{"title":"Movement Analysis Of Bedincak Gymnastics Based On Traditional Dance Of Bangka Belitung","authors":"Widia Srilestari, Tati Narawati, Yudi Sukmayadi","doi":"10.24114/gondang.v8i1.56549","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.56549","url":null,"abstract":"The problem of this research is how Senam Bedincak can be an alternative recreational sport for the people of Bangka Belitung. The purpose of this study is to describe and analyze the choreographic and musical structure of Bedincak Gymnastics in Bedindak Gymnastics so that it becomes an alternative recreational sport for the people of Bangka Belitung. The method used is descriptive analysis with a qualitative approach. Bedincak Gymnastics is a community sport that adopts traditional Bangka Belitung dance movements such as Kedidi Dance, Dincak Dambus Dance and Measles Dance. The purpose of Bedincak Gymnastics is to improve the overall health and fitness of the community as well as to introduce and preserve Bangka Belitung culture to the community. Bedincak Gymnastics consists of 7 movement structures, namely opening movement, pattern 1 movement, pattern string movement, bedincak basic movement, pattern 2 movement, pattern 3 movement and closing movement.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"7 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141801220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rambu Tuka': Making Ready-to-Wear Clothes Inspired by Traditional Thanksgiving Ceremonies in Toraja Land","authors":"Sultana Putri, Nurul Hidayati","doi":"10.24114/gondang.v8i1.56229","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.56229","url":null,"abstract":"Rambu Tuka' has the meaning Kameloan which means joy or happiness. For example, wedding ceremonies, tongkongan houses, and harvests. The process of the Rambu Tuka' event carried out by the Toraja community is followed by the Ma'letton ritual or what is known as the slaughtering of pigs, buffalo and chickens, then distributed to the community. Furthermore, the Pa'gellu Dance became a form of dance performed by the Toraja people during the Rambu Tuka' event. This ceremony is also carried out by the Toraja people as a form of gratitude to God for the gifts given. The uniqueness of the Rambu Tuka event then became a source of inspiration for the author in creating fashion works consisting of one ready-to-wear outfit. Clothing creation uses the Double Diamond Model process or double diamond model which consists of four creative processes, namely: (1) Discovery phase, (2) Define phase, (3) Development phase, (4) deliver. It is hoped that the results of this clothing creation will make people more familiar with the diversity of Indonesian culture, especially the uniqueness of the Rambu Tuka' ceremony.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"20 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141808893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Designing Interactive Media for the Introduction of Visual Language on Kresnayana Relief in Prambanan","authors":"Fajar Persada Supandi","doi":"10.24114/gondang.v8i1.53297","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.53297","url":null,"abstract":"Prambanan Temple in Yogyakarta is one of Indonesia's most meaningful and historic cultural heritages. One of the most impressive elements of the temple is the Kresnayana Relief, which depicts the epic story of Lord Vishnu transforming into Kresna. This relief has high artistic and historical value, but understanding and appreciation of the story is often limited. This research aims to design an interactive media that combines visual language with modern technology, focusing on the Kresnayana Relief. Through literature studies, surveys, interviews, and visual art analysis, we understand the story of the Kresnayana Relief and the interest of visitors to Prambanan Temple in interactive media. The result of this research is an interactive media prototype designed to provide an immersive experience in understanding the Kresnayana Relief story. The prototype includes a user-friendly interface, visual animation, narration, and audio elements that aim to enhance visitors' understanding and appreciation of this relief.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"35 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141810090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Romzi Akram Al Naufal, D. Djatiprambudi, Setyo Yanuartuti
{"title":"Reading Ponoragan Visual Culture on The Visual Development Phenomenon of Dhadhak Merak Reyog Ponorogo","authors":"Romzi Akram Al Naufal, D. Djatiprambudi, Setyo Yanuartuti","doi":"10.24114/gondang.v8i1.57629","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.57629","url":null,"abstract":"The dhadhak merak is an iconic mask in Reyog Ponorogo. Over a very long period of time, the dhadhak merak has visually evolved into the form that is often seen today. The visual phenomenon then forms an image of Ponoragan visual culture that is interesting to explore in greater depth. This is what attracts the author's attention to focus on reviewing: 1) The phenomenon of visual development of dhadhak merak over time and 2) Reading Ponoragan visual culture in dhadhak merak. This research is a descriptive qualitative research, with data collection techniques using literature studies and archival documentation. In the process of reading the visual culture of dhadhak merak, the author conducted a review from several aspects, namely: visual structure, function, value, and meaning. The results of this study are 1) The dhadhak merak has undergone seven phases of development starting from its simple dhadhak to the form that is commonly found today. 2) The visual structure, function, historical value, and meaning of the dhadhak merak are constructed on the culture of the people of Ponorogo itself starting from the era of animism-dynamism, Hindu-Buddhism, Islam, to the present era. From that, the Ponoragan culture as a very strong identity marker can be reflected in the dhadhak merak visual culture artifact.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"5 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141809144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Annastasya Nur Intandiani, Juju Musunah, Tati Narawati
