Visual Communication最新文献

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Exploring the contemporary Moon Under Water through illustration: nostalgia and the power of the image 通过插图探索当代水下月亮:怀旧和图像的力量
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-06-27 DOI: 10.1177/14703572221101130
Stephanie Black
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引用次数: 0
Book review: Empirical Multimodality Research: Methods, Evaluations, Implications 书评:《实证多模态研究:方法、评价、启示》
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-06-21 DOI: 10.1177/14703572221099606
Alex Christiansen
{"title":"Book review: Empirical Multimodality Research: Methods, Evaluations, Implications","authors":"Alex Christiansen","doi":"10.1177/14703572221099606","DOIUrl":"https://doi.org/10.1177/14703572221099606","url":null,"abstract":": Multimodality research has always shown a strong reliance on data. However, the field has primarily developed around more exploratory, descriptive, and interpretative work on smaller data sets — as suggested by results we present from a meta-study of contributions to three multimodality-close international journals ( Social Semiotics , Visual Communication , Multimodal Communication ). Framed by a discussion of the qualitative-quantitative dichotomy and a deliberately broad working definition of empirical , we argue that it is not sample size or quantitative methods alone that support a more solid empirical grounding of multimodality research, but rather an explicit orientation to just how theory and analysis make contact with data. To this end, we propose five quality criteria of empirical practice, that is, completing the empirical feedback loop: from theory to data and back, ensuring objectivity, reliability, and validity in research, and acknowledging the inherent tentativeness of results. We thereby seek to chart paths for an appropriate and productive application of various empirical methods to novel (and supposedly familiar) forms of meaning-making in order to further strengthen the development of theory and methods in multimodality, and to encourage an even more intense exchange among the diverse communities of multimodalists.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"90 1","pages":""},"PeriodicalIF":1.5,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84570714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
From researchers to academic entrepreneurs: a diachronic analysis of the visual representation of academics in university annual reports 从研究人员到学术企业家:大学年报中学者形象的历时性分析
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-06-21 DOI: 10.1177/14703572221102180
Yi Deng, D. Feng
{"title":"From researchers to academic entrepreneurs: a diachronic analysis of the visual representation of academics in university annual reports","authors":"Yi Deng, D. Feng","doi":"10.1177/14703572221102180","DOIUrl":"https://doi.org/10.1177/14703572221102180","url":null,"abstract":"Influenced by the global neoliberalization of higher education, academic entrepreneurialism has become a new paradigm of university development and has brought about profound changes in various types of university discourse. Against this backdrop, this study investigates the transformations in the visual depiction of academics in the annual reports of six major universities in Hong Kong during the past two decades. Drawing on critical visual analysis, the study shows that the communicative purposes of the images have shifted from reporting the research process to promoting research outcomes. The visual identities of academics have shown clear transformations of becoming increasingly individualized, entrepreneurial and self-promotional. With a higher degree of social interaction and closer social distance with viewers, they are playing an increasingly important role in building public relations. The study enriches the social analysis of neoliberalization as a process through the quantitative and diachronic lens. It demonstrates how a visual analytical method applied to the critical analysis of identity construction and university discourse can provide an explicit understanding of the visual manifestations of neoliberalism in higher education and its diachronic change.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"89 1","pages":""},"PeriodicalIF":1.5,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85035311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Book review: Beyond the Visual: An Introduction to Researching Multimodal Phenomena 书评:超越视觉:多模态现象研究导论
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-06-09 DOI: 10.1177/14703572221102531
Charles Forceville
