{"title":"“Laughing in the Face of Patriarchy”:","authors":"Artemis Papailia","doi":"10.31178/ubr.13.2.6","DOIUrl":"https://doi.org/10.31178/ubr.13.2.6","url":null,"abstract":"Comics for children have a unique ability to entertain and educate young readers. Often dismissed as comical or unserious, comics are actually an important form of literature that can have a profound impact on children’s beliefs and values. This article will examine various approaches to feminist humor in the context of cultural studies in Mafalda, a popular Argentine comic strip that ran from 1964 to 1973, created by cartoonist Quino. The comic features a precocious and socially aware six-year-old girl named Mafalda, who frequently comments on politics, philosophy, and social issues, criticizing societal norms and structures. She constantly grapples with and questions the societal, political, and moral landscapes of her time, making astute observations that prompt readers to reflect on the complex world she is navigating. Beyond the humor and light-hearted exchanges, Mafalda emerges as a significant cultural text. It seamlessly intertwines entertainment with critical reflection, offering its audience not just a moment of leisurely reading but also compelling them to reckon with the profound questions and critiques articulated by its young protagonist. The use of humor in Mafalda not only serves as a form of critique but also empowers young girls and challenges the dominant gender narratives, because the comic employs gendered humor as a means of challenging traditional gender roles and stereotypes. This article explores the role of humor in Mafalda, specifically in relation to gender and how it challenges gender norms and expectations, ultimately offering a new perspective on gender and power dynamics in comics and beyond.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pathos as Narrative Glue. Marnie The novel, Film and Opera","authors":"Alina Bottez","doi":"10.31178/ubr.13.2.7","DOIUrl":"https://doi.org/10.31178/ubr.13.2.7","url":null,"abstract":"This article looks at several ways in which personal trauma is the source of pathos in the etymological sense of suffering and affliction, engendering social failure in Winston Graham’s novel Marnie. Likewise, the study strives to demonstrate that both the literary original and its cinematic and operatic remediations are sparked into emotional cohesion by the narrative glue of pathos. From the perspective of both psychoanalysis and adaptation studies, this article reaches the conclusion that the open ending of the three versions also involves the reader/spectator in the process of narration – as Aristotle discovered in anticipation of Jauss’s reception theory – and thus leaves it to them to decide whether healing from pathos can ever be reached by the protagonist.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bollywood Comedy Films as Catalysts for Body Positivity","authors":"Kishan Kumar Mishra","doi":"10.31178/ubr.13.2.4","DOIUrl":"https://doi.org/10.31178/ubr.13.2.4","url":null,"abstract":"In recent times, Bollywood comedies have evidenced a shift in their attitude and perspective towards body image. In earlier comedies, people of different physical appearances were stigmatized. That approach has changed of late and as a result, these movies now serve as powerful catalysts for positive change in society. This article offers an overview of the transformative role played by Bollywood comedy films in contributing to body positivity and promoting self-acceptance. Through an analysis of a selection of films such as Bala (2019), Dum Laga Ke Haisha (2015), and Gippi (2013), this study explores how these movies influence individuals’ perceptions, destigmatize identity, challenge stereotypes, and advocate for self-acceptance. This study also emphasizes the role of humour as a central element to engage audiences in sensitive discussions surrounding body image. In a nutshell, this research highlights the profound impact of comedy films on individuals and how these films reshape societal perceptions from body shaming to body acceptance.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"185 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Features of the ironic detective in","authors":"Hanna Aleksandrova, Hanna Tabakova","doi":"10.31178/ubr.13.2.5","DOIUrl":"https://doi.org/10.31178/ubr.13.2.5","url":null,"abstract":"Ironic detective is a relatively new genre in literature. Its development dates back to the middle of the twentieth century and continues up to the present days. The final crystallization of the genre is taking place in our time. The works of Polish author Joanna Chmielewska became one of the first examples of ironic detective stories. However, the French literature of the twentieth century also has notable representatives of the genre. The present article examines the peculiarities of the irony functioning in the detective genre, in the context of the work of the popular modern French writer Daniel Pennac. We distinguish irony as a means of comic and as a principle of work organization, which is inherent in the genre of ironic detective. Consideration of the ironic detective is impossible without a brief