Cevinita Nahany Nevia Nikita Becker, Maula Waytisi Kirana, Axel Nicholas Cornelius
{"title":"Studi Literatur: Analisis Estetika Musik Barok pada \"Feel My Rhythm”","authors":"Cevinita Nahany Nevia Nikita Becker, Maula Waytisi Kirana, Axel Nicholas Cornelius","doi":"10.29408/tmmt.v5i2.12862","DOIUrl":null,"url":null,"abstract":"Music, fundamentally, always evolves through increasing human creativity. The increase in human creativity has given rise to various variations of popular music trends. This is found in the use of Baroque music samples \"Air on the G String\" by Johann Sebastian Bach in the song \"Feel My Rhythm\" by the girl group Red Velvet. This study examines the aesthetic value of Baroque music \"Air on the G String\" by Johann Sebastian Bach in its utilization on the song \"Feel My Rhythm\" by Red Velvet. As qualitative research, the assessment was conducted using a literature study approach and descriptive analysis method. Through research, it was found that there are key adjustments, chord progressions, bass and harmony agility, as well as electronic sound medium intervention in the song \"Feel My Rhythm\" through the aesthetic perspective of Baroque music \"Air on the G String.\" Thus, in the use of samples of Baroque music \"Air on the G String\" in the Modern era \"Feel My Rhythm,\" it can be concluded that the aesthetic authenticity (characteristics) of Baroque music is still present and only given an increase in modernity aspects.","PeriodicalId":489707,"journal":{"name":"Tamumatra","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tamumatra","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29408/tmmt.v5i2.12862","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Music, fundamentally, always evolves through increasing human creativity. The increase in human creativity has given rise to various variations of popular music trends. This is found in the use of Baroque music samples "Air on the G String" by Johann Sebastian Bach in the song "Feel My Rhythm" by the girl group Red Velvet. This study examines the aesthetic value of Baroque music "Air on the G String" by Johann Sebastian Bach in its utilization on the song "Feel My Rhythm" by Red Velvet. As qualitative research, the assessment was conducted using a literature study approach and descriptive analysis method. Through research, it was found that there are key adjustments, chord progressions, bass and harmony agility, as well as electronic sound medium intervention in the song "Feel My Rhythm" through the aesthetic perspective of Baroque music "Air on the G String." Thus, in the use of samples of Baroque music "Air on the G String" in the Modern era "Feel My Rhythm," it can be concluded that the aesthetic authenticity (characteristics) of Baroque music is still present and only given an increase in modernity aspects.
从根本上说,音乐总是随着人类创造力的增长而发展。人类创造力的增长导致了流行音乐趋势的各种变化。这可以从约翰·塞巴斯蒂安·巴赫在女子组合红丝绒的歌曲《Feel My Rhythm》中使用的巴洛克音乐样本《空气在G弦上》中找到。本研究考察了巴罗克音乐《G弦上的空气》在红丝绒乐队《Feel My Rhythm》中的运用的美学价值。定性研究采用文献研究法和描述性分析法进行评估。通过研究,通过巴洛克音乐《G弦上的空气》的美学视角,发现歌曲《Feel My Rhythm》中存在着调音、和弦进行、低音和声的敏捷性以及电子声音媒介的介入。因此,在现代时代的“Feel My Rhythm”中使用巴洛克音乐“Air on the G String”的样本,可以得出结论,巴洛克音乐的美学真实性(特征)仍然存在,只是在现代性方面有所增加。