Psychoanalytic Inquiry最新文献

{"title":"Listen Like an Actor: The Key to the Performing Art of Therapy","authors":"Mark O’Connell","doi":"10.1080/07351690.2023.2257583","DOIUrl":"https://doi.org/10.1080/07351690.2023.2257583","url":null,"abstract":"ABSTRACTAs both a therapist and an actor, O’Connell proposes that: 1) The artforms of acting and psychotherapy share the same core goal: to invite another person to embody a range of their humanity; and 2) Both artforms rely on the same core action to realize that goal – to listen. By listening to clients the way actors listen to their scene partners, O’Connell suggests that clinicians can maximize how we use our most essential instrument for therapeutic engagement: ourselves – particularly in terms of our implicit/nonverbal communication, or “subtext.” He emphasizes that listening like an actor is always the key to performing the art of therapy, no matter what “kind” of therapist we are, and no matter how our “scene work” takes place, (e.g. on “stage” or screen). Anecdotes from both therapy and acting are used to illustrate his ideas.KEYWORDS: Listeningimplicit communicationuse of selfmultiplicity of selfimprovisationacting Disclosure statementNo potential conflict of interest was reported by the author.Notes1 Wallace Shawn’s essay “Why I Call Myself a Socialist,” inadvertently but beautifully illustrates Philip Bromberg’s idea of multiplicity of self (Bromberg, Citation1998) through the lens of acting: “Contrary to the popular misconception, the actor is not necessarily a specialist in imitating or portraying what he knows about other people. On the contrary, the actor may simply be a person who’s more willing than others to reveal some truths about himself” (Shawn, Citation2011).2 Of note: Robin Weigert is the descendant of prominent psychoanalysts, including her father, Wolfgang Weigert and her grandmother, Edith Weigert, who wrote about psychotherapy as a creative art (Weigert, Citation1964).3 In contrast, a few years later I was told to “butch it up,” by a gay director no less, while rehearsing a production of Romeo & Juliet in which I played Romeo. Fortunately, rather than submit to this director’s anxiety about me “seeming gay,” by trying to force a “masculine” exterior – which would have undermined my function in the play (to be driven by genuine, unadulterated love) – I trusted that in order to stay present with my scene partners, and to organically discover and embody the heightened emotions necessary for the role, I would need to start from exactly where I was, even if my mannerisms defied normative expectations for a man who is in love with a woman (O’Connell, Citation2019b).4 I demonstrate and explore the concept of actorly subtext in my workshops for therapists. And I highly recommend video feedback as a tool for psychotherapy training programs, similar to how video is used in screen acting classes – which is to help each performing artist to become aware of their instrument and its possibilities. Relatedly, Romanelli, Moran, and Tishby’s research (Romanelli et al., Citation2019) shows how theatrical improvisational training in particular, can help therapists to be aware of self and other, and make use of our instruments. They spec","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135789164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mimetic Understanding: The Embodied Dance of Words and Action","authors":"Susanna Federici, Gianni Nebbiosi","doi":"10.1080/07351690.2023.2257588","DOIUrl":"https://doi.org/10.1080/07351690.2023.2257588","url":null,"abstract":"ABSTRACTIn this article we emphasize that Greek tragedy, surprisingly, can prove to be close to current psychoanalytic practice in exploring the paradoxical dimension of subjectivity. The interweaving of explicit/implicit communication and unconscious dimension in psychoanalytic work gives rise to emergent moments of meaning. Tragedy and psychoanalysis find their value in always striving for truth, at times grasping it, only to lose it and to have to co-construct it all over again. In the figure/background articulation of the spoken, the unspoken, and the unspeakable, it is important to consider words not as labels fixed to define qualities and phenomena, but as living processes that go through exciting twists and turns. The words of therapy are spoken words and are part of a communicative flow that takes place in the interweaving of multiple implicit and explicit channels involving all the senses: voice quality, rhythm, sound, gaze, emotionally activated body. We