Archiva Chilena: Representation Practices and Feminist Visual Culture in Contemporary Art Institutions.

Raíza Ribeiro Cavalcanti, Marisol Facuse Muñoz
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Abstract

During the realization of the “Polvo de Gallina Negra” exhibition (2022) at the Centro Nacional de Arte Contemporáneo (CNAC), the Archiva project - Masterpieces of Feminist Art in Chile, also known as Archiva Chilena, emerged. Proposed by the artist Mónica Mayer and curators Julia Antivilo and María Laura Rosa, Archiva Chilena documented 68 works by 57 Chilean artists, creating an archive of feminist “masterpieces”. The objective of this article is to reflect on the practices of representation and feminist visual culture that emerge from this archive, in order to understand how this action enhances the emergence of a Virtual Feminist Museum within CNAC. Through the analysis of Archiva, we will reflect on how it introduces new epistemic possibilities that challenge gender and power relations within art institutions.
智利档案馆:当代艺术机构中的表现实践与女性主义视觉文化。
在国家艺术中心Contemporáneo (CNAC)举办“Polvo de Gallina Negra”展览(2022)的过程中,出现了“智利女性主义艺术杰作档案”项目,也被称为“智利档案”。由艺术家Mónica Mayer和策展人Julia Antivilo和María Laura Rosa提议,智利档案馆记录了57位智利艺术家的68件作品,创建了一个女权主义“杰作”档案。本文的目的是反思从这些档案中出现的表现和女权主义视觉文化的实践,以了解这种行为如何促进CNAC内虚拟女权主义博物馆的出现。通过对档案的分析,我们将反思它如何引入新的认知可能性,挑战艺术机构内的性别和权力关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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