BRITISH JOURNAL OF AESTHETICS最新文献

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Classics in Western Philosophy of Art 西方艺术哲学中的经典
IF 0.8 1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-07-11 DOI: 10.1093/aesthj/ayad011
Larissa Berger
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引用次数: 0
Correction to: Lubaina Himid exhibition at Tate Modern 更正:泰特现代美术馆的Lubaina Himid展览
IF 0.8 1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-07-10 DOI: 10.1093/aesthj/ayad025
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引用次数: 0
Defending the Hypothetical Author 为假设作者辩护
1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-06-26 DOI: 10.1093/aesthj/ayac062
Szu-Yen Lin
{"title":"Defending the Hypothetical Author","authors":"Szu-Yen Lin","doi":"10.1093/aesthj/ayac062","DOIUrl":"https://doi.org/10.1093/aesthj/ayac062","url":null,"abstract":"Abstract In contemporary analytic philosophy of art, the intentionalist debate is about whether the author’s intention is relevant to the interpretation of her work. Various positions have been proposed, and in this paper I defend what I call hypothetical author-hypothetical intentionalism, the position that interpretation is based on the intention attributed to the author constructed from the work. There are three aims to achieve: (1) to give a general account of hypothetical author-hypothetical intentionalism; (2) to present a moderate version of hypothetical author-hypothetical intentionalism; (3) to defend the moderate version of hypothetical author-hypothetical intentionalism against actual intentionalism and actual author-hypothetical intentionalism. Against the current trend that focuses on actual authors, I hope to show that the hypothetical author account is still a sustainable contender in the intentionalist debate.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135657599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aesthetics of Care: Practice in Everyday Life 关怀美学:日常生活中的实践
IF 0.8 1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-06-23 DOI: 10.1093/aesthj/ayad006
T. Leddy
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引用次数: 2
Aesthetic Life and Why it Matters 审美生活及其重要性
IF 0.8 1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-06-23 DOI: 10.1093/aesthj/ayad013
R. Kubala
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引用次数: 0
Epistemic and Aesthetic Conflict 认识论与审美冲突
IF 0.8 1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-06-20 DOI: 10.1093/aesthj/ayac074
Zoe Jenkin
{"title":"Epistemic and Aesthetic Conflict","authors":"Zoe Jenkin","doi":"10.1093/aesthj/ayac074","DOIUrl":"https://doi.org/10.1093/aesthj/ayac074","url":null,"abstract":"\u0000 Do epistemic and aesthetic values ever conflict? The answer might appear to be no, given that background knowledge generally enhances aesthetic experience, and aesthetic experience in turn generates new knowledge. As Keats writes, ‘Beauty is truth, truth beauty’ (Keats, 1996). Contra this line of thought, I argue that epistemic and aesthetic values can conflict when we over-rely on aesthetically enhancing background beliefs. The true and the beautiful can pull in different directions, forcing us to choose between flavours of normativity.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42087609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Philosophy of Sculpture: Historical Problems, Contemporary Approaches 雕塑哲学:历史问题,当代方法
IF 0.8 1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-06-20 DOI: 10.1093/aesthj/ayad004
Claire Anscomb
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引用次数: 0
Musical Silences—Opaque and Capacious 音乐的沉默——不透明和宽敞
1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-06-12 DOI: 10.1093/aesthj/ayac071
Owen Hulatt
{"title":"Musical Silences—Opaque and Capacious","authors":"Owen Hulatt","doi":"10.1093/aesthj/ayac071","DOIUrl":"https://doi.org/10.1093/aesthj/ayac071","url":null,"abstract":"Abstract I will argue that there are (at least) two species of musical silence, which cannot be distinguished by attending to how these silences sound. I term these two kinds of musical silence ‘capacious’ and ‘opaque’. Both capacious and opaque musical silences might occur in the midst of the ongoing production of sound or might exist in the complete absence of sound. Both kinds of silence can, in certain conditions, be sonically identical, but both are always received by the listening ear in importantly different ways. I will discuss our ability to distinguish between these silences, even when they ‘sound’ the same. I will argue that the accounts of musical silence and silent music offered by (among others) Levinson, Kania, and Davies are vitiated by their failure to distinguish between these kinds of musical silence. I distinguish these kinds of silence by the kinds of listening activity associated with them, and the ideal structure of such listening practices.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136369739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
If These Apples Should Fall. Cézanne and the Present 如果这些苹果掉下来。csamzanne和现在
IF 0.8 1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-06-10 DOI: 10.1093/aesthj/ayac067
D. Carrier
{"title":"If These Apples Should Fall. Cézanne and the Present","authors":"D. Carrier","doi":"10.1093/aesthj/ayac067","DOIUrl":"https://doi.org/10.1093/aesthj/ayac067","url":null,"abstract":"","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43633053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Aesthetic Austerity in Persuasion 《劝导》中的美学紧缩
1区 艺术学
BRITISH JOURNAL OF AESTHETICS Pub Date : 2023-05-31 DOI: 10.1093/aesthj/ayac061
Jamie Dow
{"title":"Aesthetic Austerity in Persuasion","authors":"Jamie Dow","doi":"10.1093/aesthj/ayac061","DOIUrl":"https://doi.org/10.1093/aesthj/ayac061","url":null,"abstract":"Abstract How can we distinguish the permissible use of aesthetic features in persuasive communication from their manipulative misuse? The paper reconstructs the basic argument (proposed by Stoics and others in antiquity) that persuasive speech should be aesthetically austere. The argument, it is suggested, is fundamentally sound. But the view it sustains is subject to challenge, on the grounds that it is implausible and impractical in the real world. By making clear the grounds on which the “austere” view is justified, and by making precise the arguments that underlie those challenges, the paper identifies and evaluates three different possible responses to those challenges. The most promising of these accepts the argument for “austerity” but proposes a more moderate interpretation of its conclusion. In doing so, it takes up the challenge of providing a defensible rationale for distinguishing the permissible from the impermissible use of aesthetic features in persuasive communication.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135394306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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