have been interested in rhythm in the clinical exchange and we have delved into the study of imitation as the primary vehicle of implicit relational knowing and the transmission of pragmatic knowledge embodying ways of being in the world at very deep and procedural levels. A short vignette and a clinical case illustrate how the tool of mimesis proves useful in activating and improving our clinical sensitivity.KEYWORDS: MimesisGreek tragedyembodimentmultiplicityimplicit/explicit clinical process Disclosure statementNo potential conflict of interest was reported by the authors.Additional informationNotes on contributorsSusanna FedericiSusanna Federici, Ph.D., is founding member, Faculty, supervising and training analyst of ISIPSÉ (Institute for Self Psychology and Relational Psychoanalysis, Italy); President of IARPP (International Association for Relational Psychoanalysis and Psychotherapy); and Past Member International Council of IAPSP (International Association Psychoanalytic Self Psychology).Gianni NebbiosiGianni Nebbiosi, Ph.D., is President, founding member, supervising and training analyst, of ISIPSÉ (Institute for Self Psychology and Relational Psychoanalysis, Italy); Founding and Board Member of IARPP (International Association for Relational Psychoanalysis and Psychotherapy); Member International Council of IAPSP (International Association for Psychoanalytic Self Psychology); Member Editorial Board of the journal Psychoanalytic Dialogues; and Member Editorial Board of the journal Psychoanalytic Inquiry.","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135788957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Drama and Narration: The Architecture of Psychoanalytic Play","authors":"Philip Ringstrom","doi":"10.1080/07351690.2023.2257582","DOIUrl":"https://doi.org/10.1080/07351690.2023.2257582","url":null,"abstract":"ABSTRACTBeginning with a fantasy interview with Donald Winnicott and William Shakespeare – one in which Winnicott espouses the essential nature of play in psychoanalysis – he then joins Shakespeare in finding a promising set of ideas for psychoanalytic play. These ideas arise out of Shakespeare’s theatrical, play-full world of drama and narrative. Both these sets of ideas then build upon an epistemology based on an information theory of change in psychoanalytic therapy – one which asserts that change is a constant in every living system, and therefore the field of every session of therapy. Thus, in every developing psychotherapy, there becomes an emerging, often unknown “architecture” involving what is ceaselessly changing. This quality of change preserves some basis of order in any treatment (e.g. 1st Order Change). In effect, it is responsible for “keeping the system the ‘same.’” 1st Order Change involves the often unwitting “premises” upon which aspects of both the treatment narrative and drama are organized. It contrasts to a different kind of change (2nd Order Change) which radically changes some of the organizing assumptions (“premises”) of the therapy. 2nd Order Change typically emerges in an unwitting, unpredictable manner, catching both analytic participants by surprise. In other articles over the past two decades, the author has described this in terms of theory about improvisation. Optimizing the creative genius of such moments of play, requires that therapists immerse themselves in the field, in a non-presumptive “bottom-up” phenomenological experiential manner in contrast to the historical “top-down” “prejudices” that the history of theory and practice – within psychoanalysis and from without – often dictate, in terms of what becomes searched for and interpreted. Two case illustrations examine what can emerge when unwitting, unpredictable, preconscious moments of improvising emerge, with unpredictable aspects in entities such as character, narrative, script and so forth. This broad coalescence of ideas leads to the creation of moments of the “heretofore unimaginable” rather than what seems more like the expectable and predictable 1st Order Change world orders most treatments.KEYWORDS: Psychoanalytic playdramanarrationimprovisation1st and 2nd order theory of change Disclosure statementNo potential conflict of interest was reported by the author.Notes1 Both have been tremendous inspirations to the book I am writing, Psychoanalytic Play: Drama, Narration and Improvisation in Field Theory and Metapsychology. The goal of my book is to legitimize play as an actual mode of therapeutic action, available to all psychoanalysts. Doing so entails filling in