Celebrity Studies最新文献

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Millennials Killed the Video Star: MTV’s Transition to Reality Programming and Extraordinarily Ordinary: Us Weekly and the Rise of Reality Television Celebrity 《千禧一代扼杀了电视明星:MTV向真人秀节目的转变》和《非凡平凡:我们周刊》和《真人秀明星的崛起》
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-12-26 DOI: 10.1080/19392397.2022.2159676
Suri M. Pourmodheji
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引用次数: 0
Scandal maketh the man? The evolution of Hugh Grant and the celebrity confessional 丑闻造就男人?休·格兰特与名人忏悔录的演变
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-12-23 DOI: 10.1080/19392397.2022.2159671
Renée Middlemost
{"title":"Scandal maketh the man? The evolution of Hugh Grant and the celebrity confessional","authors":"Renée Middlemost","doi":"10.1080/19392397.2022.2159671","DOIUrl":"https://doi.org/10.1080/19392397.2022.2159671","url":null,"abstract":"ABSTRACT Following a range of supporting roles in the late 1980s, Hugh Grant’s breakthrough performance in Four Weddings and A Funeral (1994) established him as Britain’s ‘go-to’ romantic lead. And yet, a potentially career-ending sex scandal while on the verge of Hollywood stardom could be considered the making of the man. By analysing press coverage using analytical approaches and frameworks from celebrity studies, this article shows how several flashpoints in Grant’s personal life and subsequent ‘celebrity confessionals’ have been central to Grant’s enduring popularity and evolving star persona. As I argue, scandals across three decades, and subsequent confessionals are mirrored in Grant’s maturing onscreen persona – from commitment-phobic characters, to experimentation with satire and comedy for the American market, to his triumphant return in British biography/dramedies. This article considers Grant’s evolving and unique engagement with the media as a type of ‘reverse confessional’ – where Grant’s confessions subsequently expose the shifting nature of celebrity engagement with the media, and less desirable aspects of the (British) tabloid press. In sum, I contend the reverse narrative mode employed by Grant as an ‘image restoration strategy’ has allowed him to reclaim his own narrative and expose key truths about privacy, press coverage, and contemporary celebrity culture.","PeriodicalId":46401,"journal":{"name":"Celebrity Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47673140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Renaissance man: Hugh Grant’s performance of class, white Englishness, and joyfully mature masculinity 文艺复兴时期的男人:休·格兰特对阶级、白人英国人和快乐成熟的男子气概的表现
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-12-22 DOI: 10.1080/19392397.2022.2159675
M. Hallet
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引用次数: 0
‘There’s more to middle age than a saggy belly’: gender, ageing, and agency in Kate Winslet’s post Weinstein star image 在凯特·温丝莱特发布的温斯坦明星照中,“中年不仅仅是一个下垂的肚子”:性别、衰老和机构
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-12-16 DOI: 10.1080/19392397.2022.2157296
L. Stead
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引用次数: 0
Vegan celebrity activism: an analysis of the critical reception of Joaquin Phoenix’s awards speech activism 素食名人行动主义:对华金·菲尼克斯获奖演讲行动主义的批评接受分析
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-12-15 DOI: 10.1080/19392397.2022.2154684
Claire Parkinson, Laraine Herring
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引用次数: 0
The Elon Musk experience: celebrity management in financialised capitalism 埃隆·马斯克的经历:金融化资本主义中的名人管理
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-12-08 DOI: 10.1080/19392397.2022.2154685
Agustin Ferrari Braun
{"title":"The Elon Musk experience: celebrity management in financialised capitalism","authors":"Agustin Ferrari Braun","doi":"10.1080/19392397.2022.2154685","DOIUrl":"https://doi.org/10.1080/19392397.2022.2154685","url":null,"abstract":"ABSTRACT This paper critically interrogates Elon Musk’s celebrity image through an analysis of Musk’s appearance in the podcast The Joe Rogan’s Experience. It shows that the billionaire’s public persona is a constitutive part of his corporate strategy, and introduces the concept of ‘celebrity management’ to theorise how the affordances of celebrity can be mobilised to create conditions for a company to operate. Combining celebrity studies with critical political economy, Musk’s stardom is situated in the context of financialised capitalism, addressing the systemic contradictions contained (and artificially solved) in his image, while also demonstrating that it is tactically deployed to further financialised logics of his companies.","PeriodicalId":46401,"journal":{"name":"Celebrity Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41384377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Continental Exotic sex symbol – Gal Gadot 欧陆异域的性感象征——盖尔·加朵
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-12-07 DOI: 10.1080/19392397.2022.2154686
Jeffrey A. Brown
