Jurnal Musik Etnik Nusantara最新文献

Manyampai Perwujudan Musik Sirompak di Nagari Taeh Baruah Kabupaten Lima Puluh Kota 利马普卢哥打县那加里泰赫巴鲁阿的西隆巴克音乐的 Manyampai 体现

Jurnal Musik Etnik Nusantara Pub Date : 2023-12-01 DOI: 10.26887/jmen.v3i2.4068

Dicky Chandra, Alfalah Alfalah, S. Sriyanto

{"title":"Manyampai Perwujudan Musik Sirompak di Nagari Taeh Baruah Kabupaten Lima Puluh Kota","authors":"Dicky Chandra, Alfalah Alfalah, S. Sriyanto","doi":"10.26887/jmen.v3i2.4068","DOIUrl":"https://doi.org/10.26887/jmen.v3i2.4068","url":null,"abstract":"Sirompak is a traditional Minangkabau art originating from Taeh Baruah, Limapuluh Kota, West Sumatra. In the past, Sirompak was known as a magical ritual ceremony carried out by a sirompak handler whose aim was to avenge the heart of a woman who had insulted a man. The basirompak performance is a presentation of vocal music called dendang Minangkabau presentation of singing vocal music with the production of a wind instrument called saluang sirompak. This musical instrument is included in the classification of aerophone musical instruments (the main sound is produced by the vibration of blowing air). Traditional musical instruments accompany melodic vocals (dendang/mantras) by a singer (singer). The composition work \"manyampai\" consists of two parts, using a traditional reinterpretation approach, in the first part of this work using the 'emergent' technique, in the first part the composer provides several repetitive vocal compositions, using the instruments saluang Sirompak, kerinding, cymbals, didgeredo, gong, rain stick. The second part of this work emphasizes the production of several screaming vocals, screams, laughing vocals, animal sounds and crying. This second part also uses the instruments cymbals, gongs, Sirompak saluang","PeriodicalId":471383,"journal":{"name":"Jurnal Musik Etnik Nusantara","volume":" 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138618276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Khidmat Dabuih Nagari Situjuah Gadang Kecamatan Situjuah Limo Nagari Khidmat Dabuih Nagari Situjuah Gadang, Situjuah Limo Nagari 区

Jurnal Musik Etnik Nusantara Pub Date : 2023-12-01 DOI: 10.26887/jmen.v3i2.4064

Afriandi Afriandi, Elizar Elizar, Rafiloza Rafiloza

引用次数: 0

Baboiyen Interpretasi Lagu Tenggi Kekomposisi Pendekatan Populer Bergenre Folk Baboiyen 对 Tenggi Kekomposisi 歌曲的诠释民间流派的流行方法

Jurnal Musik Etnik Nusantara Pub Date : 2023-12-01 DOI: 10.26887/jmen.v3i2.4062

Hedrianto Hedrianto, Arif Anas, Susandra Jaya

引用次数: 0

Fungsi Talempong Pacik Dalam Upacara Perkawinan Dan Batagak Talempong Pacik 在婚姻和 Batagak 仪式中的作用

Jurnal Musik Etnik Nusantara Pub Date : 2023-12-01 DOI: 10.26887/jmen.v3i2.4066

Gea Lesmana Putra, Yurnalis Yurnalis, Syafniati Syafniati

{"title":"Fungsi Talempong Pacik Dalam Upacara Perkawinan Dan Batagak","authors":"Gea Lesmana Putra, Yurnalis Yurnalis, Syafniati Syafniati","doi":"10.26887/jmen.v3i2.4066","DOIUrl":"https://doi.org/10.26887/jmen.v3i2.4066","url":null,"abstract":"Talempong pacik is a type of percussion music that is classified as a percussion instrument (idiophone). which is made from a mixture of metal and copper or brass which is played by four or five players consisting of five or six talempongs and one gandang instrument. This talempong art is played in processions during wedding ceremonies and Batagak Pangulu ceremonies. The aim of this research is to describe the form of presentation of talempong and its function in wedding ceremonies and batagak pangulu in the lives of the people of Jorong Subarang Nagari Paninggahan, Solok Regency. This research uses a descriptive method with a qualitative approach that uses primary data through interviews and direct observations in the field and secondary data, namely data obtained through literature study in the form of books related to the art of talempong pacik. The result achieved is that the form of presentation of talempong pacik in Jorong Subarang Nagari Paninggahan, Solok Regency is that the talempong instrument is played by three players, each of whom holds two talempongs which function as the parent talempong, paningkah talempong and child talempong and one drum. The function of talempong in wedding ceremonies and batagak penghulu is as a means of ritual, entertainment, aesthetic presentation, emotional expression and means of communication.","PeriodicalId":471383,"journal":{"name":"Jurnal Musik Etnik Nusantara","volume":"23 27","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138624283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Study Deskriptif Pembuatan Sunai Pondok Kandang Muko Muko Provinsi Bengkulu 对明古鲁省苏奈邦多克坎当穆科穆科制作工艺的描述性研究

