ART BULLETIN最新文献

{"title":"Descendants of Aztec Pictography: The Cultural Encyclopedias of Sixteenth-Century Mexico, by Elizabeth Hill Boone","authors":"Angélica J. Afanador-Pujol","doi":"10.1080/00043079.2021.1917279","DOIUrl":"https://doi.org/10.1080/00043079.2021.1917279","url":null,"abstract":"The sixteenth-century conquest of Mexico brought into contact European and Indigenous ways of understanding and recording the world. In Descendants of Aztec Pictography: The Cultural Encyclopedias ...","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"155 - 157"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42679972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fragmentation and Reassembly: Decoration, Technique, and Meaning at an Early Islamic Platform","authors":"Alex Brey","doi":"10.1080/00043079.2021.1882797","DOIUrl":"https://doi.org/10.1080/00043079.2021.1882797","url":null,"abstract":"Abstract Diverse plants, animals, humans, and supernatural hybrids decorate the paving stones of an early Islamic reservoir platform in the Azraq oasis, Jordan. Built for an unknown Umayyad-era patron in the late seventh or early eighth century, the platform is typically eclectic in its iconography but features an unusual composition adapted from Roman-Byzantine zodiac diagrams and unprecedented “jigsaw-puzzle” interlocking masonry. The stone pieces of this Umayyad puzzle echo the rhetoric of political and cosmic fragmentation and reassembly that appears in early Arabic poetry and chronicles, suggesting that Umayyad patrons and builders articulated meaning through technique as well as composition and content.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"17 - 41"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44323033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Strange Things for Strangers: Transcultural Automata in Early Modern Amsterdam","authors":"A. Vanhaelen","doi":"10.1080/00043079.2021.1882811","DOIUrl":"https://doi.org/10.1080/00043079.2021.1882811","url":null,"abstract":"Abstract In early modern Amsterdam, inns and taverns were used as innovative exhibition spaces for unusual inventions, including automata. Very few of the artifacts survive, but publicity materials and evidence from travel accounts indicate their renown in the seventeenth century. Often advertised as particularly worthwhile for strangers and foreign visitors to the mercantile city, these attractions mediated cultural diversity and knowledge exchange through pleasure and entertainment. Bringing together locals, travelers, and moving artworks, the mobile dynamics of these sites fostered new ways of interacting in an increasingly interconnected world.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"42 - 68"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47821836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Playing Parrot: American Trompe L’oeil and Empire","authors":"M. Cao","doi":"10.1080/00043079.2021.1882798","DOIUrl":"https://doi.org/10.1080/00043079.2021.1882798","url":null,"abstract":"Abstract American trompe l’oeil still life is full of global goods. Attending to this genre within a nexus of trade and colonialism in the Gilded Age can correct for an absence of empire in transnational scholarship on nineteenth-century American art. This context informs De Scott Evans’s trompe l’oeil painting of a parrot, an animal that by virtue of its mimicry could be imprinted with the history of its own colonial circulation. I argue that Evans and other painters deployed the logic of trompe l’oeil—a hyperillusionistic style often belittled by critics as mere parroting—to expose the politics of colonial goods.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"97 - 124"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42250783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rebus and Realism: A Prolegomenon to the “Work” of Adolph Menzel","authors":"L. Phillips","doi":"10.1080/00043079.2021.1882799","DOIUrl":"https://doi.org/10.1080/00043079.2021.1882799","url":null,"abstract":"Abstract Adolph Menzel (1815–1905), the renowned realist and painter of Prussian history, had a surprising penchant for rebus puzzles. Relatively unknown and unstudied, Menzel’s rebuses open the door to a radical reevaluation of his realism. Analysis of these puzzles and their historical affiliation with the concepts of Phantasie (imagination) and Bildung (self-cultivation), establishes them as a valuable heuristic for understanding Menzel’s various processes of “work,” and their significance for the viewer. Aligning realism with the concept of Bildung, Menzel’s rebuses reveal his realism to be a program of aesthetic education with formidable cultural and political implications.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"69 - 96"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43301569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Correction","authors":"","doi":"10.1080/00043079.2021.1944741","DOIUrl":"https://doi.org/10.1080/00043079.2021.1944741","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"163 - 163"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48136271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mapping Art History in the Digital Era","authors":"Jorge Sebastián Lozano","doi":"10.1080/00043079.2021.1882819","DOIUrl":"https://doi.org/10.1080/00043079.2021.1882819","url":null,"abstract":"Just as for the rest of the humanities, a roadmap for the discipline of art history in the past few decades would show a tangle of unexpected turns. Art history has undergone the linguistic turn, the material turn, the pictorial turn, the global turn, and, of course, the spatial turn, to name a few; what is more, there is the discipline’s recent convergence with digital technologies. Already in 2004, while reviewing two recent contributions to the field, Larry Silver could assert in The Art Bulletin that “art is created as much in place as in time, making some self-aware form of artistic geography essential to the future of the discipline.”1 Much more recently, Paul Jaskot hailed spatial analysis as “the most productive point of intersection [of