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Lewis, , , Eric. Intents and Purposes: Philosophy and the Aesthetics of Improvisation. University of Michigan Press, 2019, 280 pp., 3 b&w illus., $80.00 cloth. 刘易斯，埃里克。意图与目的:即兴创作的哲学与美学。密歇根大学出版社，2019,280页，3b&w。， $80.00布。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-08-13 DOI: 10.1111/jaac.12746
CASEY HASKINS
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引用次数: 0
Installation Art 装置艺术
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-08-13 DOI: 10.1111/jaac.12747
GEMMA ARGÜELLO MANRESA, ELISA CALDAROLA
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引用次数: 0
Aumann, ,  , Antony. Art and Selfhood: A Kierkegaardian Account. Lanham, MD: Lexington Books, 2019, 252 pp., 8 b&w illus., $95.00 cloth. 奥曼，安东尼。艺术与自我:克尔凯郭尔的诠释。兰哈姆，马里兰州:列克星敦图书，2019,252页，8b&w。， $95.00布。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-08-13 DOI: 10.1111/jaac.12744
SHERIDAN HOUGH
{"title":"Aumann, ,  , Antony. Art and Selfhood: A Kierkegaardian Account. Lanham, MD: Lexington Books, 2019, 252 pp., 8 b&w illus., $95.00 cloth.","authors":"SHERIDAN HOUGH","doi":"10.1111/jaac.12744","DOIUrl":"10.1111/jaac.12744","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 3","pages":"375-379"},"PeriodicalIF":0.8,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12744","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122533560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Towards a Philosophy of Installation Art 走向装置艺术的哲学
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-08-13 DOI: 10.1111/jaac.12733
GEMMA ARGÜELLO MANRESA
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引用次数: 2
On Experiencing Installation Art 体验装置艺术
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-08-13 DOI: 10.1111/jaac.12734
ELISA CALDAROLA
{"title":"On Experiencing Installation Art","authors":"ELISA CALDAROLA","doi":"10.1111/jaac.12734","DOIUrl":"10.1111/jaac.12734","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 3","pages":"339-344"},"PeriodicalIF":0.8,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12734","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115349157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes 重新认识不完美的美学:即兴、作曲和错误
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-08-13 DOI: 10.1111/jaac.12749
ANDY HAMILTON
{"title":"The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes","authors":"ANDY HAMILTON","doi":"10.1111/jaac.12749","DOIUrl":"10.1111/jaac.12749","url":null,"abstract":"<p>Ted Gioia associated the “aesthetics of imperfection” with improvised music. In an earlier article, I extended it to all musical performance. This article reconceives my discussion, offering more precise analyses: (1) The aesthetics of imperfection is now argued to involve <i>open, spontaneous response to contingencies of performance or production</i>, reacting positively to idiosyncratic instruments; apparent failings in performance, and so on. Perfectionists, in contrast, prefer a planning model, not readily modified in face of contingencies. (2) Imperfection is not toleration of errors and imperfections, as Gioia assumes, but a positive aesthetic, as in Japanese <i>wabi-sabi</i>. Imperfections can become new styles or kinds of perfection—and so true imperfectionism is a <i>constant striving for new contingencies to respond to</i>. (3) A subtler, more complex relation between composition and improvisation is proposed, in which both have <i>broad</i> and <i>narrow senses</i>. Composition involves (a) works, usually desk produced and notated; or more generally, (b) putting things together in an aesthetically rewarding form. Thus, <i>improvisation is a</i> (broad sense) <i>compositional method</i>. (4) Improvisation and composition are interdependent; both involve structure and spontaneity. (5) Imperfectionism is an <i>aesthetics of performance</i>—of compositions as well as improvisations. Improvisation is no risker, or prone to mistakes, than performance of compositions.</p>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 3","pages":"289-302"},"PeriodicalIF":0.8,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12749","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122471471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Art Forms Emerging: An Approach to Evaluative Diversity in Art 新兴的艺术形式:艺术评价多样性的途径
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-08-13 DOI: 10.1111/jaac.12740
MOHAN MATTHEN
{"title":"Art Forms Emerging: An Approach to Evaluative Diversity in Art","authors":"MOHAN MATTHEN","doi":"10.1111/jaac.12740","DOIUrl":"10.1111/jaac.12740","url":null,"abstract":"<div>\u0000 \u0000 <p>Artworks are rationally evaluable and comparable within their art form, but not from outside. Beethoven's string quartets cannot be evaluated against works of Hindustani music. This is the problem of evaluative diversity: local commensurability, global indeterminacy. This article sketches an approach to the problem based on novel conceptions of aesthetic pleasure and cultural learning, and on the Darwinian Principle of Divergence as applied to cultural evolution.</p>\u0000 </div>","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 3","pages":"303-318"},"PeriodicalIF":0.8,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12740","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133498589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
The Assumptions behind Musical Stage Theory: A Reply to Letts 音乐舞台理论背后的假设:对莱茨的回答
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-08-13 DOI: 10.1111/jaac.12742
CATERINA MORUZZI
{"title":"The Assumptions behind Musical Stage Theory: A Reply to Letts","authors":"CATERINA MORUZZI","doi":"10.1111/jaac.12742","DOIUrl":"10.1111/jaac.12742","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 3","pages":"362-366"},"PeriodicalIF":0.8,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12742","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130450376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Installation Art and Exhibitions: Sharing Ground 装置艺术与展览:共享空间
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-08-13 DOI: 10.1111/jaac.12739
ELEEN M. DEPREZ
{"title":"Installation Art and Exhibitions: Sharing Ground","authors":"ELEEN M. DEPREZ","doi":"10.1111/jaac.12739","DOIUrl":"10.1111/jaac.12739","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 3","pages":"345-350"},"PeriodicalIF":0.8,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12739","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132362949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
GEORG W BERTRAM. Art as Human Practice: An Aesthetics. London: Bloomsbury Academic, 2019, 256 pp., £19.99 paper. 乔治·伯特伦。作为人类实践的艺术:一种美学。伦敦:布鲁姆斯伯里学术出版社，2019,256页，19.99英镑。
IF 0.8 2区 艺术学
JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-05-18 DOI: 10.1111/jaac.12723
JASON MILLER
{"title":"GEORG W BERTRAM. Art as Human Practice: An Aesthetics. London: Bloomsbury Academic, 2019, 256 pp., £19.99 paper.","authors":"JASON MILLER","doi":"10.1111/jaac.12723","DOIUrl":"10.1111/jaac.12723","url":null,"abstract":"","PeriodicalId":51571,"journal":{"name":"JOURNAL OF AESTHETICS AND ART CRITICISM","volume":"78 2","pages":"248-251"},"PeriodicalIF":0.8,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/jaac.12723","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121472359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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