Jurnal Musik Etnik Nusantara Pub Date : 2023-12-01 DOI: 10.26887/jmen.v3i2.4063

M. Widodo, Desmawardi Desmawardi, I. Supenida

{"title":"Study Deskriptif Pembuatan Sunai Pondok Kandang Muko Muko Provinsi Bengkulu","authors":"M. Widodo, Desmawardi Desmawardi, I. Supenida","doi":"10.26887/jmen.v3i2.4063","DOIUrl":"https://doi.org/10.26887/jmen.v3i2.4063","url":null,"abstract":"This research focuses on the traditional musical instrument called Sunai, which is a wind and melodic instrument made from telang Kapa bamboo. The study aims to explore the organology of Sunai, including the manufacturing concepts, materials, processes, and sound production techniques. A qualitative research method with an ethnomusicological approach was employed.The research reveals that Sunai making involves several stages, such as material selection, drying, cutting, and creating tone holes according to the artist's preferences. Sunai is classified as an aerophone instrument, producing sound through the air. The instrument is commonly played during public events like weddings and the annual Gandai Dance, typically performed at night after the Isha prayer and concluding before dawn. This study specifically examines Mr. Ma'rup's unique technique in making Sunai, which differentiates his instruments from those made by other artisans. The findings highlight the distinctive characteristics of Mr. Ma'rup's Sunai. The research findings contribute to a deeper understanding of Sunai as a traditional musical instrument and its significance in the cultural heritage of Bengkulu.","PeriodicalId":471383,"journal":{"name":"Jurnal Musik Etnik Nusantara","volume":"32 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138624672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ratik Basa Ritual Tulak Bala Di Nagari Singgalang X Koto Kabupaten Tanah Datar 纳加里星加朗 X 科托塔纳达塔地区的拉蒂克巴萨图拉克巴拉仪式

Jurnal Musik Etnik Nusantara Pub Date : 2023-12-01 DOI: 10.26887/jmen.v3i2.4061

Sabri Darmawan, F. Firdaus, M. Zulfahmi

{"title":"Ratik Basa Ritual Tulak Bala Di Nagari Singgalang X Koto Kabupaten Tanah Datar","authors":"Sabri Darmawan, F. Firdaus, M. Zulfahmi","doi":"10.26887/jmen.v3i2.4061","DOIUrl":"https://doi.org/10.26887/jmen.v3i2.4061","url":null,"abstract":"The research entitled Ratik Basa as a Tulak Bala Ritual in Nagari Singgalang, X Koto District, Tanah Datar Regency, aims to describe the series of implementation of \"Ratik Basa in the Tulak Bala ritual and the views of the people who adhere to the Syattariah sect in Nagari Singgalang, X Koto District, Tanah Datar Regency\" . Ratik Basa is a worship service that is integrated into religious traditions in the form of reciting dhikr in various contexts in the lives of the people of Nagari Singgalang. The research uses qualitative methods, field data collection techniques, literature study, observation, interviews and documentation using ritual theory, religious theory and perception theory. The results of the research show that the implementation of the Ratik Basa tradition is sung using a monophonic vocal technique, namely sung in one type of voice. For the people who adhere to the Syattariah sect in Nagari Singgalang, X Koto District, Tanah Datar Regency, Ratik Basa as a Tulak Bala Ritual ceremony is very essential. Because it is closely related to people's lives, especially the threat to the safety of nagari children in various forms of disaster, including natural disasters, dangerous disease attacks, famine, and others. Ratik Basa as a Tulak Bala Ritual is very important for people's lives because apart from being able to avoid all disasters, it has a positive value as an identity for Nagari Singgalang, and as a ritual means to foster ties of brotherhood between groups of adherents of the Syattariah sect and society in general. ","PeriodicalId":471383,"journal":{"name":"Jurnal Musik Etnik Nusantara","volume":" 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138614887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Komposisi Musik Marango Pendekatan Tradisi Musik Runguih Panutuik Dari Dendang Ratok Paninggahan 马兰戈音乐创作接近 Dendang Ratok Paninggahan 的 Runguih Panutuik 音乐传统

