{"title":"Remembering Las Hermanas: Collective care in lesbian feminist memory work.","authors":"Guadalupe Ortega","doi":"10.1080/10894160.2026.2619244","DOIUrl":"https://doi.org/10.1080/10894160.2026.2619244","url":null,"abstract":"<p><p>This article examines Las Hermanas Women's Cultural Center and Coffeehouse, a 1970s lesbian of color feminist space in San Diego, as a site of radical care, collective memory, and archival refusal. Drawing on oral histories, logbook entries, and feminist newspapers, I argue that Las Hermanas functioned as a lesbian brown commons: a place where care, anonymity, and collective labor forged political resistance. Grounded in queer of color critique, affect theory, and feminist historiography, I argue that the community's fragmentary archive and strategic opacity reflect a method of historiographical resistance. Rather than reading archival gaps as absence, I interpret them as intentional refusals that safeguard community and shape an alternative lesbian public history. This article contributes to queer historiography and feminist archival studies by theorizing care and refusal as foundational to lesbian of color memory work.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"1-19"},"PeriodicalIF":1.4,"publicationDate":"2026-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146020180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<i>The Lesbian</i>(s') <i>Body</i> in Italy.","authors":"Eva Feole, Irene Villa","doi":"10.1080/10894160.2025.2610931","DOIUrl":"https://doi.org/10.1080/10894160.2025.2610931","url":null,"abstract":"<p><p>The 2023 Italian translation of <i>The Lesbian Body</i> by Monique Wittig offers an opportunity to reconsider the author as an important figure in the history of feminism and the lesbian movement in Italy. Since its first translation in 1976, the text has fascinated the Italian women's movement, even though Wittig's original vision was partly obscured by the dominance of sexual difference theory, which framed lesbianism as an experience internal to sexual difference, rather than as a political rupture with the heterosexual order. Focusing on translation as a site of political action and feminist conflict, this article compares the 1976 and 2023 Italian translations within their respective historical contexts and in relation to the evolution of Italian feminism, highlighting the shifting cultural and political significance of <i>The Lesbian Body</i> in Italy and Wittig's enduring power to unsettle, provoke, and inspire readers across generations.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"1-14"},"PeriodicalIF":1.4,"publicationDate":"2026-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145893345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exiles of love?: uncovering lesbian voices in interwar Czechoslovakia.","authors":"Mark Cornwall","doi":"10.1080/10894160.2024.2401264","DOIUrl":"10.1080/10894160.2024.2401264","url":null,"abstract":"<p><p>Lesbian voices and experiences have received little attention in Czech historiography: recent research has concentrated on the modern era from the 1950s. This article deepens our understanding of lesbian lives in interwar Prague. It focuses on two forgotten lesbian novels, <i>Exiles of Love</i> and <i>The Third Sex</i>, which were deliberately suppressed after 1948 by the Communist regime as examples of inferior bourgeois literature. The two authors, Lída Merlínová and Gill Sedláčková, both hailed from Prague's cultural world (theatre and film) and were active too in the 1930s Czech movement for homosexual reform. Spanning the late twenties to the late thirties, the novels reveal tantalising glimpses of the evolving sub-culture of interwar Prague. Merlínová's naïve novel of 1929, <i>Exiles of Love</i>, was the first Czech lesbian novel, and it betrayed the 1920s optimism of the 'Czech New Woman' who was prepared to challenge gender stereotypes. Sedláčková's novel, <i>The Third Sex</i>, is a more explicit study from 1937, reflecting the more mature sub-culture but also a cynicism about the chances of homosexual reform. Yet it manages, even more than <i>Exiles</i>, to convey an uplifting and moral message. Indeed, both novels are about lesbian self-knowledge, exploring the scope for same-sex survival in a world where the best solution may be abroad, not in 'provincial Prague'. In restoring these texts to lesbian literature we recover a range of voices, expressing the hopes and frustrations of some queer Czech women in an unusually liberal era.