{"title":"The Continental Exotic sex symbol – Gal Gadot","authors":"Jeffrey A. Brown","doi":"10.1080/19392397.2022.2154686","DOIUrl":"https://doi.org/10.1080/19392397.2022.2154686","url":null,"abstract":"ABSTRACT In every era, the Hollywood sex symbol signifies, in addition to the obvious trait of sexuality, a complicated matrix of social ideals, fantasies and prejudices. Central to many of the ideological issues brought to bear through sex symbols are notions of ethnicity and nationality. Actress Gal Gadot, most famous for her role as the modern Wonder Woman, consolidates and embodies specific ideas about gender and sensuality in relation to class and nationhood. Gadot is a version of the ‘Continental Exotic’, an alluring and dangerously fetishistic woman who reinforces specifically American insecurities when faced with an uncontainable other. The Continental Exotic bridges the gap between Hollywood’s tradition of whiteness as a cultural ideal of female beauty and Otherness as the domain of exciting but treacherous sensuality.","PeriodicalId":46401,"journal":{"name":"Celebrity Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42241614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tragic blondes, Hollywood, and the “radical sixties’ myth: Seberg and once upon a time in Hollywood as revisionist and reparative biopic 悲剧的金发女郎,好莱坞,和“激进的六十年代”神话:塞伯格和曾经一度在好莱坞作为修正主义和修复传记片
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-11-30 DOI: 10.1080/19392397.2022.2149346
E. Tincknell
{"title":"Tragic blondes, Hollywood, and the “radical sixties’ myth: Seberg and once upon a time in Hollywood as revisionist and reparative biopic","authors":"E. Tincknell","doi":"10.1080/19392397.2022.2149346","DOIUrl":"https://doi.org/10.1080/19392397.2022.2149346","url":null,"abstract":"ABSTRACT In this essay I explore two recent ‘reparative biopics,’ Once Upon a Time in Hollywood (Quentin Tarantino, 2019) and Seberg (Benedict Andrews, 2019), which share features found in the resurgent cycle of 1960s-set ‘back studio’ films that have appeared in the wake of feminist criticism of mainstream Hollywood. Although positioned very differently in terms of genre (as biopic and counterfactual history respectively) and in their creative engagement with the cultural and political history of the late 1960s, both are notable for the way they deal with the real female stars at the centre of their stories, Sharon Tate and Jean Seberg. While each film seems to be seeking reparation for the past, their approach ultimately recuperates the women into a mythic discourse of the ‘radical sixties’ in which masculine agency and homosocial bonds are privileged. I argue that these films rehearse familiar biopic conventions to depict the blonde female star as tragic victim, not only of history but also of her own inherent frailty.","PeriodicalId":46401,"journal":{"name":"Celebrity Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46139198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From sacrificing sister to star sister: the history of queer celebrity in Turkey 从牺牲姐妹到明星姐妹:土耳其酷儿名人的历史
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-11-03 DOI: 10.1080/19392397.2022.2140565
Yektanurşin Duyan
{"title":"From sacrificing sister to star sister: the history of queer celebrity in Turkey","authors":"Yektanurşin Duyan","doi":"10.1080/19392397.2022.2140565","DOIUrl":"https://doi.org/10.1080/19392397.2022.2140565","url":null,"abstract":"","PeriodicalId":46401,"journal":{"name":"Celebrity Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44438132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Natalie Wood Day’: sexual violence and celebrity remembrance in the #MeToo Era “娜塔莉·伍德日”:#MeToo时代的性暴力和名人纪念
IF 1.5 3区 社会学
Celebrity Studies Pub Date : 2022-10-31 DOI: 10.1080/19392397.2022.2136008
Susanna Paasonen, Tanya Horeck
{"title":"‘Natalie Wood Day’: sexual violence and celebrity remembrance in the #MeToo Era","authors":"Susanna Paasonen, Tanya Horeck","doi":"10.1080/19392397.2022.2136008","DOIUrl":"https://doi.org/10.1080/19392397.2022.2136008","url":null,"abstract":"ABSTRACT This article inquires after the ethics of posthumous outing and networked forms of remembrance connected to public figures accused of, or having admitted to, sexual violence and domestic abuse. Focusing on the obituary politics surrounding the 2020 deaths of Kirk Douglas, Kobe Bryant, and Sean Connery, it explores the forms that a feminist ethics of disclosure and memorialisation might take in the #MeToo era. Contra the popular tendency of othering sex offenders as exceptional ‘monsters,’ #MeToo’s affective and discursive force lies in framing sexual violence as unextraordinary, banal, and ubiquitous. In what follows, we make a case for forms of remembrance acknowledging that a person can simultaneously be an accomplished professional, a loving parent, and a rapist, so that one aspect of one’s being and actions need not require silence over others. Reflecting on what it means to remember public figures in their totality, we flag the importance of attending to the social, cultural, political, economic, and historical contexts that have contributed to the prominence, and subsequent remembrance of individuals. We argue that such a contextual move makes it possible to see the individual public figure within the social networks and hierarchies that have allowed, or disallowed, patterns of behaviour.","PeriodicalId":46401,"journal":{"name":"Celebrity Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47185664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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