analysis of the detective development stages as a whole, therefore, the article also deals with the genesis of the detective genre from the classic to the French novel-noir. The emphasis will rest on the peculiarities of the ironic detective’s development. Using D. Pennac’s novel The Scapegoat as an example (the French edition is called Au bonheur des ogres, originally published in 1985), the features of the genre, alongside their manifestations at the content and formal level are illustrated. The article focuses on the fact that naturalistic details, scenes of cruelty, evil and chaos, caused by the consequences of the Second World War, are weakened due to ironic characteristics, stereotypes, as well as the very attitudes of the author and the narrator towards the surrounding world. The research proves that the analysed genre is an artistic form of a panoramic view of the society of the 80s with its false ideals and its consumerism.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Humour without Pathos of Internet Memes in the Context of Online Visual Communication","authors":"Iana Pecnikova, Jozefa Pevcikova","doi":"10.31178/ubr.13.1.2","DOIUrl":"https://doi.org/10.31178/ubr.13.1.2","url":null,"abstract":"In this article we focus on internet memes that have become an important genre of online communication, as internet users have created a new visual language: not only in form, but also in meaning (often very satiric). Internet memes relate to the Web 2.0 phenomenon, where users can access hundreds of meme templates, images, or short videos, and can assign them a specific meaning. The aim of this article is to theoretically define the “memetic visual language” with specific background, forms, and rules for creating and decoding it. In the empirical part of paper, we present a selection of examples put forward by the Slovak project ZOMRI, meant to demonstrate without pathos, but with humour, the power of internet memes to depict the personality of Slovak president Zuzana Caputova.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Humour and Knowledge in Katherine Mansfield’s","authors":"Florina Nastase","doi":"10.31178/ubr.13.1.4","DOIUrl":"https://doi.org/10.31178/ubr.13.1.4","url":null,"abstract":"The present study intends to look at the ways in which humour enacts modes of knowledge and self-expression in Katherine Mansfield’s short story “The Daughters of the Late Colonel” (1921). The story revolves around two spinsterly sisters who have spent most of their lives tending to their tyrannical father and now find themselves at a loss when they are finally free of him. The narrative is both sympathetic and merciless towards the sisters’ fumbling attempts at independence, but the women are often in on the joke; humour is both a “black dressing-gown” which envelops the sisters and renders them objects of ridicule, but it is also a way out, offering a subversive counterpoint to the voice of the Father, as the sisters imagine the patriarch in very comical and undignified positions, while perceiving themselves as outsiders, “creeping off…like black cats”. Though the short story has often been read in terms of hopelessness and despair by Rhoda B. Nathan and Gerri Kimber, this paper wishes to show how humour modulates and moderates this hopelessness, allowing for the two single women to assert their personality within the stifling society of their time. The ridiculous, in this case, does not need to be a death sentence, but rather a form of knowledge and resistance: the spinsters are aware of the absurdity of their condition and the futility of their place in the modern world and choose comedy over tragedy.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lugubrious Victorians, Ludicrous Narratives:","authors":"Nurdan Balci","doi":"10.31178/ubr.13.1.7","DOIUrl":"https://doi.org/10.31178/ubr.13.1.7","url":null,"abstract":"Given the socio-economic circumstances of the Victorian Era, one of its unassailable facts was that the conservative and solemn spirit of the time created a claustrophobic social atmosphere for some of its occupiers. Victorian, as well as Neo-Victorian novels register an exigency for laughter partly as a response to this solemnity. As a successful representative of the latter, Jane Harris’ debut novel, The Observations (2006) narrates the dolorous life of an Irish girl, Bessy Buckley who is taken on as a maid in a Scottish manor and is asked to perform strange duties assigned to her by the mistress of the house. This study attempts to unearth The Observations’ versatile approach to the notion of comic on three functional levels by resting on Alexander Bain’s notion of ‘ludicrous degradation.’ Firstly, the study scrutinizes comicality arising out of situations in which clashes of value and meaning occur. Secondly, it explains how ludicrous degradation turned into humour allows for psychological release. Thirdly, it looks at how Bessy’s sense of humour works as a coping mechanism and an antidote for Victorian pathos apart from being a literary source of amusement.