what I believe has been sorely missing on the topic of psychoanalytic play. Indeed, I am arguing that there are three subjects critical to locating play at the center of psychoanalytic theory and practice, which is in the spirit of what I believe Winnicott and others have sought.2 Key to this","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135788961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Psychoanalyst as Dramatist","authors":"Alan Michael Karbelnig","doi":"10.1080/07351690.2023.2257580","DOIUrl":"https://doi.org/10.1080/07351690.2023.2257580","url":null,"abstract":"ABSTRACTExtending psychoanalysis-drama comparisons proffered by prior theorists, Dr. Karbelnig introduces the novel concept of the psychoanalytic denouement. He differentiates these from Aristotle’s concepts of anagnorisis and peripeteia, and he compares them to phenomenon like Satori from Zen Buddhism or the “Aha” moment from the contemporary lexicon. Transcripts from three consecutive sessions (completely anonymized) demonstrate psychoanalytic denouements. Two sessions show clear psychoanalytic denouements; one, featuring an overtly psychotic patient, reveals intense emotional expression and cognitive insight but no psychoanalytic denouement. These clinical samples illustrate how theatrical metaphors incorporate phenomenological and theoretical perspectives, allow for micro- or macroscopic studies of psychoanalytic encounters, and confirm their inimitable nature. Dr. Karbelnig concludes by noting these analogies to drama helpfully expand extant metapsychology but, like all theories of mind, necessarily fall short.KEYWORDS: Dramatheaterpsychoanalyst-as-dramatistpsychoanalytic denouementfairbairntransformation Disclosure statementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsAlan Michael KarbelnigAlan Michael Karbelnig, Ph.D., ABPP, a training and supervising psychoanalyst, provides psychoanalytically oriented individual and couples psychotherapy in Pasadena, California. Board certified in forensic psychology, he also offers psycho-legal services in the realms of administrative and employment law. He earned doctorates in Counseling Psychology from the University of Southern California (USC) and in Psychoanalysis from the New Center for Psychoanalysis (NCP). He founded Rose City Center (RCC)—a not-for-profit psychoanalytic clinic serving economically disadvantaged individuals in California.","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135789165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dramatology Revisited: The Person as Doer and Dreamer","authors":"Henry Zvi Lothane","doi":"10.1080/07351690.2023.2257586","DOIUrl":"https://doi.org/10.1080/07351690.2023.2257586","url":null,"abstract":"ABSTRACTThe author revisits his previous papers on dramatology published in 2009, 2011, and 2015, adding the results of new research. The additions are ideas about dramatic action by philosophers William James and John Dewey and literary theorist Kenneth Burke. There is a new discussion of the relation between dramatology and narratology. The approach is a retrospective application of dramatization to Freud’s method in analyzing the famous cases of Dora and Schreber. A new finding is dramatization in DSM-5 diagnoses. Another new interest is applying dramatology to Freud’s mass psychology and world-wide events as dramas of history.KEYWORDS: Actdramadramatizationdramatologynarratologytrauma Disclosure statementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsHenry Zvi LothaneHenry Zvi Lothane, M.D., is Clinical Professor at Icahn School of Medicine at Mount Sinai, Distinguished Life Member of American Psychiatric Association, and Member of International Psychoanalytical Association and American Psychoanalytic Association. He is the author of In Defense of Schreber: Soul Murder in Psychiatry and a new book on Sabina Spielrein, in press. He was also the guest editor of Psychoanalytic Inquiry Volume 38, Number 6, “Free Association.”","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135788963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"What Aristotle and Hollywood Taught Me About Psychoanalysis","authors":"Daniel Goldin","doi":"10.1080/07351690.2023.2257584","DOIUrl":"https://doi.org/10.1080/07351690.2023.2257584","url":null,"abstract":"ABSTRACTDrawing on Aristotle’s Poetics and my work as a screenwriter in Hollywood, I look to some commonalities in the ways dramatists and psychoanalysts generate meaning through action and interactions. These ways include an attention to the interweave