pulido Hernández","doi":"10.25025/perifrasis202415.32.04","DOIUrl":"https://doi.org/10.25025/perifrasis202415.32.04","url":null,"abstract":"The purpose of this article is to unveil the gesture of rewriting as an exercise of sign translation, which is presented as one of the territories of radicant writing in the works El libro de Tamar by Tamara Kamenszain and Tratado de arqueología peruana by Roberto Zariquiey. For this purpose, it has been decided to guide the research through a comparative literary study of the corpus, which is achieved based on the definition offered by Nicolas Bourriaud on contemporary art in his book The Radicant (2009). In these works we identify an incursion into that “translation-oriented modernity” that Bourriaud himself proposes, since the acts of appropriation that are developed constitute a translation of past voices, which help to clear the signs of previous passages that are contained in hermetic archives, in order to build the present from them.","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141005330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
De la abstracción a la alegoría: la cartografía imperial de Vicente de Memije 从抽象到寓意：Vicente de Memije 的帝国地图绘制
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-05-07 DOI: 10.25025/perifrasis202415.32.07
R. Padrón
{"title":"De la abstracción a la alegoría: la cartografía imperial de Vicente de Memije","authors":"R. Padrón","doi":"10.25025/perifrasis202415.32.07","DOIUrl":"https://doi.org/10.25025/perifrasis202415.32.07","url":null,"abstract":"<jats:p/>","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141001969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Formas de irse de casa: el tiempo propio de Romina Paula 离开家的方式：罗米娜-保拉自己的时间
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-05-07 DOI: 10.25025/perifrasis202415.32.02
Emiliano Rodríguez Montiel
{"title":"Formas de irse de casa: el tiempo propio de Romina Paula","authors":"Emiliano Rodríguez Montiel","doi":"10.25025/perifrasis202415.32.02","DOIUrl":"https://doi.org/10.25025/perifrasis202415.32.02","url":null,"abstract":"This paper focuses on Romina Paula's work, on how, within her literary, theatrical and cinematographic production, a temporal experience that is both untimely and intimate and that differs from the 24/7 logic is composed. My hypothesis, motivated by the double interest of exploring, on the one hand, how the present is being narrated in contemporary Argentine narrative and, on the other, what fictional outlets are being proposed to circumvent the accelerationist imperatives, argues that Paula's work, conceived as a true space of experimentation with time, rehearses an alternative -a practical and therapeutic solution- by making her characters run away from home. Rather than celebrating that the world has become less slow and enduring, Paula's women, in need of a break, escape from their fixed abodes in search of some time of their own.","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141002559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Las poetas afrocolombianas del Pacífico y la reconstrucción del territorio: una mirada desde la filosofía africana, la teoría ecocrítica africana y el ecowomanism 太平洋地区的非洲裔哥伦比亚女诗人与领土重建：从非洲哲学、非洲生态批评理论和生态妇女主义角度看问题。
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-05-07 DOI: 10.25025/perifrasis202415.32.05
Alexa Hurtado Montaño
{"title":"Las poetas afrocolombianas del Pacífico y la reconstrucción del territorio: una mirada desde la filosofía africana, la teoría ecocrítica africana y el ecowomanism","authors":"Alexa Hurtado Montaño","doi":"10.25025/perifrasis202415.32.05","DOIUrl":"https://doi.org/10.25025/perifrasis202415.32.05","url":null,"abstract":"Afro-Colombian women poets, by their poetry, reveal the relationship of human beings with their environment They present the interconnection and interdependence of all living and non-living beings, and show how the protection and care of the environment are key aspects for humanity. In this paper, I analyze the poetry works of Sonia Nadhezda Truque and María Elcina Valencia Córdoba whose poems reflect their experiences and views on the environment affected by violence, displacement, and the conditions of race, gender, and class. I contend that both poets demonstrate an ethic and interconnection with their territories, evidencing their cosmovision of the self and their connection with the earth and nature, as reflected in the African environmental philosophy. I argue that within their poetry, there are aspects of African-ecocriticism and ecowomanism theories due to their experience as environmental activists, women, and members of the African Diaspora.","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141004758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Biopolíticas e “inscrituras”: la poesía de Raúl Zurita como communitas del dolor 生物政治学与 "铭文"：劳尔-苏里塔的诗歌是痛苦的共同体
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-05-07 DOI: 10.25025/perifrasis202415.32.06
Paula Miranda Herrera
