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Studi Literatur: Analisis Estetika Musik Barok pada "Feel My Rhythm” 文学研究:对“感受我的节奏”的巴罗克音乐的美学分析
Tamumatra Pub Date : 2023-07-01 DOI: 10.29408/tmmt.v5i2.12862
Cevinita Nahany Nevia Nikita Becker, Maula Waytisi Kirana, Axel Nicholas Cornelius
{"title":"Studi Literatur: Analisis Estetika Musik Barok pada \"Feel My Rhythm”","authors":"Cevinita Nahany Nevia Nikita Becker, Maula Waytisi Kirana, Axel Nicholas Cornelius","doi":"10.29408/tmmt.v5i2.12862","DOIUrl":"https://doi.org/10.29408/tmmt.v5i2.12862","url":null,"abstract":"Music, fundamentally, always evolves through increasing human creativity. The increase in human creativity has given rise to various variations of popular music trends. This is found in the use of Baroque music samples \"Air on the G String\" by Johann Sebastian Bach in the song \"Feel My Rhythm\" by the girl group Red Velvet. This study examines the aesthetic value of Baroque music \"Air on the G String\" by Johann Sebastian Bach in its utilization on the song \"Feel My Rhythm\" by Red Velvet. As qualitative research, the assessment was conducted using a literature study approach and descriptive analysis method. Through research, it was found that there are key adjustments, chord progressions, bass and harmony agility, as well as electronic sound medium intervention in the song \"Feel My Rhythm\" through the aesthetic perspective of Baroque music \"Air on the G String.\" Thus, in the use of samples of Baroque music \"Air on the G String\" in the Modern era \"Feel My Rhythm,\" it can be concluded that the aesthetic authenticity (characteristics) of Baroque music is still present and only given an increase in modernity aspects.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135807228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Masyarakat Kalijeruk dalam Pelestarian Pertunjukan Ebeg 卡利橙子社会保护着明镜
Tamumatra Pub Date : 2023-07-01 DOI: 10.29408/tmmt.v5i2.14829
Nuzulul - Fadillah, Heri - Kurnia
{"title":"Masyarakat Kalijeruk dalam Pelestarian Pertunjukan Ebeg","authors":"Nuzulul - Fadillah, Heri - Kurnia","doi":"10.29408/tmmt.v5i2.14829","DOIUrl":"https://doi.org/10.29408/tmmt.v5i2.14829","url":null,"abstract":"The sophistication of technology and communication systems has had an impact on the high flow of globalization that has entered Indonesia. Not a few foreign cultural influences that enter are not in accordance with the cultural norms of the Indonesian nation. This is because people are more familiar with foreign cultures compared to native Indonesian culture. One of them is the traditional art of Ebeg as one of the noble heritages of the ancestors of the Indonesian people, which from now on is rarely found. A sense of belonging to the young people of Kalijeruk Village is needed for Ebeg art as an art that deserves to be upheld and becomes the pride of the community. This Ebeg art is widely displayed by people at festivals, celebrations, competitions and celebrations on certain days. The author discusses the preservation of Ebeg art using documentation and observation studies. Through literature review and observational notes, the data obtained was then collected, selected and presented in the discussion. As early as possible, the young people of Kalijeruk Village are introduced to Ebeg art and trained to play it so that they can continue the art that has been passed down from generation to generation as an intangible cultural heritage. The explanation presented is expected to be able to become a value of public awareness of the preservation of the Indonesian nation's traditional arts.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135807232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Estetika Pertunjukan Gender Wayang secara Virtual 虚拟的性别表演美学
Tamumatra Pub Date : 2023-07-01 DOI: 10.29408/tmmt.v5i2.12256
Ni Putu Hartini, Ni Made Haryati
