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Golden Age 黄金时代
The Hopkins Review Pub Date : 2023-06-01 DOI: 10.1353/thr.2023.a903952
Camille T. Dungy
{"title":"Golden Age","authors":"Camille T. Dungy","doi":"10.1353/thr.2023.a903952","DOIUrl":"https://doi.org/10.1353/thr.2023.a903952","url":null,"abstract":"Golden Age Camille T. Dungy (bio) I was closer in age to the baby than to the me I am now. On an island. Summer. There were eight of us.We had nothing to do. I don’t remember sleeping.We had so much to do. We took turns reading The Hobbit to each other.What would it be like to live in some other, almost ours, world? We ate fresh fish and veggies, drank lots of beer. Some of us kissed. We only took care of each other. We only took care of ourselves. We swam through the days, argued just a little. Some others kissed. Nothing of the way we were resembled life now. Nothing about me has changed. One afternoon, I got up from my towel and started walking. Where are you going? asked a friend.Toward the horizon, I told her. That friend would come to my wedding. Would come to my baby shower. Should I tell the others you’ll be gone awhile? she asked.Yes, I told her. Tell the others I’ll be gone awhile. [End Page 203] Camille T. Dungy camille t. dungy is the author of several books of poetry and prose, including Soil: The Story of a Black Mother’s Garden (2023) and Trophic Cascade (2017). She is a University Distinguished Professor at Colorado State University and the recipient of honors including fellowships from the Guggenheim Foundation and the Academy of American Poets. Copyright © 2023 Camille T. Dungy","PeriodicalId":485043,"journal":{"name":"The Hopkins Review","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135046259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Contributors 投稿人说明
The Hopkins Review Pub Date : 2023-03-01 DOI: 10.1353/thr.2023.0058
{"title":"Notes on Contributors","authors":"","doi":"10.1353/thr.2023.0058","DOIUrl":"https://doi.org/10.1353/thr.2023.0058","url":null,"abstract":"","PeriodicalId":485043,"journal":{"name":"The Hopkins Review","volume":"223 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134954937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Swinging 摆动
The Hopkins Review Pub Date : 2023-03-01 DOI: 10.1353/thr.2023.0041
Luigi Pirandello, Amy Hellman
{"title":"Swinging","authors":"Luigi Pirandello, Amy Hellman","doi":"10.1353/thr.2023.0041","DOIUrl":"https://doi.org/10.1353/thr.2023.0041","url":null,"abstract":"Swinging Luigi Pirandello (bio) and Amy Hellman (bio) From a hammock suspended between two boughsof a massive and ancient Saracen olivein the serenity of fading sunlight,some final feeble bird callsand the steadfast and hardy chirpingof crickets through the stubbleresound. Seeingin slow motion,through darkening foliage, my eyes deceive me,as a small and distant starthat I will perhaps never seeagain among so many others, lost, flickers.And while I terrify myselfover plagues, thinking about the ultimate demise, wherethe light of this world—and me—originates from,here, a little leaf falls on my hair;I remove it; another falls, and I bow humbly toward it. [End Page 75] Luigi Pirandello luigi pirandello (1867–1936) was an Italian dramatist, novelist, poet, and short story writer who was awarded the Nobel Prize for literature in 1934. He is most well-known for his plays and his stark examination of human identity and its roles in the modern world. Amy Hellman amy hellman is an author, educator, healer, and parent living with her son in Hawaii. Copyright © 2023 Amy Hellman","PeriodicalId":485043,"journal":{"name":"The Hopkins Review","volume":"100 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134954929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
from The Furrow 《犁沟》
The Hopkins Review Pub Date : 2023-03-01 DOI: 10.1353/thr.2023.0038
Valérie Manteau, Claire Foster
{"title":"from The Furrow","authors":"Valérie Manteau, Claire Foster","doi":"10.1353/thr.2023.0038","DOIUrl":"https://doi.org/10.1353/thr.2023.0038","url":null,"abstract":"from The Furrow Valérie Manteau (bio) and Claire Foster (bio) Hrant, according to translator Dominique Eddé, addressed his reader not as one person in need of persuading, but rather as two people in conflict whom he hoped to bring closer together. Karin Karakasli, his longtime partner at Agos, says he \"invented a language that wholly seizes nationalism by the throat.\" I flip through all the translations I can find, in English and in French, while sitting outside my favorite cafés, where I seem to attract frequent demonstrations of sympathy from neighbors and servers. Erol, the souvenir seller just next to Café Muz, is the only one who doesn't hide his disappointment. If you write about Hrant, there won't be any room in your book for me, even though you promised. I ask if he has any stories about Hrant but he shrugs, I'm just a humble shopkeeper. I point out that Hrant himself had a slew of businesses before going into journalism, but Erol doesn't want to be a character in a book about Hrant. I remember the day I saw on TV that he'd died, I didn't know who he was, but I heard it was an Armenian journalist killed by a Turk and trust me: it was the first time in my life I'd ever felt so Turkish, so ashamed of being Turkish. I'd be happy to play the villain, but in a story. Whatever your thing is, it hits too close to home. Erol's souvenir shop is trying to change with the times, as Westerners are scarce, and have been somewhat replaced by tourists from the Gulf region who, in addition to buying traditional soaps, napkins, magnets, and tchotchkes, acquire calligraphies that Erol can't read, but which he sells as authentically Turkish. I'd sell anything, he says, as long as I can take some time off and ride around with my friends. I ask whom he votes for, but he dodges the question—I don't do politics, I'm for peace, I just want everyone to respect each other, that's it. He still does some politics, though—I mention the Syrian guy he'd hired but eventually asked to leave. He'd wanted to do his prayers and he entirely has that right, Erol contends, but he couldn't just abandon the store like that without letting me know. And then he bothered the customers at Muz because the music was too loud, it was all too much. It's a shame, because it was nice having someone who could speak Arabic to customers, but there's always trouble with Middle Easterners. Hearing him say this I burst out laughing, but he doesn't know what he's said that's funny—just so you know, it's Europe here. \"The difference between East and West,\" writes Hakan Günday, \"is Turkey. [End Page 50] I don't know if Turkey is the result of subtraction, but I do know that the distance that separates East and West is as wide as the country itself.\" And within this space emerges a third path, which occurs in any space between two things—without which Europe wouldn't be Europe, and the Middle East would be seen as a flat, illegible mess. Erol tried to hire Fares, who's tired of making coffee at Muz","PeriodicalId":485043,"journal":{"name":"The Hopkins Review","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134954936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Letter from the Editor 编辑来信
The Hopkins Review Pub Date : 2023-03-01 DOI: 10.1353/thr.2023.0029
{"title":"Letter from the Editor","authors":"","doi":"10.1353/thr.2023.0029","DOIUrl":"https://doi.org/10.1353/thr.2023.0029","url":null,"abstract":"","PeriodicalId":485043,"journal":{"name":"The Hopkins Review","volume":"223 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134954954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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