Carolina Aroca Toloza, Irene de la Jara Morales de la Jara Morales
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引用次数: 0
摘要
在博物馆学的基础上,我们探索了两个博物馆中童年的表现。我们问自己,这些机构精心设计的博物馆设计中围绕童年和遗产建立的表征,以及这些表征是如何在博物馆设计和内容中具体化的。我们采用定性方法和探索性设计,将其应用于Histórico国立圣地亚哥博物馆和Artequín Viña del mar博物馆。结果表明,起源和重点的差异决定了童年的表现方式,因此在一个博物馆中,空间,体验和互动视觉突出,而在另一个博物馆中,观察和被动沉思。在这两个博物馆里,关于童年的讨论都很重要。
Museography as a point of view: two formats for representing childhood
Based on museography, we explore the representations of childhood present in two museums. We ask ourselves about the representations built around childhood and heritage with which these institutions elaborate their museographic designs and how these representations are materialized in their museography and contents. We used a qualitative approach and an exploratory design, which we applied to the Museo Histórico Nacional de Santiago and the Museo Artequín Viña del Mar. The results show that the differences in origin and focus determine the way in which childhood is represented, so that in one museum the spatial, experiential and interactive vision stands out, and in the other one the observation and passive contemplation. In both museums the discussion on childhood is important.