{"title":"Estetika Pertunjukan Gender Wayang secara Virtual","authors":"Ni Putu Hartini, Ni Made Haryati","doi":"10.29408/tmmt.v5i2.12256","DOIUrl":"https://doi.org/10.29408/tmmt.v5i2.12256","url":null,"abstract":"Gender Wayang is an old Balinese gamelan that uses a 5-tone selendro barrel. Gender Wayang in its presentation in this pandemic era has a new model so that it becomes an attraction to be discussed. Due to the Covid-19 pandemic outbreak, the change in Gender Wayang performances which are generally held in person has been changed to a virtual performance. This study aims to find out the aesthetic elements in the virtual Gender Wayang performance and the meaning contained in the virtual Gender Wayang performance. This virtual performance was carried out in an effort to treat the longing of art lovers, especially the Gender Wayang gamelan. Gamelan Gender Wayang is one of the primadonnas among the community, especially children, teenagers both from elementary school, junior high school, high school and college. The research method used is a qualitative method with data collection techniques through participant observation and interview methods. The result obtained is the aesthetics and meaning contained in the virtual Gender Wayang performance. With the virtual Gender Wayang performance, it can be used as a forum in presenting artworks in fighting the Covid-19 pandemic that we are facing together.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135807233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Perjalanan Batin Seniman di Wilayah Malang Raya Pasca-G30s PKI: Pendekatan Konflik Kurt Lewin 艺术家的内心在g30s PKI后的不幸领域:冲突库尔特·列文的方法
Tamumatra Pub Date : 2023-07-01 DOI: 10.29408/tmmt.v5i2.15674
Ella Jayahuda Prasety, Dewa Agung Gede Agung
{"title":"Perjalanan Batin Seniman di Wilayah Malang Raya Pasca-G30s PKI: Pendekatan Konflik Kurt Lewin","authors":"Ella Jayahuda Prasety, Dewa Agung Gede Agung","doi":"10.29408/tmmt.v5i2.15674","DOIUrl":"https://doi.org/10.29408/tmmt.v5i2.15674","url":null,"abstract":"This research was conducted to analyze the inner conflicts of artists in Malang Raya after the G30S PKI. The data in this study are described based on conflict theory according to Kurt Lewin as; (1) conflict between approaches, (2) conflict between approaches, and (3) conflict between approaches and the factors that cause inner conflict. The results were analyzed based on Abraham Maslow's theory of human needs. This research method is descriptive qualitative using a psychological approach and interview techniques. The results of the study describe the conflicting forms of approaches marking the happiness of artists who survived the G30S incident. The conflict between circumcision and circumcision marks the attitude of the artist who honestly admits his anxiety when he meets a servant of the state. Approach-avoidance conflict is marked when an artist faces two very dilemmatic choices about continuing his work and there is a possibility of not surviving or looking for another job. All of these conflicts arose because the impact of G30S among them was very traumatic.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135807229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Proses Produksi Karya Tari Virtual “Nafas Nusantara” 虚拟舞蹈作品《努桑塔拉呼吸》的制作过程
Tamumatra Pub Date : 2023-07-01 DOI: 10.29408/tmmt.v5i2.12316
Mega Lestari Silalahi, Denny Eko Wibowo
{"title":"Proses Produksi Karya Tari Virtual “Nafas Nusantara”","authors":"Mega Lestari Silalahi, Denny Eko Wibowo","doi":"10.29408/tmmt.v5i2.12316","DOIUrl":"https://doi.org/10.29408/tmmt.v5i2.12316","url":null,"abstract":"The dance work \"Nafas Nusantara\" is a new dance creation that departs from the motion of representing four regions, Java, Malay, Bali, and Borneo. Nafas Nusantara is a form of virtual performance work produced as an opening ceremony in the virtual INTERNATIONAL MULTIDISCIPLINARY RESEARCH CONFERENCE ON EDUCATION, SCIENCES AND ARTS (IMReCESA 2021) held in the Philippines. Nafas Nusantara dance works through different stages of production from dance works are live show, the production of Nafas Nusantara works through the stages: pra-production, production, and post-production, where pre-production consists of 4 stages of preparation such as: Drafting the work concept, compiling a production schedule, making storyboards, and forming a production team. Production stage with the process of forming dance and music accompaniment, documenting dance works with cinematographic techniques. The last post-production is the editing and mastering process.