Convergence: The International Journal of Research into New Media Technologies最新文献

{"title":"If you’re reading this, it’s meant for you: The reflexive ambivalence of algorithmic conspirituality","authors":"Kelley Cotter, Amy Ritchart, Ankolika De, Kali Foyle, Shaheen Kanthawala, Haley McAtee, TX Watson","doi":"10.1177/13548565241258949","DOIUrl":"https://doi.org/10.1177/13548565241258949","url":null,"abstract":"Growing awareness of the ubiquity of algorithms online has established a new discursive space for making sense of their role in individuals’ lives and society writ large. Within this space, social media users have come to think of algorithms as uniquely powerful forces shaping everyday experiences. This article explores how people make sense of algorithms, as seen through (dis)belief in algorithmic conspirituality, where users ascribe divine significance to algorithmic curation on TikTok. We ask: how do users understand algorithmic conspirituality, and under what circumstances do they believe (or not) in the mystical power of algorithms? Drawing on focus groups and interviews with TikTok users ( n = 25), we observed what we call reflexive ambivalence. This refers to a reflexive process in which participants examined their cognitive and affective responses to algorithmic conspirituality videos to untangle seemingly contradictory logical and mystical mentalities. With this insight, we complicate past work by demonstrating the co-occurrence and interdependency of rational, technical vs. affective, socially situated ways of knowing algorithms. We additionally highlight conditions under which belief in algorithmic conspirituality gained plausibility for our participants and how they rationalized the phenomenon as grounded in the worldly realm.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"49 33","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141269748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A framework for examining hybridity: The case of academic explanatory journalism","authors":"Michelle Bartleman, Elizabeth Dubois, Isabel Macdonald","doi":"10.1177/13548565241255044","DOIUrl":"https://doi.org/10.1177/13548565241255044","url":null,"abstract":"Across a number of disciplines, hybridity is regularly invoked when two previously distinct elements – whether objects, concepts, frameworks, practices, models, mediums or institutions – are brought together. However, this is often done with a vague theoretical nod. Labeled a hybrid and left at the level of broad theory, scholarship has tended to ignore a critical issue: what happens when the disparate elements of a hybrid are introduced in practice? This conceptual paper takes the case of academic explanatory journalism, a nascent intentional collaborative practice between academic authors and journalist editors, in order to illustrate how the theoretical concept of hybridity plays out in practice. This particular case presents a number of opportunities and benefits within a Western democratic context. However, our examination highlights that without a more nuanced discussion of how hybridization plays out in real life, its potential benefits are compromised. We propose a five-step framework that can be applied to other examples of hybridity, across varied disciplines beyond media and communication studies. This five-step framework helps uncover the complications that might arise when disparate elements are hybridized, moving from theory into practice. The approach helps create the space and understanding needed to design solutions pre-emptively.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"59 47","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141269120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Loot boxes as part of a layered platform ecosystem: A multidisciplinary perspective","authors":"Maarten Denoo, Pieterjan Declerck, Valerie Verdoodt, Eva Lievens, Bieke Zaman","doi":"10.1177/13548565241254513","DOIUrl":"https://doi.org/10.1177/13548565241254513","url":null,"abstract":"By considering diverse disciplinary perspectives on the psychological impact, design and regulation of loot boxes, this paper departs from a shared need for a holistic comprehension of the platform ecosystem in which contemporary videogames are played, developed and governed. The rationale of this paper is grounded in the rapid evolution of monetisation in videogames, which has not only generated scientific interest towards digital consumption, but also engendered concerns for player health, particularly in the realm of gambling-like loot boxes. We perform an empirical Walkthrough of FIFA22’s Ultimate Team (FUT) mode to identify four layers in FUT’s platform ecosystem, which constitute different scenarios of use and which, taken together, raise issues of uncertainty and persuasion for players. Although we focus on FIFA22, our study extends to other videogames with microtransactions, revealing implications for media, design and legal frameworks. Our findings underscore the value of a qualitative, interpretative approach to analysing videogame consumption at the intersection of various platforms and business models.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"105 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141272517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Collecting streaming services","authors":"Andreas Lenander Aegidius, Mads Møller Tommerup Andersen","doi":"10.1177/13548565241253906","DOIUrl":"https://doi.org/10.1177/13548565241253906","url":null,"abstract":"In the streaming era, the very thing that defines it is what threatens to impede access to important media history and cultural heritage. Streaming’s barriers to entry and its interim content catalogs challenge the actual collection and preservation of it for research and teaching purposes. If researchers and libraries do not work together to document and preserve these, we will keep losing important sources and data. From a collection perspective, we argue that streaming services consist of their catalog, metadata, and graphical user interfaces. First, we map the large-scale legal deposit collection of streaming at a national library as well as a media researcher’s small-scale targeted collection. Second, we compare the resulting collections of web sites and graphical user interfaces in order to discuss methodological challenges. The findings of this comparative analysis indicate the existing deficiencies in both collections and suggest potential improvements in the collection and preservation of streaming services.