{"title":"„Raphael ohne Hände“: Zum Kunstanspruch der Fotografie","authors":"Laura Gronius","doi":"10.1515/rbf-2024-2003","DOIUrl":"https://doi.org/10.1515/rbf-2024-2003","url":null,"abstract":"","PeriodicalId":498193,"journal":{"name":"Rundbrief Fotografie","volume":"1 1","pages":"4 - 7"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141399142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Botanical Portraits: On a 1935 Argentinean Book by Ilse von Rentzell with Photographs by Anatole Saderman","authors":"Julieta Pestarino","doi":"10.1515/rbf-2024-2004","DOIUrl":"https://doi.org/10.1515/rbf-2024-2004","url":null,"abstract":"Abstract In 1935, the Argentine-German botanist Ilse von Rentzell (1893–1985) published the book “Maravillas de nuestras plantas indígenas y algunas exóticas” (Wonders of our Indigenous Plants and Some Exotic Plants) in Buenos Aires, Argentina, illustrated with photographs taken by the Russian photographer Anatole Saderman (1904–1993). The publication of this book was entirely selffinanced by Von Rentzell herself, and it is one of the first in Argentina to include such a large number of photographs with this much prominence. The collaborative photographic work developed by these authors goes beyond the images included in the book. Working together, they created a corpus of photographs that each of them used in the following years to enhance their personal careers. At the time, these photographs of plants represented a break in Argentine photography, building bridges with the genealogy of botanical photographic publications in other parts of the world.","PeriodicalId":498193,"journal":{"name":"Rundbrief Fotografie","volume":"1 1","pages":"8 - 22"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141398791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Color Plates, Material, and Condition: Hermann Krone’s Contributions to Lippmann Interferential Color Photography","authors":"Jens Gold","doi":"10.1515/rbf-2024-2005","DOIUrl":"https://doi.org/10.1515/rbf-2024-2005","url":null,"abstract":"Abstract Lippmann color photographs are among the rarest examples of early color photography in public and private collections worldwide. At the time, Hermann Krone was probably one of those who contributed most actively and with remarkable results to the Lippmann process. After general remarks about Krone’s work, this paper will describe more deeply his book about color photography focusing on the direct color process, the technology he practiced himself to accomplish interferential color, and the body of his Lippmann color photographs, which still exists today in major collections, and which has been recently examined by the author. With a focus on the work of Krone, the paper aims to give an overview of the variety of presentation forms of Lippmann color images in existence today and closes with information on the permanence and preservation of these early color photographic materials.","PeriodicalId":498193,"journal":{"name":"Rundbrief Fotografie","volume":"19 2","pages":"23 - 38"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141397560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„[…] [I]hre Bilderschätze mehr und mehr bekannt machen“: Zu den Fotokampagnen Victor Angerers und Josef Löwys in der Gemäldegalerie der Wiener Akademie","authors":"Viktoria Cordts","doi":"10.1515/rbf-2024-2006","DOIUrl":"https://doi.org/10.1515/rbf-2024-2006","url":null,"abstract":"Abstract Das Kupferstichkabinett der Akademie der bildenden Künste Wien erweiterte 2022 seine Sammlungsbestände um Reproduktionsfotografien und Glasplattennegative zu Werken der Gemäldegalerie der Wiener Akademie, deren Erschließung neue Erkenntnisse zum Umgang hiesiger Kunstsammlungen mit Reproduktionsanfragen im letzten Drittel des 19. und zu Beginn des 20. Jahrhunderts lieferten. Die Bestände sollten der allgemeinen Öffentlichkeit sowie der kunstwissenschaftlichen Forschung zugänglich gemacht werden. Zugleich rückt die Arbeit der Fotografen Victor Angerer und Josef Löwy in den Fokus, deren Engagement mit dem Erhalt der Reproduktions- und Vervielfältigungsrechte zu den Werken der Akademiebildsammlung vornehmlich kommerziellen Interesses waren und die institutionellen Ziele in den Schatten stellten. Dies ließ sich auch an der Weiternutzung der Löwy-Negative durch den Kunstverlag Wolfrum bis in die 1920er Jahre nachweisen.","PeriodicalId":498193,"journal":{"name":"Rundbrief Fotografie","volume":"21 13","pages":"39 - 52"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141403799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fotografie neu denken: Ein Gespräch in Rückschau auf das Symposium „Die Allgegenwärtigkeit fotografischer Bilder“ in Regensburg im November 2023","authors":"Andy Scholz, Stefan Gronert, R. Meyer","doi":"10.1515/rbf-2024-2007","DOIUrl":"https://doi.org/10.1515/rbf-2024-2007","url":null,"abstract":"","PeriodicalId":498193,"journal":{"name":"Rundbrief Fotografie","volume":"129 1","pages":"53 - 60"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141405406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}