of text and subtext, a sense of rhythm and timing, an inquisitive stance and an interest in reversals and the recognition that follows.KEYWORDS: Narrativerecognitionrhythmsubtextquestioningvitality affects Disclosure statementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsDaniel GoldinDaniel Goldin, MFT, Psy.D., serves as editor of Psychoanalytic Inquiry and associate editor of Psychoanalysis: Self and Context. He has written numerous articles for Psychoanalytic Dialogues, Psychoanalysis: Self and Context and Psychoanalytic Inquiry. His book Storying: Bringing Nature, Nurture and Culture Together in Psychotherapy and Everyday Life will be published by Routledge early next year.","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135788958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Listening into Being","authors":"Robin Weigert","doi":"10.1080/07351690.2023.2258060","DOIUrl":"https://doi.org/10.1080/07351690.2023.2258060","url":null,"abstract":"ABSTRACTDrawing on my work as an actor, I make a case for the importance of a dialogue between actors and analysts about the aspect of an actor’s creative process I experience as listening a character into being. It’s my contention that, since actors and analysts both extend an invitation through our listening, there is vast territory the two professions share in common with far-reaching implications.KEYWORDS: Listeningrecognitionrolethirdcharacterattunement Disclosure statementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsRobin WeigertRobin Weigert, MFA, BA, is known as a film and television actress with exceptional range and versatility. Most recognizable from her Emmy-nominated portrayal of the iconic gunslinger ‘Calamity Jane’ in Deadwood (the series and the recent movie revival for HBO), Weigert played therapists in the box office hit Smile and opposite Nicole Kidman in the much-lauded SAG 2020 Best Ensemble contender Big Little Lies, attorneys in the popular cabler Sons of Anarchy and Jay Roach’s biographical drama Bombshell and strippers in Charley Kaufman’s Synecdoche, New York and Steven Soderbergh’s black-and-white period drama The Good German. She was nominated for a Gotham Award for her portrayal of a housewife turned prostitute, the central character in the award-winning indie Concussion, and will soon be featured prominently in a miniseries for Hulu as the matriarch of a Polish Jewish family that survived the Holocaust in We Were the Lucky Ones. Series regular roles include Dietland for AMC with Julianna Marguiles, NBC’s Life with Damien Lewis and the upcoming CBS show Tracker with Kevin Hartley for exec producers Ken Olin and Ben Winters.","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135789163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Shame and Self-Alienation: A Trauma-Informed Psychoanalytic Perspective","authors":"Daniel Shaw","doi":"10.1080/07351690.2023.2226021","DOIUrl":"https://doi.org/10.1080/07351690.2023.2226021","url":null,"abstract":"","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42563821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Complex Relationship between Structural and Psychic Space: When Two Cultures/Homes Collide","authors":"Monisha Nayar-Akhtar","doi":"10.1080/07351690.2023.2235261","DOIUrl":"https://doi.org/10.1080/07351690.2023.2235261","url":null,"abstract":"ABSTRACTThe relationship between one’s home and its internal representation is a complex one. Imbued with memories of desire, loss, fear and anxiety, these often emerge in the analytic space and wait for interpretation and understanding. The analysts’ ability to use their countertransference and explore the patient’s underlying feelings often reveals the impact of culture and surround on the patient’s contemporary experience of space.KEYWORDS: Cultural homespsychic spacearchitectural spaceidentity Disclosure statementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsMonisha Nayar-AkhtarMonisha Nayar-Akhtar, Ph.D., obtained her Masters and Ph.D. in clinical psychology from Wayne State University in Detroit, Michigan. Later, she trained at the Michigan Psychoanalytic Institute in adult and child/adolescent analysis. After practicing for over twenty years in Southfield, Michigan, she relocated to suburban Philadelphia. Currently, she is affiliated with the Psychoanalytic Center of Philadelphia where she is a Training and Supervising Analyst. She is an active member of the American Psychoanalytic Association where she served as a member of the Program committee until 2020 and as chair of the