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THE LIBRARY OF THE DIONISIEV-GLUSHITSKY MONASTERY AT THE TIME OF ITS FOUNDER 迪奥尼西耶夫-格卢什基修道院的图书馆

Slovesnostʹ i istoriâ Pub Date : 2023-01-01 DOI: 10.31860/2712-7591-2023-1-7-14

Svetlana A. Semiachko

引用次数: 0

A CHURCH / A TEMPLE / A CATHEDRAL IN THE EPIC WORLD OF THE RUSSIAN BYLINY 俄国拜占庭史诗世界中的教堂/神庙/大教堂

Slovesnostʹ i istoriâ Pub Date : 2023-01-01 DOI: 10.31860/2712-7591-2023-3-149-160

Svetlana Yu. Kharkova

{"title":"A CHURCH / A TEMPLE / A CATHEDRAL IN THE EPIC WORLD OF THE RUSSIAN BYLINY","authors":"Svetlana Yu. Kharkova","doi":"10.31860/2712-7591-2023-3-149-160","DOIUrl":"https://doi.org/10.31860/2712-7591-2023-3-149-160","url":null,"abstract":"The aim of this article is to consider plots and motifs of Russian epic poems (byliny) that mention churches and to determine the place and semantics of the church in the imagery of the byliny. The study uses the continuous sampling method to select certain byliny from the multitude of the Northern Russian epic texts that were recorded on the rivers Pechora, Mezen, Kuloi, Pinega, on the Winter Coast of the White Sea, and in the Pudozh region and that were published in volumes of the Svod russkogo folklora (Code of Russian folklore). Special attention is paid to the way and the contexts in which churches are mentioned in these texts. The study considers different types of churches, their founders and clergymen, their dedications, elements of their exterior and interior, and church sacraments and services. The analysis leads to the conclusion that a “church” was a well established key locus on the map of the Russian epic world and that its semantics does not only pertain to the religious sphere but also reveals distinct shades of meaning, which are related to politics, economy, and social life. In fact, although the Slovar’ iazyka russkogo folklora (Dictionary of the language of Russian folklore) shows that “church” is the most common lexeme (concept) in the “Religion” cluster, it is of little value for the study of the religious sphere that is reflected in the byliny. It provides, however, an opportunity for a multidimensional analysis of the imagery of the Russian epics.","PeriodicalId":499688,"journal":{"name":"Slovesnostʹ i istoriâ","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135261575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE EPIC TRADITION OF THE KENOZERO REGION: THE FACTOR OF FEMALE PERFORMANCE kenozero地区的史诗传统:女性表演的因素

Slovesnostʹ i istoriâ Pub Date : 2023-01-01 DOI: 10.31860/2712-7591-2023-3-59-75

Alla V. Nikitina

{"title":"THE EPIC TRADITION OF THE KENOZERO REGION: THE FACTOR OF FEMALE PERFORMANCE","authors":"Alla V. Nikitina","doi":"10.31860/2712-7591-2023-3-59-75","DOIUrl":"https://doi.org/10.31860/2712-7591-2023-3-59-75","url":null,"abstract":"This paper attempts to analyze the changes in the Kenozero epic tradition that marked the acceleration of its degradation and of its disappearance in the 19th and 20th centuries. One of these changes was the increasing female involvement in the performance of the epos (byliny). The female performance of the byliny and its specific attributes are reflected in the field data and in the repertoire. In this study, I analyze the materials that were obtained by P. N. Rybnikov and A. F. Gilferding, who were the first to collect and study the folklore of the Olonetz region in the 19th century. I also use the materials that were gathered in expeditions undertaken in the early 1920’s and in the late 1950’s and the texts that are included in the volume of the Kenozero byliny of the Svod russkogo folklora (Code of Russian folklore) series, which is presently awaiting publication. I also discuss Yurii Novikov’s unpublished paper on the epic tradition of the Kenozero region. The results of this study demonstrate the ambivalent impact of female performance on the preservation of the Kenozero epic tradition: although the tradition is maintained, it shows signs of decline.","PeriodicalId":499688,"journal":{"name":"Slovesnostʹ i istoriâ","volume":"150 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135261822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

YURII ALEXANDROVICH NOVIKOV 尤里-亚历山德罗维奇-诺维科夫

Slovesnostʹ i istoriâ Pub Date : 2023-01-01 DOI: 10.31860/2712-7591-2023-3-9-24

Tatyana G. Ivanova

引用次数: 0

THE UST-TSILMA FOLK TALES ABOUT ILIA MUROMETS PERFORMED BY MARFA ALEKSEEVNA SEMENOVA AS A PART OF THE LOCAL TRADITION 由marfa alekseevna semenova表演的关于ilia muromets的ust-tsilma民间故事，作为当地传统的一部分

Slovesnostʹ i istoriâ Pub Date : 2023-01-01 DOI: 10.31860/2712-7591-2023-3-193-207