{"title":"Biopolíticas e “inscrituras”: la poesía de Raúl Zurita como communitas del dolor","authors":"Paula Miranda Herrera","doi":"10.25025/perifrasis202415.32.06","DOIUrl":"https://doi.org/10.25025/perifrasis202415.32.06","url":null,"abstract":"This article analyzes part of the poetic work of Raúl Zurita, expressed both in some of his poetry books and in his \"inscriptions\" or material inscriptions and in his corporal self-mutilations to determine the functions that his art fulfills in the face of neoliberal biopolitical practices (Foucault, Agamben, Calveiro) and as a bet for a communitas of pain (Diéguez). It explains the meaning and function of books such as Purgatorio (1982), Canto a su amor desaparecido (1985) and zurita/in memoriam (2007), or interventions such as her verse \"ni pena ni miedo\" in the Atacama Desert, her presence in memorials or her intervention \"El mar del dolor\"; all as differentiated forms of resistance from art, against strategies of power that tried to \"let die\" part of the society in the context of the military dictatorship in Chile (1973-1990) and also in other contexts of human rights violations.","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141003188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Manual Prático do ódio by Ferréz: Waste in the Favela’s Underworld 费雷兹的《ódio 实用手册》：贫民区地下世界的废物
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-05-07 DOI: 10.25025/perifrasis202415.32.01
Olivia Margarita Villegas Cabrera
{"title":"Manual Prático do ódio by Ferréz: Waste in the Favela’s Underworld","authors":"Olivia Margarita Villegas Cabrera","doi":"10.25025/perifrasis202415.32.01","DOIUrl":"https://doi.org/10.25025/perifrasis202415.32.01","url":null,"abstract":"This article analyzes the work Manual Prático do ódio by Ferréz in the light of some theories that deal with what is relegated to the margins. The aim is to demonstrate that in Ferréz's work all the characters, in their situation of marginalized subjects, show the condition of human waste, being both lagging victims of economic progress and victims of stigmas and diatribes manifested by hierarchically superior beings. The research considers Zygmunt Bauman's concept of human waste as its backbone, an approach that is intertwined with secondary sources (Butler, Lipovetsky, Lynch, Paugam, Silva-Santisteban, Wacquant) referring to other forms and dimensions of marginality.","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141002087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blom, Philipp. El gran teatro del mundo. Traducido por Daniel Najmías, Anagrama, 2023, 144 pp. Blom, Philipp.世界大剧院》。丹尼尔-纳吉米亚斯译，阿纳格拉玛出版社，2023 年，144 页。
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-05-07 DOI: 10.25025/perifrasis202415.32.09
Jhon Edwin Acuña Gutiérrez
{"title":"Blom, Philipp. El gran teatro del mundo. Traducido por Daniel Najmías, Anagrama, 2023, 144 pp.","authors":"Jhon Edwin Acuña Gutiérrez","doi":"10.25025/perifrasis202415.32.09","DOIUrl":"https://doi.org/10.25025/perifrasis202415.32.09","url":null,"abstract":"","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141003658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Radicantes en una ciudad de culto. Personajes de Jorge Enrique Lage 邪教城市中的激进分子豪尔赫-恩里克-拉吉的角色
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-05-07 DOI: 10.25025/perifrasis202415.32.03
Katia Viera
{"title":"Radicantes en una ciudad de culto. Personajes de Jorge Enrique Lage","authors":"Katia Viera","doi":"10.25025/perifrasis202415.32.03","DOIUrl":"https://doi.org/10.25025/perifrasis202415.32.03","url":null,"abstract":"In this text I propose to characterize the way in which the Cuban writer Jorge Enrique Lage configures Havana. The proposed analysis seeks to recognize in this author's novel, Carbono 14. Una novela de culto, the strategies of configuration of the Havana city, based on the characters that appear in it. I start from the premise that the writer constructs a story that sets in motion the identity and specificity of Havana and forwards them to other delocalized universes by exchanging and translating referents. Subjects in Lage's writing, wanderers, exiles, migrants, tourists, robots, zombies transplant behaviors, transcode images from here and there and build a portable, movable and expanded account of the terroir in which it is difficult to locate an identity.","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141003525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transculturalidad crítica en los Seis ensayos en busca de nuestra expresión de Pedro Henríquez Ureña 佩德罗-恩里克斯-乌雷尼亚《寻找我们表达的六篇散文》中的批判性跨文化性
Perífrasis. Revista de Literatura, Teoría y Crítica Pub Date : 2024-01-09 DOI: 10.25025/perifrasis202415.31.05
Víctor Barrera Enderle
{"title":"Transculturalidad crítica en los Seis ensayos en busca de nuestra expresión de Pedro Henríquez Ureña","authors":"Víctor Barrera Enderle","doi":"10.25025/perifrasis202415.31.05","DOIUrl":"https://doi.org/10.25025/perifrasis202415.31.05","url":null,"abstract":"Escritos a lo largo de dos décadas, los trabajos que conformaron el libro Seis ensayos en busca de nuestra expresión (publicado en Buenos Aires en 1928) desplegaron estrategias críticas para apropiar y resignificar diferentes enfoques teóricos metropolitanos (filológicos, historiográficos y lingüísticos) para su aplicación a la literatura latinoamericana. Desde la publicación de Ensayos críticos, en 1905, Pedro Henríquez Ureña estudió la formación y el desarrollo de la literatura hispanoamericana, tanto en su estancia mexicana como en la Argentina. Henríquez Ureña se convirtió así en uno de los primeros críticos en proponer un instrumental teórico adecuado a las particularidades de los campos literarios en América Latina. En este ensayo me propongo describir estas estrategias (englobándolas en el concepto de transculturidad crítica) en Seis ensayos en busca de nuestra expresión y su importancia en la configuración de la teoría crítica latinoamericana.","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140511691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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