art history] with digital methods.”2 Such claims attest to an important change in the discipline of art history, countering its long-standing lack of attention to the use of geographical tools. Our traditional hesitation to adopt such instruments is often supported by Fernand Braudel’s famous assertion about the preference for museum catalogs over artistic atlases.3 Could Google Earth’s satellite views, while jumping from one location on the globe to another, ever be put to a rigorous art historical use? Are digital maps really causing a turn in our practices? Or will they be just one more step in that long tradition of neglect, precisely at a time when this kind of electronic information is ubiquitous in ordinary life and for many other scientific disciplines? What follows is an attempt to raise these and some other useful questions; while not all of them will be answered, we can gain some leads from the available experiences.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"6 - 16"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46318109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Album of the World Emperor: Cross-Cultural Collecting and Album Making in Seventeenth-Century Istanbul, by Emine Fetvaci","authors":"S. A. Casale","doi":"10.1080/00043079.2021.1917280","DOIUrl":"https://doi.org/10.1080/00043079.2021.1917280","url":null,"abstract":"sixteenth century. They represent a scholarly innovation as they reveal the continuation of Indigenous genres, knowledge, and pictographic traditions as they were adapted to encyclopedic European works. Artists often continued to use pictographic techniques when the genres were familiar to them but simultaneously innovated and adapted to the new ethnographic demands of their European patrons. By the end of the sixteenth century, text had come to convey much of the information, even though Indigenous genres and content contributed valuable information. While more research is needed on the roles of Indigenous contributors and the repercussions of their colonial experience on these manuscripts, Boone’s book presents a model for the investigative power of close observation to decipher the impact of Indigenous forms of knowledge in colonial works. Boone’s clear writing and use of numerous examples make the volume accessible not only to specialists in Mexican manuscripts but also to a broader audience interested in Indigenous traditions, European epistemological projects, and colonial encounters.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"157 - 160"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46501195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pindar, Song, and Space: Towards a Lyric Archaeology, by Richard Neer and Leslie Kurke","authors":"M. Pavlou","doi":"10.1080/00043079.2021.1917277","DOIUrl":"https://doi.org/10.1080/00043079.2021.1917277","url":null,"abstract":"The experience of the COVID-19 pandemic has been an unprecedented one, with severe repercussions in each and every aspect of our lives, not least within academia. One of the things that has struck me during this period is the astonishing, generous outpouring of assistance and collaboration among classicists via the ClassicistsList forum, which has allowed the exchange of books and articles at a time when there has been limited or no access to libraries and other such resources.1 Even though solidarity and constructive dialogue are a given among classicists, paradoxically, this kind of collaboration seldom materializes in the form of coauthored books and articles. Whereas collaboration in research writing is a well-established practice in other disciplines, in classics (not to mention in the humanities as a whole), soleauthored books and articles continue to prevail, and research remains a mostly solitary pursuit. In light of this, the recently published book by Richard Neer, professor of art history, cinema, and media studies at the College at the University of Chicago, and Leslie Kurke, professor of classics and comparative literature at the University of California, Berkeley, is both a welcome addition and a meritorious initiative. Although it would be a serious omission not to acknowledge the long history of interdisciplinary approaches within classics, interdisciplinary collaborations are de facto more likely to pave wider intellectual pathways and break new ground. The book, entitled Pindar, Song, and Space: Towards a Lyric Archaeology, comprises an introduction; three parts subdivided into a total of eight chapters; a succinct coda; an appendix; an index locorum; and a general index. Prima facie, the title gives the impression that this is a book about Pindar, or more precisely, a book that seeks either to explore how Pindar thematizes and integrates the built environment into his song or to identify the multifarious ways in which the Theban poet uses the language and imagery of material culture to define and aggrandize his poetry. Yet, while Pindar is featured prominently throughout the book and serves as its unifying thread, the book is not, in fact, primarily about him. As Neer and Kurke clarify from the outset, the scope of the book is much broader and more ambitious: to study “the concept and experience of space in Classical Greece” (1) by mapping “the dialectical interaction of song, artifacts, and spatiality” (3). In expounding the rationale of their interdisciplinary approach in the short but informative introduction, the authors make clear that their aim is not merely to set art history, philology, and archaeology side by side but rather to suggest a radically new way of approaching and com-","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"149 - 151"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46092358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Message from CAA Executive Director","authors":"","doi":"10.1080/00043079.2021.1917274","DOIUrl":"https://doi.org/10.1080/00043079.2021.1917274","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"3 - 3"},"PeriodicalIF":0.7,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42234182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}