{"title":"Book review: Beyond the Visual: An Introduction to Researching Multimodal Phenomena","authors":"Charles Forceville","doi":"10.1177/14703572221102531","DOIUrl":"https://doi.org/10.1177/14703572221102531","url":null,"abstract":"","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"123 1","pages":""},"PeriodicalIF":1.5,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82491726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Understanding emotional responses to visual aesthetic artefacts: the SECMEA mechanisms 理解对视觉美学人工制品的情绪反应:SECMEA机制
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-06-09 DOI: 10.1177/14703572221090536
C. van der Lee, Renske van Enschot
{"title":"Understanding emotional responses to visual aesthetic artefacts: the SECMEA mechanisms","authors":"C. van der Lee, Renske van Enschot","doi":"10.1177/14703572221090536","DOIUrl":"https://doi.org/10.1177/14703572221090536","url":null,"abstract":"While many models attempt to explain the aesthetic experience, most limit themselves to art as their focal point and only a few look into why we arrive at a certain response to a visual aesthetic object. This article attempts to offer an extension to the current models by focusing on the mechanisms that induce emotions in relation to visual aesthetic objects. It takes Juslin’s (2013) BRECVEM mechanisms – developed for the domain of music – as its basis. In this article, Juslin’s mechanisms are adapted to the visual domain, resulting in six different emotion-evoking mechanisms: startle reflex, evaluative conditioning, emotional contagion, mental imagery, syntactic expectancy and external appraisal. The authors give an overview of frameworks and empirical studies, demonstrating each of these mechanisms in relation to visual aesthetic objects (visual art as well as advertising and product design). The article’s focus on emotion-inducing mechanisms and existing empirical research provides a basis for improving empirical testing of emotional responses to a broad range of visual aesthetic objects.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"116 1","pages":""},"PeriodicalIF":1.5,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79240976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book review: Seeing Justice: Witnessing, Crime, and Punishment in Visual Media 书评:《看到正义:视觉媒体中的目击、犯罪和惩罚》
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-06-08 DOI: 10.1177/14703572221099611
Courtney D Tabor
{"title":"Book review: Seeing Justice: Witnessing, Crime, and Punishment in Visual Media","authors":"Courtney D Tabor","doi":"10.1177/14703572221099611","DOIUrl":"https://doi.org/10.1177/14703572221099611","url":null,"abstract":"Pages 147 147–148 In a technological environment that enables the proliferation of a variety of voices, the role of images in the relationship between state actors, media, and citizens is becoming more complex. Questions pertaining to the discursive role of images have highlighted the importance of considering how power operates within larger contexts of the image-making process (e.g., Sekula, 1986; Tagg, 1999). In Seeing Justice, Bock joins this line of research, warning us that “We can no longer afford to carelessly play with visuality’s fire” (p. 217) because images have immediate, on-the-ground implications on people’s lives. Through an examination of case studies like public hangings, mug shots, camera coverage of court rooms, and other examples related to the United States criminal justice system, Bock highlights the significance of embodied experiences to the politics of visuality.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"60 1","pages":""},"PeriodicalIF":1.5,"publicationDate":"2022-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81564325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Drone views: a multimodal ethnographic perspective 无人机视角:多模式人种学视角
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-05-16 DOI: 10.1177/14703572211065093
Elisa Serafinelli, Lauren Alex O’Hangan
{"title":"Drone views: a multimodal ethnographic perspective","authors":"Elisa Serafinelli, Lauren Alex O’Hangan","doi":"10.1177/14703572211065093","DOIUrl":"https://doi.org/10.1177/14703572211065093","url":null,"abstract":"Drone visuals are rapidly becoming part of our sociocultural imaginaries, generating distinct images that differ from traditional visual conventions and producing unexpected perspectives of the world that reveal hidden aspects of our surroundings. Despite the growing use of camera-laden drones in a range of commercial and non-commercial activities, to date, little scholarly attention has been paid to the semiotics of drone visuals. This article is the first to draw specific attention to the compositional structure of drone visuals, combining social semiotic analysis with ethnographic insights to assess how they are changing the way we think about the world. Exploring drone hobbyists’ and developers’ perspectives on drone usage and the visuals they generate, the authors identify and examine three frequently occurring characteristics of drone visuals: top-down views, 360-degree panoramic views and ‘classic’ landscape perspectives. The critical analysis of these peculiarities leads them to argue for the potential of these innovative visions to reshape our visual culture. In their conclusion, the authors aim to open a conversation about the way technological advancements mark important sociocultural changes in sense-making processes, geographical imaginations and everyday life experiences.