Jurnal Musik Etnik Nusantara Pub Date : 2023-12-01 DOI: 10.26887/jmen.v3i2.4065

D. Syahputra, F. Firman., Asep Saepul Haris

引用次数: 0

BAKAYAT DALAM UPACARA MAMBILANG AGHI KA-100 DI NAGARI SILANTAI KECAMATAN SUMPUR KUDUS KABUPATEN SIJUNJUNG 在西琼林州苏布尔市的 "曼比朗-阿吉-卡-100 "大篷车上进行的调查

Jurnal Musik Etnik Nusantara Pub Date : 2023-07-01 DOI: 10.26887/jmen.v3i1.3793

Ivan Alfimus, Yurnalis Yurnalis, Asril Asril

{"title":"BAKAYAT DALAM UPACARA MAMBILANG AGHI KA-100 DI NAGARI SILANTAI KECAMATAN SUMPUR KUDUS KABUPATEN SIJUNJUNG","authors":"Ivan Alfimus, Yurnalis Yurnalis, Asril Asril","doi":"10.26887/jmen.v3i1.3793","DOIUrl":"https://doi.org/10.26887/jmen.v3i1.3793","url":null,"abstract":"Silantai merupakan salah satu Nagari yang terletak di Kecamatan Sumpur Kudus Kabupaten Sijunjung Sumatera Barat yang memiliki beragam kesenian. Salah satunya adalah kesenian bakayat. Bakayat merupakan seni tutur berbentuk nyanyian dan dibawakan dengan dialek lokal yang termasuk ke dalam tradisi lisan yang biasanya hadir dalam upacara mambilang aghi ka-100. Bakayat disajikan di sela-sela istirahat dalam pelaksanaan mauluak dan sesudah manamat kaji. Penelitian pada pertunjukan bakayat menggunakan metode penelitian kualitatif bersifat deskriptif sesuai dengan upacara yang dilaksanakan. Teori yang dipakai untuk membahas penelitian ini adalah teori bentuk yang dicetuskan oleh Bagus Susetyo dan teori struktur oleh Singer. Penelitian ini bertujuan untuk mendeskripsikan bakayat ditinjau dari bentuk, struktur dan aspek musikal yang dimilikinya, serta mendeskripsikan bentuk dari upacara mambilang aghi ka-100 yang ada di Nagari Silantai, yangbertujuan untuk mengetahui struktur dan aspek musikal dalam penyajian bakayat, sehingga hasil penelitian ini dapat dijadikan referensi dalam upaya pelestarian seni tradisi. Hasil penelitian menunjukkan bahwa bakayat bukan sebuah kesenian tunggal yang hadir dalam kegiatan mambilang aghi ka-100, melainkan pertujukan bakayat saling berkaitan satu sama lain dengan pelaksanaan mauluak dalam kegiatan mambilang aghi ka-100.","PeriodicalId":471383,"journal":{"name":"Jurnal Musik Etnik Nusantara","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135807107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

KOMPOSISI MUSIK ‘BALAPOH’ TERINSPIRASI DARI KARAKTER KUAIAN DENDANG LAMBOK MALAM PADA KESENIAN SALUANG PAUAH KOTA PADANG 巴拉博的音乐创作灵感来自于巴东回城萨贡回波艺术作品中库兰·朗博克的角色

Jurnal Musik Etnik Nusantara Pub Date : 2023-07-01 DOI: 10.26887/jmen.v3i1.3792

Boby Fernandes Eka Putra, Rafiloza Rafiloza, Sriyanto Sriyanto

引用次数: 0

Dikia Baruda dalam Ritual Manyaratuih Hari di Jorong Baruh Bukit Nagari Andaleh Baruh Bukit Kecamatan Sungayang Kabupaten Tanah Datar 丹那达拉县乔龙巴鲁武吉纳加里 Andaleh Baruh Bukit Sungayang 区 Manyaratuih Hari 仪式中的 Dikia Baruda

Jurnal Musik Etnik Nusantara Pub Date : 2023-07-01 DOI: 10.26887/jmen.v3i1.3804

Azizah Ramadhani, Arnailis Arnailis, Yurnailis Yurnailis

引用次数: 0