OCTOBER最新文献_第6页

Art Communities at Risk: On Ukraine 风险中的艺术社区：论乌克兰

IF 0.3 4区社会学

OCTOBER Pub Date : 2022-03-01 DOI: 10.1162/octo_a_00452

Svitlana Biedarieva

引用次数: 1

Atomic Ecology 原子生态学

IF 0.3 4区社会学

OCTOBER Pub Date : 2022-03-01 DOI: 10.1162/octo_a_00450

Siobhan Angus

引用次数: 0

Puppets Pulling Back: Drawing Out Wael Shawky's Histories 木偶撤退:引出威尔·肖基的历史

IF 0.3 4区社会学

OCTOBER Pub Date : 2022-03-01 DOI: 10.1162/octo_a_00449

Damian Taylor

引用次数: 0

My Formative Years∗ 我的成长岁月*

IF 0.3 4区社会学

OCTOBER Pub Date : 2022-03-01 DOI: 10.1162/octo_a_00446

Hubert Damisch

{"title":"My Formative Years∗","authors":"Hubert Damisch","doi":"10.1162/octo_a_00446","DOIUrl":"https://doi.org/10.1162/octo_a_00446","url":null,"abstract":"Abstract A pretty perilous and challenging exercise, especially for someone like me who indulges in thinking of himself, in a somewhat defensive and questionable way, I confess, as having no specific field or period of competence and evading any precise definition or classification in academic terms. As a matter of fact, I have been lucky enough to spend most of my life in an institution, the EHESS [École des hautes études en sciences sociales], which, in those days, having become an independent school, was open to people who refused to defer to the academic division of labor and which, under the rule of great personalities like Fernand Braudel and my friend Jacques Le Goff, would welcome young people with non-conformist backgrounds in order for them to develop their formation according to their own lines. To develop it—I wouldn't say to achieve it, for as far as I am concerned there seems to be no end to it: hence the challenge, which consists in having to look back at one's own intellectual past through the viewer and the lens of the present. Part of the picture, which happened to be of great consequence to me, was, and still is, a great freedom and encouragement to travel, lecture, teach, and study abroad, in my case especially in the States, where, for a long time, I felt much more at ease with authentic art historians and critics than I did in France, and developed some deep and enduring friendships with great individuals like Meyer Schapiro, Rosalind Krauss, Tony Vidler, Tim Clark, and Hank Millon, not to mention several artists and architects I will refer to later. Travelling: I don't claim any originality when saying that I owe to my urge to travel a large part of my formation as an art historian. I remember with emotion looking with Meyer Schapiro through his travel notebooks. I keep boxes filled with my own.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"3-10"},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44798186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Art Communities at Risk: On Russia 危机中的艺术社区:关于俄罗斯

IF 0.3 4区社会学

OCTOBER Pub Date : 2021-12-01 DOI: 10.1162/octo_a_00445

Y. Tsvetkova

引用次数: 0

Art Work as Life Work: Lu Märten's Feminist “Objectivity” 艺术作品即生活作品:卢Märten的女性主义“客观性”

IF 0.3 4区社会学

OCTOBER Pub Date : 2021-12-01 DOI: 10.1162/octo_a_00438

J. Nachtigall, K. Stakemeier

{"title":"Art Work as Life Work: Lu Märten's Feminist “Objectivity”","authors":"J. Nachtigall, K. Stakemeier","doi":"10.1162/octo_a_00438","DOIUrl":"https://doi.org/10.1162/octo_a_00438","url":null,"abstract":"Abstract “Art Work as Life Work: Lu Märten's Feminist ‘Objectivity’” highlights the feminist stakes of German feminist-materialist art historian Lu Märten's interventions in the interwar discourses on art and labor, on objectivity (Sachlichkeit), and the new media of film and radio. The essay argues that Märten's contributions to these areas sit squarely within more familiar narratives of materialist aesthetics and Weimar culture (from Walter Benjamin's epochal Artwork Essay to the Bauhaus) and that they do so on account of her heterodox reading of Marx and commitment to Spinoza's monism. In Märten's view, this non-binary materialism offered an alternative, non-Hegelian route to a materialist conception of art or as she preferred to say, form. In contrast to art history's academic formalism, Märten espouses a notion of form that does not maintain art's autonomy but instead connects art to other social fields. Here form always evolves out of informality. The essay traces the close bond between art work and life work across Märten's multiple publications, including her theoretical magnum opus Essence and Transformation of Forms/Arts and her studies on The Economic Conditions of Artists and The Female Artist. In so doing, the text contributes to revisiting the firm boundaries that art history has drawn between objects and communities.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"35-54"},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46003820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

On Institutional Democratization and Reflexive Resistance: A Conversation with Andrea Fraser 论制度民主化与反身性抵抗:与安德里亚·弗雷泽对话

IF 0.3 4区社会学

OCTOBER Pub Date : 2021-12-01 DOI: 10.1162/octo_a_00440

John Hulsey

引用次数: 0

On Black Affective Forms: A Conversation with Garrett Bradley∗ 黑人情感形式:与加勒特·布拉德利对话*

IF 0.3 4区社会学

OCTOBER Pub Date : 2021-12-01 DOI: 10.1162/octo_a_00441

Huey Copeland

引用次数: 0

Lubitsch, Shakespeare, and the Theatricality of Power∗ 卢比奇、莎士比亚和权力的戏剧性*

IF 0.3 4区社会学

OCTOBER Pub Date : 2021-12-01 DOI: 10.1162/octo_a_00439

Gregor Moder

{"title":"Lubitsch, Shakespeare, and the Theatricality of Power∗","authors":"Gregor Moder","doi":"10.1162/octo_a_00439","DOIUrl":"https://doi.org/10.1162/octo_a_00439","url":null,"abstract":"Abstract Ernst Lubitsch's To Be or Not to Be (1942) was filmed during World War II and takes place in the early period of the Nazi occupation of Poland, yet it focuses on the story of a theater group, on actors, and on the metaphysical question of what makes up a convincing performance. Some early critics suggested that this was not the way to tackle a dire political situation, and that the portrayal of Nazis as humans, with their own sense of humor and theater, was disrespectful to the plight of the Poles and Polish Jewry. For the film, however, the political action and the tracing of the philosophical implications of a theatrical performance are not alternative procedures, but are closely linked to one another, and in this respect Lubitsch follows Shakespeare's own staging of power. The article pursues this argument, firstly, in the analysis of the series of Shylock monologues in the film (“Hath not a Jew eyes?”), focusing on the hyper-theatricality of each repetition. Secondly, it analyzes the series of encounters between two main characters, the Nazi Colonel Ehrhardt and the Polish actor Joseph Tura, especially their last encounter. The author compares the encounter between Ehrhardt and Tura to the Mousetrap scene in Hamlet and argues that it functions as the primal scene—in the Freudian meaning of the term—of the film as such. Their encounter is comical, yet at the same time both politically and metaphysically completely serious: The film shows us two visions of Hamlet, and with that, two visions of modernity, embodied in a Nazi colonel and a Polish actor. The film seems to suggest that there is no defeating Nazism without a thorough understanding of the theatricality of power as such—a Shakespearean lesson that is vital also for our contemporary moment.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"55-80"},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41813770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Lu Märten: An Introduction to Four Texts 鲁：四部文本导论

IF 0.3 4区社会学

OCTOBER Pub Date : 2021-12-01 DOI: 10.1162/octo_a_00436

J. Nachtigall, K. Stakemeier

引用次数: 0