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"164-191"},"PeriodicalIF":1.4,"publicationDate":"2026-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142356103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Izabella Gustowska's <i>Victim</i> series as a case of queer feminist art in Central Eastern Europe.","authors":"Paweł Leszkowicz","doi":"10.1080/10894160.2025.2514360","DOIUrl":"10.1080/10894160.2025.2514360","url":null,"abstract":"<p><p>The essay aims to analyze an artwork devoted to lesbian love created in 1988 by Polish feminist and intermedia artist Izabella Gustowska, who started her career in the 1970s. The artwork <i>Victim I</i> (1988/1989), which is the subject of an intertextual interpretation, is one of the few unique portraitures of female same-sex couples and eroticism in art from behind the Iron Curtain (1945-1989), created from the feminine perspective. Hence, it took a very prominent role in the major exhibition <i>Gender Check. Femininity and Masculinity in the Art of Eastern Europe</i> (2009), curated by Bojana Pejić. The exploration of female figuration and various dimensions of femininity is a recurrent theme in Izabella Gustowska's art of photographic and filmic portraiture and self-portraiture. In her search for multiple and complex images of femininity, she is one of the precursors of representations of female intimate relationships, togetherness, and homosociality in the Eastern bloc. The text intends to elucidate the political, religious, amorous, and artistic context of the <i>Victim</i> series in Poland and Central Eastern Europe, locating it in the cultural framework of the region and the nascent queer movement in Poland in the 1980s.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"293-315"},"PeriodicalIF":1.4,"publicationDate":"2026-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144259019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"(Pro)creating queer futures: queer mothers challenge the anti-social turn in queer theory.","authors":"Laura Brightwell","doi":"10.1080/10894160.2026.2612801","DOIUrl":"10.1080/10894160.2026.2612801","url":null,"abstract":"<p><p>This article addresses the lack of critical considerations of mothering in the field of queer studies. The anti-social turn in queer theory advocates a turn away from procreation and frames the mother as the transmitter of a heteronormative legacy. In this way, queer theory naturalizes the association between the assigned female at birth body, womanhood, motherhood, and heterosexuality and precludes considerations of queer and feminist mothering. Autobiographical writing by queer mothers challenges this depiction of motherhood as inherently normative. In her poetry collection <i>Crime Against Nature</i>, the late Minnie Bruce Pratt describes losing custody of her children under a North Carolina sodomy law after coming out as a lesbian in 1975. Pratt's insistence on claiming her queer sexuality despite severe social sanctions refuses the characterization of the mother as heteronormative. I place Pratt in conversation with two later memoirs of queer motherhood, Cherríe Moraga's <i>Waiting in the Wings: Portrait of a Queer</i> Motherhood and Maggie Nelson's <i>The Argonauts</i> to consider Pratt's legacy to queer discourse. I read these narratives of queer feminist maternal subjectivities through the lens of the \"sodomitical mother\" to challenge the framing of the maternal body as always white, heterosexual, cisgender, sexually modest, and in service to the hegemonic social order. These accounts of queer feminist maternal subjectivities challenge current right-wing attacks on 2SLGBTQ+ rights that seek to \"protect\" children from access to education on race, gender, and sexuality in the name of a presumably white, heterosexual, and cisgender parent.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"401-418"},"PeriodicalIF":1.2,"publicationDate":"2026-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145967177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Feminary Re-Collective: A Roundtable with Eleanor Holland, Helen Langa, Mab Segrest, and Cris South.","authors":"Silas Margaret Heying, Amanda Mixon","doi":"10.1080/10894160.2026.2644042","DOIUrl":"10.1080/10894160.2026.2644042","url":null,"abstract":"<p><p>Members of the Feminary Collective-Eleanor Holland (b. 1948), Helen Langa (b. 1945), Mab Segrest (b. 1949), and Cris South (b. 1950)-convened for a roundtable on July 10, 2024, to discuss the legacy of Minnie Bruce Pratt (1946-2023) and her work with the Durham, North Carolina, collective. First published as the Research Triangle Women's Liberation Newsletter in 1969, <i>Feminary</i> was rebranded first as <i>Feminary Newsletter</i>, then as a journal-<i>Feminary: A Feminist Journal for the South Emphasizing the Lesbian Vision</i>-in 1978. Holland, Langa, Pratt, Segrest, and South participated in the publication of <i>Feminary</i> from the mid-seventies until the collective's end in 1982. This roundtable discussion covers the social, political, historical, and personal contexts in which <i>Feminary</i> developed. Participants detail the emotional, intellectual, and physical labor involved in journal production, alongside the collective's political goals and common themes in various journal issues. Reflecting on their lives after Feminary, participants comment on the journal's lasting impact on them individually, as well as its cultural interventions. Peppered throughout the conversation are anecdotes and meditations on Pratt's poetry and her influence on roundtable participants, Feminary, and 20<sup>th</sup> and 21<sup>st</sup>-century U.S. social justice struggles.