The Latin Americanist最新文献_第2页

Stuck with Tourism: Space, Power and Labor in Contemporary Yucatán by Matilde Córdoba Azcárate (review) 被旅游业困住：Matilde Córdoba Azcárate所著的《当代尤卡坦的空间、权力与劳动》（评论）

The Latin Americanist Pub Date : 2024-06-01 DOI: 10.1353/tla.2024.a929915

Jayne Howell

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The Transnational Construction of Mayanness: Reading Modern Mesoamerica through US Archives ed. by Fernando Armstrong-Fumero and Ben Fallaw (review) 玛雅人的跨国建构：通过美国档案解读现代中美洲》，Fernando Armstrong-Fumero 和 Ben Fallaw 编辑（评论）

The Latin Americanist Pub Date : 2024-06-01 DOI: 10.1353/tla.2024.a929912

S. Mattiace

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The Free Market between Constitutionalism and Dictatorship: on the Adaptation and Radicalization of Friedrich von Hayek’s Thought in Argentina 宪政与独裁之间的自由市场：论弗里德里希-冯-哈耶克思想在阿根廷的嬗变与激进化

The Latin Americanist Pub Date : 2024-06-01 DOI: 10.1353/tla.2024.a929905

Matilde Ciolli

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“Memory Makes Us Brave”: Hauntological Echoes of the Past in the Music of Chile’s 2019 Social Upheaval "记忆让我们勇敢"：智利 2019 年社会动荡音乐中的鬼魂学往事回响

The Latin Americanist Pub Date : 2024-06-01 DOI: 10.1353/tla.2024.a929907

Eunice Rojas

{"title":"“Memory Makes Us Brave”: Hauntological Echoes of the Past in the Music of Chile’s 2019 Social Upheaval","authors":"Eunice Rojas","doi":"10.1353/tla.2024.a929907","DOIUrl":"https://doi.org/10.1353/tla.2024.a929907","url":null,"abstract":"Abstract:The 2019 social upheaval in Chile began with students jumping turn-stiles in protest over a modest increase in the metro fare, but it quickly expanded into a widespread denunciation of nearly every facet of the neo-liberal economic system installed under the 1973–1990 Augusto Pinochet dictatorship. “It’s not the thirty pesos,” protesters claimed, “it’s the thirty years,” referring to the three decades of neoliberal policies after the return to democracy in 1990. In the days and weeks after the protests began, a soundtrack emerged of both original music and songs repurposed from Chile’s past. Even the new songs created in the wake of the 2019 protests also frequently reference, sample, or allude to Chile’s musical icons of the Chilean New Song era of the 1960s and early 1970s or to dictatorship era music. Both the protests and their music are therefore rooted in a hauntological past. Jacques Derrida coined the term “hauntology” in Spectres of Marx (2006), where he examines the ways in which the spirit of Marxism, like all ghosts which have yet to be laid to rest, would return, repeatedly, disrupting the present and continuing to remind us of another possible future.” In Ghosts of My Life, British cultural theorist Mark Fisher applies Derrida’s concept of hauntology to English language cultural production, arguing that 21st-century cultural products reflect a “slow cancellation of the future.” “It doesn’t feel like the future,” Fisher writes; instead, “we remain trapped in the 20th century.” This article examines how the hauntological songs of the 2019 social upheaval seek to inspire and support an oppositional consciousness against the neoliberal system and how the resilience of that same system maintains Chile’s musical ghosts in a perpetual limbo.","PeriodicalId":508998,"journal":{"name":"The Latin Americanist","volume":"2013 33","pages":"244 - 258"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141400618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The Comitán Valley: Sculpture and Identity on the Maya Frontier by Caitlin C. Early (review) 科米坦山谷：凯特琳-C-厄尔利著的《玛雅边疆的雕塑与身份》（评论）

The Latin Americanist Pub Date : 2024-06-01 DOI: 10.1353/tla.2024.a929913

Thomas Guderjan

引用次数: 0