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135807230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intertekstual Lakon Randai Sabai Nan Aluih Karya Efyuhardi Dalam Lakon Pray 埃菲乌哈迪《祈祷》中拉康-兰戴-萨拜-南-阿鲁伊的互文性
Tamumatra Pub Date : 2023-05-30 DOI: 10.29408/tmmt.v5i2.7885
Monita Precillia
{"title":"Intertekstual Lakon Randai Sabai Nan Aluih Karya Efyuhardi Dalam Lakon Pray","authors":"Monita Precillia","doi":"10.29408/tmmt.v5i2.7885","DOIUrl":"https://doi.org/10.29408/tmmt.v5i2.7885","url":null,"abstract":"The article entitled Intertextual of the play Randai Nan Aluih by Efyuhardi in the play Pray For Sabai by Edy Suisno is a qualitative research in the form of descriptive analysis. The Pray For Sabai text is the result of the Intertextual Manuscript of Sabai Nan Aluih which is in accordance with the kaba that is developing in society. This paper aims to describe the background and process of the emergence of the text Pray For Sabai by Edy Suisno. We can say that it is intertextual that it rejects the establishment of a text, where Pray For Sabai uncovers the possibilities that exist in Sabai Nan Aluih. Intertextual in Pray For Sabai not only changes the storyline but also changes the identity and character of the characters. The character of Sabai Nan Aluih was originally the biological child of Sadun Saribai and Rajo Babanding, but it turned out that he was only an adopted child. Sabai Nan Aluih is the biological child of Rajo Nan Panjang and a beautiful maid who he raped.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135692880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ekspresi Penonton pada Tradisi Lisan Seumapa Aceh 亚齐 Seumapa 口述传统中的观众表达方式
Tamumatra Pub Date : 2023-01-31 DOI: 10.29408/tmmt.v5i1.7714
Humaira Anwar, Achmad Zaki
{"title":"Ekspresi Penonton pada Tradisi Lisan Seumapa Aceh","authors":"Humaira Anwar, Achmad Zaki","doi":"10.29408/tmmt.v5i1.7714","DOIUrl":"https://doi.org/10.29408/tmmt.v5i1.7714","url":null,"abstract":"Penelitian ini bertujuan menggali makna sorak-sorai dan tepukan penonton seumapa bagi masyarakat Aceh dan analisis aspek penonton tradisi lisan seumapa di pesta pernikahan. Seumapa adalah tradisi lisan Aceh yang berbentuk seperti pantun dan dipertunjukkan pada pesta pernikahan masyarakat Aceh. Metode pengumpulan data penelitian meliputi studi pustaka, observasi, wawancara, dan dokumentasi. Data primer penelitian ini adalah hasil wawancara dan observasi, sedangkan data sekunder adalah data yang diperoleh dari literatur terkait tradisi seumapa. Alasan seseorang datang menonton seumapa adalah untuk mencari hiburan dan kepuasan estetis, karena diundang oleh tuan rumah atau bagian dari rombongan pengantar pengantin, dan sentimen kesukuan. Selain itu, sebagai tradisi lisan yang dilakukan pada sebuah pesta pernikahan, penonton seumapa memberikan sorak-sorai dan/atau tepukan sebagai respon kepada petuturnya. Sorak-sorai merupakan gerakan tubuh yang dikaitkan dengan emosi dan pengaruh positif. Petutur seumapa mengandalkan lirik-lirik yang memberikan efek ketegangan atau lirik-lirik yang menyentuh isu sensitif yang personal untuk mengundang respon penonton dalam pesta pernikahan.Kata kunci: seumapa; sorak-sorai; penonton; masyarakat Aceh.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135440368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Perjalanan dan Keunikan Buto Gedruk di Daerah Kadipiro, Banjarsari, Surakarta 苏腊卡尔塔市班贾沙里卡迪皮罗地区布托格德鲁克的旅程与独特性
Tamumatra Pub Date : 2023-01-31 DOI: 10.29408/tmmt.v5i1.7591