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"30 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141109131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Digitalization of cultural industries: Evidence from the official Spider-Man movie TikTok account","authors":"Alicia Hernando Velasco, Mitsuko Matsumoto, Susana Dominguez-Santos, Pilar Lacasa","doi":"10.1177/13548565241253904","DOIUrl":"https://doi.org/10.1177/13548565241253904","url":null,"abstract":"The digitalization of culture and creative industries has presented both challenges and opportunities. To effectively engage audiences and ensure their constant interest, these industries must continually adapt their circulation strategies. The objectives of this study are threefold: 1) analyze the strategies employed by the Marvel Cinematic Universe (MCU) to engage with the fan community; 2) examine the interplay between fiction and reality based on the relationships between characters and actors, as shown in social network posts; and 3) determine how the discourse in the film ‘Spider-Man: No Way Home’ is reconstructed on TikTok, leveraging its particular ‘affordances’ (Gibson, 1979). A mixed methodology approach was utilized, combining the use of Analisa.io software to provide a comprehensive view of the Spider-Man official account’s activities and user engagement with a detailed analysis of the thematic, multimodal, and discursive aspects of TikTok videos published by the account. The findings reveal that the MCU employs TikTok as a marketing tool for the new movie, utilizing three main strategies that align with the characteristics of transmedia storytelling and enhanced audience engagement: 1) strategic selection of publication moments for the growth of follower engagement; 2) extensive use of teasers; and 3) leveraging the presence of actors as a key element to facilitate fan identification.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"44 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141121952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A holistic framework for the analysis of predictive rhetoric in digital visualizations","authors":"Eedan R. Amit-Danhi, Christian Pentzold, Nik Maurice Krämer","doi":"10.1177/13548565241247408","DOIUrl":"https://doi.org/10.1177/13548565241247408","url":null,"abstract":"In digital culture, visualizations are a prevalent and ubiquitous form of communication. A veteran journalistic tool, and an increasingly popular one in digital politics, visualizations offer informative value, attract readership, and increase engagement. Visualizations’ multimodality enables them to convey rhetoric through informative, narrative and visual strategies, making them particularly well-suited for future-oriented discourse. Despite the rise of visualization-focused scholarly work over the past decade, several analytical lacunas remain, due to visualizations’ multimodal nature and their rich array of actors, contexts and usages in the digital world. Specifically, no scholarly approach examines forward-looking visualizations comprehensively, addressing the ways in which their rhetorical layers coalesce to broker knowledge in multimodal predictive discourse. To fill this gap, our paper proposes a holistic framework for their analysis, addressing knowledge-brokering functions, predictive components, and rhetorical strategies. Thus, we ask, ‘How are predictive visualizations rhetorically constructed to mediate the future?’ and answer through conceptualization complemented by qualitative analysis of predictive pandemic visualizations from journalistic and social media. We begin by creating a theoretically informed framework, based on existing perspectives from data-journalism studies, projection studies, and visualization scholarship, which we then refine through analytical workshops and empirical application. Our final analytical framework encapsulates each visualization’s rhetorical strategies, its knowledge-brokering functions, predictive structure, and their interrelations, highlighting the division of rhetorical and predictive labor across each visualization’s components. We conclude with an analytical epilogue in which we demonstrate the usefulness of this framework in holistically analyzing predictive multimodal rhetoric by revisiting the elusive concept of rhetorical complexity in predictive visualizations.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"24 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140663688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Perspectives on citizen data privacy in a smart city – An empirical case study","authors":"Evie Lucas, Seamus Simpson","doi":"10.1177/13548565241247413","DOIUrl":"https://doi.org/10.1177/13548565241247413","url":null,"abstract":"Digitisation is arguably an inevitable feature of contemporary urban development, yet privacy issues arising from the mass data collection, transmission and processing it entails continue to be a poorly understood and contentious issue for people living in cities. This article uses a case study approach to provide new evidence of the detailed perspectives of citizens and policy makers on data privacy in rapidly digitising urban environments, with a focus on one of the UK’s most prominent smart cities: Manchester. It adds to the literature on smart cities through the application of complementary scholarship from two areas – trust and participation – in order to analyse comparatively citizens’ views and concerns on data gathering activity in their city with efforts of policy makers to incorporate data privacy matters in their digital city planning. The article finds a clear – but reparable – data privacy disconnect between people and digital policy makers and explores how citizen data privacy concerns may be addressed through a lens of trust and participation.