{"title":"Bubuka Lawang Dance in Nyiar Lumar as a Media for Cultural Communication in Ciamis","authors":"Annastasya Nur Intandiani, Juju Musunah, Tati Narawati","doi":"10.24114/gondang.v8i1.56571","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.56571","url":null,"abstract":"Dance performance is not merely a sequence of artistically arranged movements. Instead, a dance performance serves as a cultural communication medium between the creator and the audience. In the presentation of dance, expressed through each movement, there is meaning that goes beyond the physical aspects alone. Whether through harmonious movement or the selection of specific themes, a dance performance acts as a window that opens the audience's view into the world of emotions, values, and stories intended by the creator. The Bubuka Lawang Dance during Nyiar Lumar in Kawali, Ciamis Regency, West Java, showcases a community that continues to preserve and uphold its culture through Nyiar Lumar activities held every two years. Since 1998, Nyiar Lumar has been organized with the aim of building social solidarity through artistic activities in public spaces. This article aims to describe the research findings on the presentation of the Bubuka Lawang Dance during Nyiar Lumar in Kawali, Ciamis Regency. The research method employed is descriptive with a qualitative approach. The results reveal three stages in Nyiar Lumar: ngawalan (Opening ceremony), lalampahan (Journey), and magelaran (Performance). Additionally, there is a distinctive dance always featured during Nyiar Lumar titled \"Tari Bubuka Lawang,\" with a different concept each year. Nyiar Lumar is closely related to the historical event of the Bubat War, which serves as the theme for Nyiar Lumar. The stage concept utilized is an outdoor stage with lighting relying on torches and candles. The movements are categorized into locomotion, pure movement, and symbolic gestures. Nyiar Lumar has become a biennial event to commemorate the history of West Java, Indonesia.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"8 28","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141835831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Heri Murbiyantoro, Budi Dharmawanputra, Raden Roro Maha Kalyana Mitta Anggoro, H. Y. Karyawanto, Marda Putra Mahendra
{"title":"Implementation of Reading Fixed ‘Do’ and Moving ‘Do’ Notations on Improving Music Practical Achievement","authors":"Heri Murbiyantoro, Budi Dharmawanputra, Raden Roro Maha Kalyana Mitta Anggoro, H. Y. Karyawanto, Marda Putra Mahendra","doi":"10.24114/gondang.v8i1.54860","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.54860","url":null,"abstract":"Music education is a realm of study concerned with the teaching and learning of music. This music education will develop affective, motor skills in students who play instruments and expand cognitive development through reasoning and interpretation of musical notation. However, many people still underestimate music education. In the education and teaching system of music arts, especially in the last years of the 20th century, new methods emerged. One of the methods that will be discussed is the Tonika-Do Method. This article is a type of literature study and uses the exposition method in presenting the concepts contained in previous studies. The sources used contain the results of discussions about art education, music, and music education. The application of fixed \"do\" is not carried out as it should be from the meaning of fixed \"do\" itself. The reading system used in this lesson is not an fixed \"do\", but a system taken from the basic idea of an fixed \"do\" system, where 'Do' is not understood as a C, D, E note or something else, but is more understood as a number 1, which is the tone of writing in numerical notation. This fixed “do” reading system is carried out with the aim of avoiding moving 1 ('do') which is generally found in how to read numerical notation, which of course tends to make it difficult for students in a notation recognition. The learning process can include practicing the C scale, followed by the chromatic scale, etude, then entering the song.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"2 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141836054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring Resilience: A Virtual Tour of Disaster-Affected Communities through Digital Photo Stories","authors":"Annalisa Sonaria Hasibuan, Rezha Destiadi, Andi Supriadi Chan, Alfannisa Annurrullah Fajrin","doi":"10.24114/gondang.v8i1.52581","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.52581","url":null,"abstract":"This study analyzes and explores disaster village tourism and life situation communication, clarifies the form and virtual scenarios, determines building blocks, and suggests sufficient functional requirements to develop virtual tourism scenarios. The questionnaire survey method is direct and effective for identifying questions; the case analysis method surveys the situation of the disaster village tourist attraction; and the theoretical analysis method discusses theories related to Digital Photo Book. The results indicate that tourists are interested in using Digital Photo Book as an information guide. Digital Photo Book's contribution to tourist information is more significant than conventional information, with 77% of tourists believing that the information provided greatly influenced their interest in the future. 70% of respondents stated that the impact of the information provided reached a satisfactory level. Digital Photo Book is more easily accepted and appreciated by tourists and is more suitable to be applied globally in the aspect of tourism, especially in areas with limited access.