Estetika Pertunjukan Gender Wayang secara Virtual

Tamumatra Pub Date : 2023-07-01 DOI:10.29408/tmmt.v5i2.12256
Ni Putu Hartini, Ni Made Haryati
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引用次数: 0

Abstract

Gender Wayang is an old Balinese gamelan that uses a 5-tone selendro barrel. Gender Wayang in its presentation in this pandemic era has a new model so that it becomes an attraction to be discussed. Due to the Covid-19 pandemic outbreak, the change in Gender Wayang performances which are generally held in person has been changed to a virtual performance. This study aims to find out the aesthetic elements in the virtual Gender Wayang performance and the meaning contained in the virtual Gender Wayang performance. This virtual performance was carried out in an effort to treat the longing of art lovers, especially the Gender Wayang gamelan. Gamelan Gender Wayang is one of the primadonnas among the community, especially children, teenagers both from elementary school, junior high school, high school and college. The research method used is a qualitative method with data collection techniques through participant observation and interview methods. The result obtained is the aesthetics and meaning contained in the virtual Gender Wayang performance. With the virtual Gender Wayang performance, it can be used as a forum in presenting artworks in fighting the Covid-19 pandemic that we are facing together.
虚拟的性别表演美学
性别Wayang是一种古老的巴厘佳美兰,使用5音的seldro桶。《性别大阳》在大流行时代的呈现呈现出一种新的模式,使其成为一个值得讨论的话题。受新型冠状病毒感染症(Covid-19)疫情影响,“性别大扬”的演出从平时的现场演出改为虚拟演出。本研究旨在找出虚拟性别大阳表演的美学元素,以及虚拟性别大阳表演所包含的意义。这次虚拟表演是为了满足艺术爱好者,尤其是性别大阳佳美兰的渴望。佳美兰性别Wayang是社区中的佼佼者之一,特别是儿童,小学,初中,高中和大学的青少年。研究方法采用定性方法,通过参与观察和访谈法,采用数据收集技术。所获得的结果就是虚拟性别大阳表演所包含的美学和意义。通过虚拟的“性别Wayang”表演,可以作为展示我们共同面对的新冠肺炎疫情的艺术作品的论坛。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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