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"37 14","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140674540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Screenness in Google Maps navigation: An agential realist analysis","authors":"Charu Maithani","doi":"10.1177/13548565231220861","DOIUrl":"https://doi.org/10.1177/13548565231220861","url":null,"abstract":"This article articulates screenness to comprehend the agency of screens in the postmedia condition. Being a common element in different kinds of media, screens contribute towards medial collaboration and relationality in postmedia where they do much more than display. Screenness, understood in Karen Barad’s agential realist framework, is performative and contingent upon the relations of the postmedia assemblage, considered here as an arrangement of technical, medial and human components brought together by the transferability and exchange across different media. The unstable, ever-changing relations in postmedia assemblages help in understanding the various operations of screens in image-making, display and dissemination practices. If screens can be understood in and through practices in which they emerge then their agency too is not static but changes as per the relations screens are in. To demonstrate the performative agency of screens – screenness – I will discuss intra-actions that can be gleaned via the activity of navigation using Google Maps application on a smartphone.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"103 25","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139786225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Screenness in Google Maps navigation: An agential realist analysis","authors":"Charu Maithani","doi":"10.1177/13548565231220861","DOIUrl":"https://doi.org/10.1177/13548565231220861","url":null,"abstract":"This article articulates screenness to comprehend the agency of screens in the postmedia condition. Being a common element in different kinds of media, screens contribute towards medial collaboration and relationality in postmedia where they do much more than display. Screenness, understood in Karen Barad’s agential realist framework, is performative and contingent upon the relations of the postmedia assemblage, considered here as an arrangement of technical, medial and human components brought together by the transferability and exchange across different media. The unstable, ever-changing relations in postmedia assemblages help in understanding the various operations of screens in image-making, display and dissemination practices. If screens can be understood in and through practices in which they emerge then their agency too is not static but changes as per the relations screens are in. To demonstrate the performative agency of screens – screenness – I will discuss intra-actions that can be gleaned via the activity of navigation using Google Maps application on a smartphone.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"37 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139845848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Social media and platform work: Stories, practices, and workers’ organisation","authors":"Júlia Vilasís-Pamos, Fernanda Pires, Rafael Grohmann, Willian Fernandes Araújo","doi":"10.1177/13548565241227391","DOIUrl":"https://doi.org/10.1177/13548565241227391","url":null,"abstract":"This article introduces the special issue, ‘Social Media and Platform Work: Stories, Practices, and Workers’ Organisation’. In recent years, platform labour studies have increasingly focused on how the growing platformisation of labour has changed work activities, labour processes, work organising, identities, and collectivities. The literature has highlighted the role of media, communication, and social media in platform labour, but more research is needed on these interrelationships. Precisely, the analysis of platform work is necessary due to its complexity and interest in political, economic, social, cultural, and health terms. Throughout the special issue, different contributions are presented that analyse how the emergence of these new jobs brings a set of inequalities that complexify the notion of ‘work’ and dilute workers’ rights, leading to a precarious situation. The use of social media plays a crucial role in the platformisation of labour as it enables the creation of social relationships between workers but also opens the door to communicating, disseminating their work, and even learning informally and about their work. However, the use of social media can also lead to a precarious combination of platform work and content creation – or cultural production. In this regard, it is worth noting to analyse and approach the relationship between platform work and social networks precisely by addressing both perspectives, considering possible vulnerabilities derived from these situations and situations of precariousness.","PeriodicalId":505001,"journal":{"name":"Convergence: The International Journal of Research into New Media Technologies","volume":"22 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139815915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}