动画电影《兔子狂想曲》中 "米老鼠 "的同步功能

Alvriza Mohammed Fadly, Hery Supiarza, Zakiah Pawitan
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摘要

视觉动画与音乐的同步被广泛称为 "咪咕音乐"。著名的老动画电影都曾使用过这种特殊技巧,以音乐烘托动作,表达某种寓意。此外,动画音乐通常取材于流行音乐,如《兔子狂想曲》中的《匈牙利狂想曲第二号》。音乐的运用不仅仅是作为配乐,还决定了兔八哥弹钢琴时的每一个动作。本研究旨在探讨电影《兔八哥狂想曲》中麦克风演奏技巧的运用。研究采用定性内容分析法对视觉和听觉方面进行分析--主要数据来源于《兔子狂想曲》电影和《匈牙利狂想曲 2 号》乐谱。次要数据来自与该主题相关的文献研究。数据收集通过观察、访谈和文献研究进行。数据分析采用克劳斯-克里彭多夫(Klaus Krippendorf)的内容分析法,分为六个步骤。研究结果表明,米奇动画技术是通过快速的视觉和音乐相结合的方式实现的。动画与音乐创作的多个部分相适应,因此,衔接、说明和强调都是米奇滑鼠技术的功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Synchronization Functions of “Mickey-Mousing” in Animation Film Rhapsody Rabbit
Synchronization between visual animation and music has been widely known as mickey-mousing. Notable old animation films have used this particular technique to reinforce action with a musical flourish and convey a certain meaning. Furthermore, animation music is commonly based on popular music, such as The Hungarian Rhapsody No.2 in Rhapsody Rabbit. The music is utilized not just as a scoring aspect but to dictate every Bugs Bunny's action when playing the piano. This research aims to study the implementation of the mickey-mousing technique in Rhapsody Rabbit film. It uses a qualitative content analysis approach to analyze visual and aural aspects—primary data is sourced from the Rhapsody Rabbit film and the Hungarian Rhapsody No. 2 music sheet. Secondary data is collected from literature studies related to the topic. Data collection is conducted through observation, interview, and documentation study. The data is analyzed using Klaus Krippendorf's content analysis technique which divided into six steps. The result of this study is that the mickey-mousing technique is implemented through a combination of a fast pace of visual and musical play altogether. Animation adapts to several parts of the musical composition so that articulation, illustration, and accentuation occur as a function of the mickey-mousing technique.
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