{"title":"Humor as Hope?","authors":"Nicolai Skiveren","doi":"10.1215/22011919-11150075","DOIUrl":"https://doi.org/10.1215/22011919-11150075","url":null,"abstract":"\u0000 This article examines the use of humor in contemporary environmental short films, centering on the alleviating power of humor and its capacity to challenge conventional modes of perception. It argues that humor constitutes an important narrative device in the stories of critical hope that scholars claim are necessary in moving beyond the debilitating registers of apocalyptic rhetoric and crisis discourse. By comparing two short films—the Indian satire Finding Beauty in Garbage, and the American mockumentary The Majestic Plastic Bag—the article examines the affordance of irony, parody, and satire to model alternative and hopeful ways of interacting with contemporary toxic landscapes. The article demonstrates that while genres and devices such as satire, irony, and parody all trouble anthropocentric paradigms of human mastery, they do so in different ways and with different implications. Whereas satire offers an effective vehicle for lamenting the proliferation of waste, the critical mood that defines the genre also restricts its capacity for generating meanings and sensibilities outside conventional environmental discourse. By contrast, parody and irony appear more suited to mobilize such changes, as their playful estrangements model innovative and self-reflexive ways of perceiving waste as a source of beauty, a site of agency, and an object of guilt.","PeriodicalId":46497,"journal":{"name":"Environmental Humanities","volume":null,"pages":null},"PeriodicalIF":1.2,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141715206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Is Long-Term Thinking a Trap?","authors":"Michelle Bastian","doi":"10.1215/22011919-11150043","DOIUrl":"https://doi.org/10.1215/22011919-11150043","url":null,"abstract":"\u0000 This provocation critiques the notion of long-term thinking and the claims of its proponents that it will help address failures in dominant conceptions of time, particularly in regard to environmental crises. Drawing on analyses of the Clock of the Long Now and Kim Stanley Robinson’s The Ministry for the Future, the article suggests that we be more wary of the concept’s use in what we might call chronowashing. Like the more familiar greenwashing, where environmental issues are hidden by claims to be addressing the problem, the article explores how these examples of long-term thinking distract from extractivism, racism, and environmental injustice, making it harder to address the complexities involved. In particular, the article discusses examples where long-term thinking provides a veneer of environmental concern that actually disconnects from the work of building more equitable forms of relation. As a contrast, the article’s author asks: What is lost when we diagnose a problem as arising due to short-term thinking and propose long-term thinking as the solution? Against chronowashed environmental time, the author argues for more complex approaches that explicitly take into account the temporalities of inequality, political organization, ethical responsibilities and much else. The article engages with approaches to time that foreground the work needed to create time and move ethically within it, including Charles W. Mills’s white time and Kyle Powys Whyte’s kinship time. The author suggests that a stronger emphasis on the temporality of community, solidarity, and coalition—versus what James Hatley and Deborah Bird Rose have described as temporal narcissism—can better foreground the kinds of work that needs to be done, particularly by those with privilege.","PeriodicalId":46497,"journal":{"name":"Environmental Humanities","volume":null,"pages":null},"PeriodicalIF":1.2,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141712062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beyond an Environmental “Hermeneutics of Suspicion”","authors":"Hannah Klaubert","doi":"10.1215/22011919-11150147","DOIUrl":"https://doi.org/10.1215/22011919-11150147","url":null,"abstract":"\u0000 This essay engages debates about hopeful critical scholarship in the environmental humanities via an analysis of the figure of the Babushka of Chornobyl in literature, film, and photography. The argument for hazardous hope unfolds in two steps. First, the article discusses how contaminated environments like the Chornobyl Exclusion Zone, where the Babushkas live, invite an interpretative move that models what Paul Ricoeur and, more recently, Rita Felski have problematized as the hermeneutics of suspicion. Such a move involves a mistrust of what is at the surface, calling for the exposure of hidden material agencies beyond what can be sensorily perceived. This suspicious disposition is also the critical stance of much environmental humanities scholarship, even when it attempts to be hopeful. Second, the article proposes that the cultural texts it examines not only model a suspicious gaze but can also easily be read suspiciously—as glossing over the harrowing realities of a precarious life in a sacrifice zone. Yet they also show us pockets of beauty, joy, and community and hint toward reformulations of environmental futurity that cannot easily be accounted for via such suspicious criticism. In that, they invite us to leave behind, if only temporarily, the hermeneutics of suspicion and to explore hazardous hope in a contaminated environment.","PeriodicalId":46497,"journal":{"name":"Environmental Humanities","volume":null,"pages":null},"PeriodicalIF":1.2,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141689032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Plotting a New Course for Environmental Humanities","authors":"Alex A. Moulton","doi":"10.1215/22011919-11150035","DOIUrl":"https://doi.org/10.1215/22011919-11150035","url":null,"abstract":"\u0000 This article suggests that the notion of “the plot” has methodological and epistemological value for the environmental humanities. Conceptualized in the work of Sylvia Wynter, the plot—as material site and narrative mode crucial to the novel form—offers a heuristic for analyzing the conjuncture of political economy, social-cultural aesthetics, and power. The plot names places that have been created through improvisational forms of world-making against racial and socioecological domination. The plot also names an insurgent scheme that is staged from peripheralized places and that is crucial to maintaining these spaces of insurgent living. Plotting is presented as an analytical mode that offers scholars in the environmental humanities: a framework for place-specific historical-geographical and ecological study; a critical cartographical praxis; and an approach for examining the logics and affective relations of place production. Environmental humanities scholarship that engages with Black ecocriticism along these lines is well