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"16 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141700075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Role of Gunawan Setiawan's Batik Industry in the Education Process and Maintaining Batik Cultural Symbols in the Community","authors":"Renzi Noviana, Omy Marissa Verdiani, Mohamad Rizki Azhar, Yosafat Hermawan Trinugraha, Bagas Narendra Parahita","doi":"10.24114/gondang.v8i1.48573","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.48573","url":null,"abstract":"Batik is one of the handicrafts that has high artistic value which has been passed down from generation to generation by the ancestors of the Indonesian nation since the Majapahit Kingdom and continues to be preserved today. However, we have discovered the reality that currently there are still many people who do not fully understand the meaning or philosophy behind batik motifs. Through this, it is necessary to have an educational process for the community, one of which can be carried out by the batik industry. The purpose of this study is to provide an overview regarding how the educational process carried out by Kampung Batik Kauman, especially Batik Gunawan Setiawan, is to provide a comprehensive understanding of batik to the public. This research was conducted in Surakarta, namely in Kauman Batik Village, precisely in Gunawan Setiawan Batik. The research method used is a qualitative research method with a case study approach. The results showed that there were several educational processes carried out by Batik Gunawan Setiawan, such as creating a batik gallery, conducting batik exhibitions and holding batik training. Furthermore, the process of batik education in the community is analyzed using Structural-Functional Theory - Radcliffe Brown as a countermeasure to tensions. As he stated that culture is not to satisfy individuals but to fulfill the social structure of society and emerge to overcome tensions such as theft of cultural identity due to the lack of public concern regarding local culture.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"21 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141233885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Patrilineal Constraints and Female Creativity: Case on Gitar Tunggal Lampung","authors":"Riyan Hidayatullah, Chamil Arkhasa Nikko Mazlan","doi":"10.24114/gondang.v8i1.53037","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.53037","url":null,"abstract":"Women have played a significant role in the history of Lampung's indigenous people, a.k.a Ulun Lappung. Lampung and women have had a long relationship since the Lampung people's ancestors settled in this area in the 14th century. Ratu Sekarmong, a Lampung indigenous resident, has led the Tumi tribe in Sekala Brak. Then women played a unique role in the stringed music of the Pepadun community two generations ago, particularly the gitar tunggal. Participant observations of female gitar tunggal performers, particularly those from the Pepadun ethnic group of Lampung, were used to conduct this qualitative study. The number of female guitar players in Lampung is currently dispersed. Women of the ethnic Pepadun make up the majority of the performers. In-depth descriptions are also produced using ethnographic data and digital documents from the internet. Investigations on virtual field sites, interviews, and literature reviews are used to collect research data. According to the findings, male and female gitar tunggal performers use the same way in techniques. Contrarily, female guitarists have different goals than male guitarists. Women are prohibited from playing stringed instruments in public or in the local music industry. In addition, male performers typically remain active on stage, whereas female performers only reside in their homes. In the traditional view, their creativity is only used for household amusement. As a result, female guitarists must advance new coping mechanisms that affect their ability to retain music. Women's contributions to developing Lampung stringed music must be acknowledged, particularly in light of the patrilineal Lampung traditional system.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"25 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141233486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Alvriza Mohammed Fadly, Hery Supiarza, Zakiah Pawitan
{"title":"Synchronization Functions of “Mickey-Mousing” in Animation Film Rhapsody Rabbit","authors":"Alvriza Mohammed Fadly, Hery Supiarza, Zakiah Pawitan","doi":"10.24114/gondang.v8i1.57435","DOIUrl":"https://doi.org/10.24114/gondang.v8i1.57435","url":null,"abstract":"Synchronization between visual animation and music has been widely known as mickey-mousing. Notable old animation films have used this particular technique to reinforce action with a musical flourish and convey a certain meaning. Furthermore, animation music is commonly based on popular music, such as The Hungarian Rhapsody No.2 in Rhapsody Rabbit. The music is utilized not just as a scoring aspect but to dictate every Bugs Bunny's action when playing the piano. This research aims to study the implementation of the mickey-mousing technique in Rhapsody Rabbit film. It uses a qualitative content analysis approach to analyze visual and aural aspects—primary data is sourced from the Rhapsody Rabbit film and the Hungarian Rhapsody No. 2 music sheet. Secondary data is collected from literature studies related to the topic. Data collection is conducted through observation, interview, and documentation study. The data is analyzed using Klaus Krippendorf's content analysis technique which divided into six steps. The result of this study is that the mickey-mousing technique is implemented through a combination of a fast pace of visual and musical play altogether. Animation adapts to several parts of the musical composition so that articulation, illustration, and accentuation occur as a function of the mickey-mousing technique.","PeriodicalId":513242,"journal":{"name":"Gondang: Jurnal Seni dan Budaya","volume":"12 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141233522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}