Nindi Muliasa Darmasari
{"title":"Perjalanan dan Keunikan Buto Gedruk di Daerah Kadipiro, Banjarsari, Surakarta","authors":"Nindi Muliasa Darmasari","doi":"10.29408/tmmt.v5i1.7591","DOIUrl":"https://doi.org/10.29408/tmmt.v5i1.7591","url":null,"abstract":"Penelitian ini dilakukan untuk menganalisis dan mendeskripsikan perjalanan serta mengetahui apa saja keunikan kesenian buto gedruk guna mempertahankan eksistensi budaya pariwisata di Surakarta desa Kadiporo. Tidak hanya itu, penelitian dilakukan untuk menambah wawasan budaya dan ilmu pengetahuan bagi pembaca. Sumber yang digunakan dalam penelitian ini adalah dengan wawancara secara mandalam, kepustakaan, dan observasi. Hasil penelitian ini disampaikan bahwa 1) perkembangan kesenian buto gedruk hingga masuk daerah kadiporo kesenian yang berawal dari Magelang Jawa Tengah dengan berkembangnya zaman dan banyak sanggar tari yang menjaga kesenian tersebut. Maka, buto gedruk bisa masuk ke wilayah Surakarta. Kesenian ini memiliki makna yaitu bentuk semangat yang gigih seperti kekuatan buto atau raksasa. 2) Persepsi masyarakat tentang kesenian buto gedruk sebuah kesenian pasti memiliki pandangan masing-masing dikalangan masyarakat. Kesenian buto gedruk masih disamakan dengan kesenian reog di Ponorogo, sifat kesenian yaitu diluar nalar manusia dan sering menganggetkan penonton, iringin musik tidak harus dengan tembang-tembang jawa, melainkan bisa menggunakan lagu-lagu yang sedang popular sekarang. 3) Keunikan buto gedruk setiap kesenian pasti memiliki suatu keunikan atau ciri khas sebagai pembanding antara lain: Kesenian buto gedruk ditarikan dalam setiap kelompok yang jumlah penarinya fleksibel maksudnya semua orang bisa ikut partisipasi dalam kesenian ini, Identik dengan kerincingan yang dipakai oleh penari, kostum yang dipakai oleh penari meriah. Karena kostum yang digunakan berwarna cerah.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"166 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135440366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PEMILIHAN LAGU ANAK DAN PENERAPANNYA SEBAGAI PENDIDIKAN KARAKTER BERLANDASKAN FASE PERKEMBANGAN ANAK DI USIA SEKOLAH DASAR 孩子们选择童谣及其作为品格教育的应用是基于孩子们在小学阶段的成长
Tamumatra Pub Date : 2023-01-31 DOI: 10.29408/tmmt.v5i1.7720
Egi Putri Grandena
{"title":"PEMILIHAN LAGU ANAK DAN PENERAPANNYA SEBAGAI PENDIDIKAN KARAKTER BERLANDASKAN FASE PERKEMBANGAN ANAK DI USIA SEKOLAH DASAR","authors":"Egi Putri Grandena","doi":"10.29408/tmmt.v5i1.7720","DOIUrl":"https://doi.org/10.29408/tmmt.v5i1.7720","url":null,"abstract":"Pendidikan karakter merupakan sebuah hal yang harus diperkenalkan sejak dini. Hal ini karena terbentuknya kepribadian seseorang dimulai pada usia kanak-kanak. Pendidikan yang didapatkan anak sejak Sekolah Dasar dapat menjadi pondasi awal yang akan membekali moral mereka hingga beranjak ke usia dewasa. Terkait hal tersebut, penelitian ini bertujuan untuk menerapkan pendidikan karakter pada anak usia Sekolah Dasar dengan menggunakan lagu anak. Pendidikan karakter adalah pendidikan yang mengandung nilai-nilai penting untuk diterapkan agar dapat membentuk watak, kepribadian, sikap, dan membimbing seseorang untuk memiliki pengetahuan dan keterampilan agar memiliki moral yang baik. Metode yang digunakan dalam penelitian ini yaitu menggunakan metode literatur review. Pada tulisan ini, penulis membahas tentang pemilihan lagu anak dan penerapannya sebagai pendidikan karakter berlandaskan fase perkembangan anak di usia Sekolah Dasar. Pemilihan lagu anak dan penerapannya sebagai pendidikan karakter disesuaikan dengan fase perkembangan anak di usia sekolah dasar yang terdiri dari 5 aspek, yaitu 1) aspek fisik-motorik, 2) aspek kognisi, 3) aspek sosio-emosional, 4) aspek bahasa, dan 5) aspek moral keagamaan.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"150 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135440695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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