positioned to examine the geographies of the past, present, and future with attention to the racial politics of human embodiment. Such scholarship would be characterized by more careful use of spatial metaphors, ensuring that ecocriticism and broader environmental humanities work considers the material and physical racial ecologies alongside the discursive and representational environments.","PeriodicalId":46497,"journal":{"name":"Environmental Humanities","volume":null,"pages":null},"PeriodicalIF":1.2,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141711682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Marooned","authors":"Natascha de Vasconcellos Otoya","doi":"10.1215/22011919-11149811","DOIUrl":"https://doi.org/10.1215/22011919-11149811","url":null,"abstract":"\u0000 Mr. João de Deus, an elderly Afro-Brazilian man, worked on the ground and contributed to the beginning of the modern Brazilian oil industry. His is a story of environmental hope and personal resilience with roots in the deep past and outcomes that reverberate to the present. João de Deus’s story reveals many layers of history beyond human activity, weaving together different temporalities and kinds of hope. This article layers different temporalities—geological, ecological, and human—to emphasize their interconnectedness. As a method, layering various chronological scales helps highlight how they collectively contribute to a complex and nuanced history of a particular individual, community, or place. It considers the simultaneous existence and impact of multiple historical layers, emphasizing the interplay of different historical timescales and historical actors. João de Deus, situated atop ancient geological layers potentially rich in oil, experienced life as a Black man in slavery-era Brazil. Amid the ecological presence of African oil palms and the emerging industrialization of the Maraú Peninsula, he found himself entangled in multiple concurrent histories of different chronological scales, all influencing his destiny.","PeriodicalId":46497,"journal":{"name":"Environmental Humanities","volume":null,"pages":null},"PeriodicalIF":1.2,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141708009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Communicating with Plants","authors":"Randy Laist","doi":"10.1215/22011919-11150051","DOIUrl":"https://doi.org/10.1215/22011919-11150051","url":null,"abstract":"\u0000 The Secret Life of Plants, a 1973 book that was developed into a 1979 documentary film, reports on a flurry of parapsychological research involving attempts to communicate with plants using electrodes, lie detectors, and psychic powers. The book highlights the work of Cleve Backster, an American researcher who claimed he could demonstrate that plants could read people’s minds and that measurements of his plants’ emotional responses to the randomized death of brine shrimp revealed empathetic connections “even on the lower levels of life.” Although this research appears risible in retrospect, Backster’s work expresses attempts to conceptualize plant subjectivity and plant agency against the backdrop of the emergent environmental movement. While it might be overly charitable to credit these experiments in plant communication with inspiring contemporary research into the ways plants share information with one another and with other species, Backster’s outlandish investigations suggest enduring object lessons for human beings in general and for the environmental humanities field in particular regarding the ways that plants continue to baffle us, to enchant us, and even, in their own weird way, to speak to us.","PeriodicalId":46497,"journal":{"name":"Environmental Humanities","volume":null,"pages":null},"PeriodicalIF":1.2,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141689324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Rough Guide to the Oil Archive","authors":"Lukas Becker","doi":"10.1215/22011919-11150091","DOIUrl":"https://doi.org/10.1215/22011919-11150091","url":null,"abstract":"\u0000 The omnipresence of petroleum makes it an essential part of a history of the modern world. However, this ubiquity also presents a challenge as to which archival materials historians should use to tell this story. By using material gathered during fieldwork in the Colombian oil city of Barrancabermeja, this article aims to investigate the nature of the oil archive. Situated within the broader field of literature on the history of petroleum and archives, the investigation touches upon records in diverse archives, the urban fabric, and repositories of oil’s history to be found underground. By pinpointing such materials across Barrancabermeja, the article argues that the oil archive is not just found in historical documents but embedded in the landscape, in social practices, in human bodies, and even in the geology of the earth. To understand the deep-seated influence of oil, the article argues for the establishment of an interdisciplinary working group of the oil archive. Faced with the impending challenge of climate change and the long-lasting legacy of the fossil fuel age, such a group could provide evidence for how humanity got to this stage, point to different imaginaries of past and future, and clarify issues surrounding climate justice and responsibility.","PeriodicalId":46497,"journal":{"name":"Environmental Humanities","volume":null,"pages":null},"PeriodicalIF":1.2,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141712472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tar Remedies","authors":"Siobhan Angus, Warren Cariou","doi":"10.1215/22011919-11150099","DOIUrl":"https://doi.org/10.1215/22011919-11150099","url":null,"abstract":"\u0000 This two-part essay turns to the landscapes of bitumen mining in the Athabasca tar sands in western Canada. Despite the environmental costs of the tar sands mining process, the Canadian state remains invested in oil extraction in the tar sands. Starting from the premise that the extraction and burning of this bitumen was and is not inevitable, this dialogue locates hazardous hope in the landscapes of the Athabasca region. To do so, the first section is an analysis of Warren Cariou’s photographic practice, situating his work within themes of toxicity and hope. Written by an art historian, it argues that we can read the petrographs through a mode of critical spectatorship that generates questions about how extraction makes our world and how these processes are historically contingent choices based in what society has chosen to value. The second part is a short reflection by Warren Cariou on his practice and how he theorizes hope in the context of pollution.","PeriodicalId":46497,"journal":{"name":"Environmental Humanities","volume":null,"pages":null},"PeriodicalIF":1.2,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141698384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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