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"185 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Online Satirical News as Instances of Liquid Racism: Evidence from Greek","authors":"Villy Tsakona","doi":"10.31178/ubr.13.1.8","DOIUrl":"https://doi.org/10.31178/ubr.13.1.8","url":null,"abstract":"When discussing the relationship between humour and racism, research usually concentrates on ethnic or racist jokes or on other humorous texts which expressly target migrants or other minorities. Relevant studies more or less explicitly ascribe to critical humour studies investigating topics such as how and why humour targeting the linguistic, cultural, or religious Other reproduces and maintains social discrimination and inequality, as well as how and why the generic conventions of humorous genres do not incite the audience to think critically of their content but instead enhance their tolerance for discriminatory and racist standpoints. In this context, the present study explores humorous texts that at first sight appear to have antiracist intentions. More specifically, I analyse a corpus of satirical news coming from popular Greek websites and targeting majority people for their racist views and practices towards migrants. The analysis is based on the concepts of script opposition and target as defined in the framework of the General Theory of Verbal Humour. The findings suggest that distinguishing between antiracist and racist interpretations is not an easy or straightforward matter: humour seems to blur the boundary between racism and antiracism. In order to account for this dimension of humour, I exploit the concept of liquid racism put forward by Weaver (The Rhetoric of Racist Humour) to account for the ambiguities of humorous discourse when it involves racist and antiracist meanings and interpretations.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Who has the Last Word? The Dead and their Lively Humour in","authors":"Roxana Doncu","doi":"10.31178/ubr.13.2.2","DOIUrl":"https://doi.org/10.31178/ubr.13.2.2","url":null,"abstract":"All the characters in Máirtín Ó Cadhain’s novel are dead people, but they continue to speak as if they were still alive, and have not realized they are actually dead. Another paradox may be that although all of them are dead, none is really interested in death or its metaphysics. They go on with their earthly interests and spites, abusing and offending one another, spilling out secrets and shouting out loud. Speaking is the only thing they can still do while dead, and they take advantage of it: it is often quite difficult for the reader to understand whose voice it is in the general uproar. Gradually, voices become identifiable and attributable to characters: the reader learns to recognize them by the bad language they use, by certain quirks or by the expression of individual snobbery, pretence and hatred. By taking dead people as his characters, and faithfully recording their imagined speeches, Ó Cadhain re-imagines and refashions satire as a specific Irish genre. The speaking dead stand for the Gaelic rural communities whose language the political activist Ó Cadhain’s taught and promoted as the real repository of the idea of an Irish independent nation. The particular dialogic form of the novel, though seemingly experimental and difficult to comprehend, represents Ó Cadhain’s effort to establish democracy (lacking in the real post-independence Irish state), through the multiplicity of voice polyphony implies, at least at literary level.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"I am a Comedian, That’s My Job:","authors":"Raj Vishal, Priya Himangi","doi":"10.31178/ubr.13.1.6","DOIUrl":"https://doi.org/10.31178/ubr.13.1.6","url":null,"abstract":"In an epoch characterized by rapid digitalization, the proliferation of disinformation, and the deepening schisms within society, the significance of stand-up comedy has assumed unprecedented prominence. Its popularity is burgeoning on a global scale, and concurrently, the Indian comedy landscape has witnessed a remarkable influx of talent over recent decades. Among this exceptional cohort of comedic voices, Vir Das emerges as a prominent figure. Known for his incisive humour, he ventures far beyond light-hearted humour, delving into the heart of pivotal societal issues. This article discusses the profound impact of comedy and satire in catalysing socio-critical transformations through a discerning analysis of select jokes from Vir Das’s repertoire. As such, it is organized into three distinct sections, each contributing to the overarching objective. The initial section offers a concise exploration of the historical evolution of comedy, with a particular focus on its development within the Indian context. Subsequently, the second section delves into the core concept of stand-up comedy as a potent medium for activism, grappling with fundamental questions regarding the gravity and consequential influence of comedic discourse. Lastly, the concluding section meticulously conducts a comprehensive thematic analysis of Vir Das’s body of work, accentuating his pivotal role as a stand-up activist.","PeriodicalId":495473,"journal":{"name":"University of Bucharest Review","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135666084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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