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"71 1","pages":""},"PeriodicalIF":1.5,"publicationDate":"2022-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87600528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Book review: Animating Truth: Documentary and Visual Culture in the 21st Century 书评:《动画的真相:21世纪的纪录片和视觉文化》
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-05-12 DOI: 10.1177/14703572221094042
Georgia Aitaki
{"title":"Book review: Animating Truth: Documentary and Visual Culture in the 21st Century","authors":"Georgia Aitaki","doi":"10.1177/14703572221094042","DOIUrl":"https://doi.org/10.1177/14703572221094042","url":null,"abstract":"","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"19 1","pages":""},"PeriodicalIF":1.5,"publicationDate":"2022-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82679242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The rhythms of cancer survivorship 癌症生存的节奏
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-05-10 DOI: 10.1177/14703572221078040
Stefanie Plage
{"title":"The rhythms of cancer survivorship","authors":"Stefanie Plage","doi":"10.1177/14703572221078040","DOIUrl":"https://doi.org/10.1177/14703572221078040","url":null,"abstract":"This visual essay incorporates photographs from a research project on the changing landscapes of cancer survivorship in Australia. Study participants were asked to tell the story of what cancer looks and feels like and what it means to them. The photographs were captioned and discussed during a follow-up interview. Employing Henri Lefebvre’s rhythmanalysis, these photographs, captions and narrations show how the routines and expectations arising in cancer survivorship reorient life around movement in time and place. They provide insights into the unfolding of cancer survivorship in the ebb and flow of lived experience.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"21 1","pages":"607 - 622"},"PeriodicalIF":1.5,"publicationDate":"2022-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82880822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The mediatic dimension of images: visual semiotics faced with Gerhard Richter’s artwork 图像的中介维度:格哈德·里希特艺术作品的视觉符号学
IF 1.5 2区 文学
Visual Communication Pub Date : 2022-04-21 DOI: 10.1177/14703572221080529
Enzo D’armenio
{"title":"The mediatic dimension of images: visual semiotics faced with Gerhard Richter’s artwork","authors":"Enzo D’armenio","doi":"10.1177/14703572221080529","DOIUrl":"https://doi.org/10.1177/14703572221080529","url":null,"abstract":"In this article, the author endeavours to analyse Gerhard Richter’s photo-paintings for the way they build an intersemiotic dialogue between photography and painting. On the one hand, he tries to characterize the modalities of this dialogue and to provide an original interpretation of Richter’s work. On the other hand, he uses the special case of Richter’s work as a starting point for a conceptual renewal in the analysis of visual languages, notably with regard to semiotic approaches. In particular, the author aims to define the mediatic dimension of images, which is concerned with the substances, substrates and devices through which images are produced. He does this in order to integrate the achievements of visual semiotics in regard to the compositional dimension of colours, shapes and figures. He takes into account the way in which the material and the substances of expression of images impact the construction of meaning, in accordance with the hypothesis of a superposition of technical and semantic aspects. The confrontation with Richter’s production leads him to go beyond plastic and figurative readings as he proposes the concepts of technical formats and techno-perceptions of images. While the former concern the historical recognition of images on the basis of the devices having produced their substance – leading to identifications such as ‘early cinema images’, ‘smartphone images’, ‘surveillance camera images’, etc. – the latter concern the perceptive configurations resulting from the formative work of the technical devices.","PeriodicalId":51671,"journal":{"name":"Visual Communication","volume":"20 1","pages":""},"PeriodicalIF":1.5,"publicationDate":"2022-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86026762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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