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Revista de antropología visual最新文献

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Resilience and visual memory. An educational look at the great 1960 Valdivia earthquake. 复原力和视觉记忆。1960 年瓦尔迪维亚大地震的教育意义。
Revista de antropología visual Pub Date : 2023-12-05 DOI: 10.47725/rav.031.12
Carolina Maturana Ibáñez, Marcelo Godoy, Mariana Urrutia Tobar, Paulo Yaitul, Adrián Silva Pino
{"title":"Resilience and visual memory. An educational look at the great 1960 Valdivia earthquake.","authors":"Carolina Maturana Ibáñez, Marcelo Godoy, Mariana Urrutia Tobar, Paulo Yaitul, Adrián Silva Pino","doi":"10.47725/rav.031.12","DOIUrl":"https://doi.org/10.47725/rav.031.12","url":null,"abstract":"The photographic exhibition Journey to the Epicenter is an exercise of heritage education developed by the Dirección Museológica UACh within the framework of the 60th anniversary of the Valdivia earthquake. The visual understanding of the seismic phenomenon experienced in 1960 is a contribution to the heritage field, by highlighting the value of resilience in the formation of cultural identities, leaving at the disposal of the territories the articulation of scientific, social and emotional knowledge to face catastrophic situations.","PeriodicalId":498393,"journal":{"name":"Revista de antropología visual","volume":"89 22","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138600109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The American biologicism trough Crash 通过Crash的美国生物主义
Revista de antropología visual Pub Date : 2023-11-14 DOI: 10.47725/rav.031.08
Juan Manuel Zeballos
{"title":"The American biologicism trough Crash","authors":"Juan Manuel Zeballos","doi":"10.47725/rav.031.08","DOIUrl":"https://doi.org/10.47725/rav.031.08","url":null,"abstract":"This work examines biologicism (racism) in the United States based on the film Crash. The instrumental-material nature of the phenomenon pointed out by various authors is also recognized in the film. Biologicism simultaneously moves through the planes of the obvious and the hidden. In the first, it acquires the profile of a structuring and decomposing factor of relationships, although formally it is abstract. In the second, it acts as an element that blocks the recognition of social classes, their relationships, training processes and labor hierarchies. Thus, biologicalism is a vehicle through which the interests of the hegemonic classes are promoted, and which results in the recreation and perpetuation of capitalist social relations of production.","PeriodicalId":498393,"journal":{"name":"Revista de antropología visual","volume":"23 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134992684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Images of an exhibition frozen in time. Taxidermy in the San Rafael’s Seminary Museum of Valparaíso (MSV). 一场展览的影像凝固在时间里。圣拉斐尔神学院博物馆的标本Valparaíso (MSV)。
Revista de antropología visual Pub Date : 2023-11-08 DOI: 10.47725/rav.031.07
Carolina Valenzuela Matus, Luis Chirino-Gálvez
{"title":"Images of an exhibition frozen in time. Taxidermy in the San Rafael’s Seminary Museum of Valparaíso (MSV).","authors":"Carolina Valenzuela Matus, Luis Chirino-Gálvez","doi":"10.47725/rav.031.07","DOIUrl":"https://doi.org/10.47725/rav.031.07","url":null,"abstract":"The San Rafael´s Seminary at Valparaíso owns one of the most complete collections found in a school museum in Chile. Its varied collection, which emphasizes Natural History—includes biological, fossil, mineral specimens, and scientific instruments— where the taxidermy stand out. The collection, in exhibition since 1881 is the second oldest exhibition in the country with more than 650 mounted specimens. The exotic specimens came mostly from the Commercial House Émile Deyrolle in Paris, which sells didactic objects of Natural History to this day from all over the world. The following research has as an objective to show through photography the most ancient taxidermy in the San Rafael Seminary Museum (MSV). In this study, a comparative analysis of images along with all available historical documents has been assessed. In this regard, photography has played an essential role allowing to identify and characterize specimens as well as tracking down the origin of these collections.","PeriodicalId":498393,"journal":{"name":"Revista de antropología visual","volume":"217 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135341491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Archiva Chilena: Representation Practices and Feminist Visual Culture in Contemporary Art Institutions. 智利档案馆:当代艺术机构中的表现实践与女性主义视觉文化。
Revista de antropología visual Pub Date : 2023-10-04 DOI: 10.47725/rav.031.06
Raíza Ribeiro Cavalcanti, Marisol Facuse Muñoz
{"title":"Archiva Chilena: Representation Practices and Feminist Visual Culture in Contemporary Art Institutions.","authors":"Raíza Ribeiro Cavalcanti, Marisol Facuse Muñoz","doi":"10.47725/rav.031.06","DOIUrl":"https://doi.org/10.47725/rav.031.06","url":null,"abstract":"During the realization of the “Polvo de Gallina Negra” exhibition (2022) at the Centro Nacional de Arte Contemporáneo (CNAC), the Archiva project - Masterpieces of Feminist Art in Chile, also known as Archiva Chilena, emerged. Proposed by the artist Mónica Mayer and curators Julia Antivilo and María Laura Rosa, Archiva Chilena documented 68 works by 57 Chilean artists, creating an archive of feminist “masterpieces”. The objective of this article is to reflect on the practices of representation and feminist visual culture that emerge from this archive, in order to understand how this action enhances the emergence of a Virtual Feminist Museum within CNAC. Through the analysis of Archiva, we will reflect on how it introduces new epistemic possibilities that challenge gender and power relations within art institutions.","PeriodicalId":498393,"journal":{"name":"Revista de antropología visual","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135552410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Museography as a point of view: two formats for representing childhood 博物馆学作为一种观点:表现童年的两种形式
Revista de antropología visual Pub Date : 2023-10-02 DOI: 10.47725/rav.031.05
Carolina Aroca Toloza, Irene de la Jara Morales de la Jara Morales
{"title":"Museography as a point of view: two formats for representing childhood","authors":"Carolina Aroca Toloza, Irene de la Jara Morales de la Jara Morales","doi":"10.47725/rav.031.05","DOIUrl":"https://doi.org/10.47725/rav.031.05","url":null,"abstract":"Based on museography, we explore the representations of childhood present in two museums. We ask ourselves about the representations built around childhood and heritage with which these institutions elaborate their museographic designs and how these representations are materialized in their museography and contents. We used a qualitative approach and an exploratory design, which we applied to the Museo Histórico Nacional de Santiago and the Museo Artequín Viña del Mar. The results show that the differences in origin and focus determine the way in which childhood is represented, so that in one museum the spatial, experiential and interactive vision stands out, and in the other one the observation and passive contemplation. In both museums the discussion on childhood is important.","PeriodicalId":498393,"journal":{"name":"Revista de antropología visual","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135901428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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