Tatyana S. Kaneva

{"title":"THE UST-TSILMA FOLK TALES ABOUT ILIA MUROMETS PERFORMED BY MARFA ALEKSEEVNA SEMENOVA AS A PART OF THE LOCAL TRADITION","authors":"Tatyana S. Kaneva","doi":"10.31860/2712-7591-2023-3-193-207","DOIUrl":"https://doi.org/10.31860/2712-7591-2023-3-193-207","url":null,"abstract":"The article examines four recordings of a tale about Ilia Muromets that was narrated by Marfa Alekseevna Semenova (1917–1997) in the Pechora River basin of the Ust-Tsilma District of the Komi Republic. The recordings were made in the years 1980–1990. Three recordings are kept in the Folklore Archive of the Pitirim Sorokin Syktyvkar State University, and one is preserved in the Archive of the Department of Folklore of Moscow State University. The later was published in the first volume of the Svod russkogo folklora as a version of a bylina about the main hero of the Russian epic. If considered as a retelling of the bylina, Semenova’s tale noticeably differs from other epic versions. The text narrated by Semenova is much larger and combines stories about the healing of Ilia Muromets, his victory over Solovei-Razboinik and the deliverance of Kiev from the pagans. This study compares the four recordings of Semenova’s narration with each other and with other Ust-Tsilma variants of the byliny and tales about this hero. The article comments on the most interesting peculiarities of the construction of the plot and the implementation of motives and images in Semenova’s tale. Special attention is paid to the rare motive for the hero to receive a name — Ilia Muromets zamuromil (i. e., dammed up) the river — and to the atypical reason for his imprisonment in the cellar. The study also notes such features as overlapping and varying fragments that are based on traditional formulas and others that are expressed in prose, relate to the familiar environment of the narrator, and are conveyed in ordinary language. The article includes a description of the performer’s repertoire and a discussion of the possible sources of her folklore knowledge. The study led to the conclusion that Semenova learned the tales by ear and that she was well aware of the distinction between a folk tale and a bylina.","PeriodicalId":499688,"journal":{"name":"Slovesnostʹ i istoriâ","volume":"163 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135316669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ON THE FORTHCOMING OBONEZHIE VOLUMES OF THE SVOD RUSSKOGO FOLKLORA SERIES: MATERIALS FROM THE 1931–1932 EXPEDITIONS OF THE FOLKLORE SECTION OF THE INSTITUTE FOR THE STUDY OF PEOPLES IN THE COLLECTION OF THE INSTITUTE OF RUSSIAN LITERATURE (PUSHKINSKII DOM) IN ST. PETERSBURG 关于即将出版的《俄罗斯民俗学》系列的第二卷:圣彼得堡俄罗斯文学研究所(普希金斯基王国)收集的民族研究研究所民俗学部分1931-1932年考察的材料

Slovesnostʹ i istoriâ Pub Date : 2023-01-01 DOI: 10.31860/2712-7591-2023-3-130-148

Svetlana V. Podrezova

{"title":"ON THE FORTHCOMING OBONEZHIE VOLUMES OF THE SVOD RUSSKOGO FOLKLORA SERIES: MATERIALS FROM THE 1931–1932 EXPEDITIONS OF THE FOLKLORE SECTION OF THE INSTITUTE FOR THE STUDY OF PEOPLES IN THE COLLECTION OF THE INSTITUTE OF RUSSIAN LITERATURE (PUSHKINSKII DOM) IN ST. PETERSBURG","authors":"Svetlana V. Podrezova","doi":"10.31860/2712-7591-2023-3-130-148","DOIUrl":"https://doi.org/10.31860/2712-7591-2023-3-130-148","url":null,"abstract":"The article considers for the first time the history, methods, and results of two folklore expeditions to the Zaonezhie region, which took place in the summer of 1931 and in the winter of 1931/1932. The expeditions were led by members of the Folklore Section of the Institute for the Study of Peoples of the USSR and the Karelian Research Institute. Two students of the Leningrad State Historical and Linguistic Institute, M. B. Kaminskaia and N. N. Tiaponkina, took part in the expeditions. Among other things, the expeditions were especially charged with collecting materials on the current state of the epic tradition and the “social function of the epic.” The expedition of 1931 was intended to provide field practice experience to students. For that matter it involved many participants and solved a wide range of problems. Members of the expedition took records only in notebooks. The 1931–1932 winter expedition was professional, so it took records even on wax cylinders. The article summarizes data concerning both expeditions and pays special attention to the materials on the Russian epic tradition. It reconstructs the route of the winter expedition, provides an inventory of the phonographic collection, and reviews the handwritten records. The analysis of the materials showed that the young specialists adopted the work methods used by Leningrad folklorists: searching for masters of epics performance, working with both the best and ordinary performers, practicing separate handwriting of the text (“in 2 pencils”) and sound recording, collecting biographies of performers, taking detailed interviews about the experience of mastering of the epic tradition and the experience of performing. These methods made it possible to accumulate important material about the folklore and ethnography of the Zaonezhie region.","PeriodicalId":499688,"journal":{"name":"Slovesnostʹ i istoriâ","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135261836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE WRITINGS OF NIL SORSKY IN THE LIBRARY OF THE OPTINA PUSTYN MONASTERY 奥普斯廷修道院图书馆里的尼尔·索尔斯基的作品

Slovesnostʹ i istoriâ Pub Date : 2023-01-01 DOI: 10.31860/2712-7591-2023-1-61-80

Elena V. Romanenko

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HOW EPICS LIVE: THE HISTORY OF A FAMILY OF EPICS PERFORMERS FROM THE MOSHA RIVER AREA 史诗是如何生活的:一个来自莫沙河地区的史诗表演者家族的历史

Slovesnostʹ i istoriâ Pub Date : 2023-01-01 DOI: 10.31860/2712-7591-2023-3-76-98

Anastasiya I. Vaskul, Svetlana A. Zhadovskaya

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UNPUBLISHED SPIRITUAL POEMS RECORDED BY ALEKSANDR PETROVICH VERESHAGIN 亚历山大·彼得罗维奇·维列沙金记录的未发表的精神诗歌

Slovesnostʹ i istoriâ Pub Date : 2023-01-01 DOI: 10.31860/2712-7591-2023-3-161-175

Lyudmila I. Petrova

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