Clinical Workshop on Child and Adolescent Psychoanalysis until 2018. She has a keen interest in Applied Psychoanalysis and in promoting psychoanalytic thinking in India, her country of origin. Her current projects include providing ongoing clinical training workshops in trauma and attachment to psychotherapists working with children and adolescents. In 2018, she established the Indian American Psychoanalytic Alliance in Philadelphia, a nonprofit organization that provided a two-year distance learning program in psychodynamic psychotherapy. Her current project includes training therapists in early intervention and establishing a Therapeutic Play Center to provide therapies for disturbed children between the ages of 2 and 6. She has edited two books: One titled Play and Playfulness and the other titled Identities in Transition. She is the editor-in-chief of a journal Institutionalised Children: Explorations and Beyond, which she, as its editor in chief, helped launch in May 2014. This peer reviewed journal, published by Sage Publications, presents papers from the SAARC region on issues pertinent to children and adolescents who are orphaned or in need of care and protection. She is on the editorial board of The Psychoanalytic Study of the Child and Adolescent as well. She is a recipient of the Ticho Award and presented a paper titled “Psychic Space, Structural Space, Cyber Space, Desire and Intimacy in a Digital World,” in Chicago, 2016, during the spring meetings of the American Psychoanalytic Association. Dr. Akhtar is in private practice and has an office in Center City, Philadelphia.","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136064915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Leaving Home: Prokofiev’s “Peter and the Wolf”","authors":"Julie Jaffee Nagel","doi":"10.1080/07351690.2023.2235259","DOIUrl":"https://doi.org/10.1080/07351690.2023.2235259","url":null,"abstract":"ABSTRACTThis article will explore some of the ways I conceptualize music as it pertains to the concept of “home,” and specifically here, about leaving home. Using composer Sergei Prokofiev’s music in his well-known beloved composition, Peter and the Wolf, I will illustrate the gradual integration and consolidation of identity in the eponymous character, Peter, as he left his childhood garden home. Thus, the analysis of music itself as a primary source of psychoanalytic data is the distinctive method of analysis that I bring to my interdisciplinary explorations. Prokofiev’s masterpiece Peter and the Wolf pertains to the following overdetermined themes: Music and psychoanalytic concepts hold enduring value as each informs and enriches the other. Music serves as an important entry into affect and unconscious processes. Music and psychoanalytic principles are relevant both inside and beyond the concert hall and consulting room and contribute to a nuanced understanding of our inner lives.KEYWORDS: Psychological developmentErik Eriksonindividuationmusical themesaffectsinstrumentationorchestrationProkofievPeter and the Wolf AcknowledgmentsThis paper is dedicated both to my oldest granddaughter, Sarah Esther Lewis, who just left home to become a college freshman as I was writing this article, and to our youngest granddaughter, Rachel Jordana Lewis, who is about to leave home to begin college as this paper is completed.Disclosure statementThis article is a revised version of my chapter “Animals, Music, and Psychoanalysis” in The Cultural Zoo (S. Akhtar and V. Volkan, Eds.), 2005, International University Press (no longer publishing), and in the revised chapter, “Self Esteem – Peter and the Wolf” which was published in my book Melodies of the Mind, 2013, Routledge.Additional informationNotes on contributorsJulie Jaffee NagelJulie Jaffee Nagel, Ph.D., is a graduate of The Juilliard School, The University of Michigan, and The Michigan Psychoanalytic Institute. She is the author of Melodies of the Mind (Routledge Press), Managing Stage Fright: A Guide for Musicians and Music Teachers (Oxford University Press), and the just published Career Choices in Music Beyond the Pandemic: Musical and Psychological Perspectives (Rowman and Littlefield) as well as publications in major psychoanalytic journals. She has presented her work nationally and internationally. Dr. Nagel has a private practice in psychotherapy and psychoanalysis in Ann Arbor, Michigan.","PeriodicalId":46458,"journal":{"name":"Psychoanalytic Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136064910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}