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"488-512"},"PeriodicalIF":1.2,"publicationDate":"2026-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147475850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interview with Mária Takács, documentary filmmaker, journalist and activist, founding member of the first Hungarian lesbian organization, Labrisz.","authors":"Aniko Imre","doi":"10.1080/10894160.2025.2543155","DOIUrl":"10.1080/10894160.2025.2543155","url":null,"abstract":"<p><p>Anikó Imre conducted this interview with Hungarian documentary filmmaker, journalist and activist Mária Takács specifically for the special issue entitled \"Toward Central and Eastern European Lesbian Studies.\" We discuss Takács's pivotal work for lesbian, LGBTQ, and more broadly, underrepresented minority rights and representations over the past two decades. We address how her three main areas of engagement have overlapped and integrated and how this work has become increasingly precarious against the backdrop of the Orbán government's repressive policies since 2010. We pay special attention to Takács's pioneering work as a filmmaker, from making the first documentary about the secret lives of lesbians under socialism to her latest, participatory project, a scripted web series about lesbian romance in a politically hostile atmosphere.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"335-341"},"PeriodicalIF":1.2,"publicationDate":"2026-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144800550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"I don't want to leave the South!\" Minnie Bruce Pratt and southern identity.","authors":"La Shonda Mims","doi":"10.1080/10894160.2025.2575719","DOIUrl":"10.1080/10894160.2025.2575719","url":null,"abstract":"<p><p>This article considers Minnie Bruce Pratt and her southern identity. Through an analysis of her personal writings, poetry, and reflections on her own life, I explore the formation of lesbian activism in concert with southern feminine identity. My goal is to expose the risk of a continued reliance on southern tropes that work to silence variations in southern womanhood. What is striking in the political moment of 2025 is understanding that Pratt's work emanated from a southern upbringing and southern identity that she never abandoned.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"454-461"},"PeriodicalIF":1.2,"publicationDate":"2026-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145589553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beyond binaries: Negotiating the diasporic \"queer Muslim woman\" in the memoirs of Samra Habib and Lamya H.","authors":"Apeksha Pareek, Niraja Saraswat","doi":"10.1080/10894160.2025.2535187","DOIUrl":"10.1080/10894160.2025.2535187","url":null,"abstract":"<p><p>This study contributes to the growing body of literature on the intersections of migration and queerness by investigating how queer Muslim women from Pakistan negotiate with religion, queer desire, and belonging in transnational spaces. Two memoirs by queer Muslim women-<i>We Have Always Been Here</i> (2019) by Samra Habib and <i>Hijab Butch Blues</i> (2023) by Lamya H.-not only map their authors' journeys across geographical borders but also trace the realization, exploration, and assertion of their queer identities. By engaging with these two texts, this paper analyzes Samra and Lamya's journeys, as they try to exercise and make sense of their agency (or lack thereof) with respect to their cultural and geographical displacement. This analysis highlights how the position of queer Muslim women in the diaspora both enables and challenges queerness. In addition, this analysis underscores subjective approaches to reconciling religion with queerness and emphasizes the significance of such life narratives for fostering intersectional polylogues on sexuality, religion, and migration. Consequently, this paper contributes to the project of Queer Worldmaking by showing how queer Muslim women create communities, support networks, and exhibit resilience by challenging conventional hierarchies to develop viable life possibilities for themselves in Canada and the United States.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"625-641"},"PeriodicalIF":1.2,"publicationDate":"2026-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144676029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On refusing to become, or to remain, heterosexual.","authors":"Meg Wesling","doi":"10.1080/10894160.2025.2513842","DOIUrl":"10.1080/10894160.2025.2513842","url":null,"abstract":"<p><p>This essay pushes back against mainstream queer and feminist discourses that assume an ontological distinction between lesbians and straight women. This distinction is a commonplace feature of a spate of recent books and films produced and marketed to mainstream feminist audiences. This idea of sexuality as ontology is key to the resurgence of biological determinism that has defined LGBT political advocacy in the twenty-first century. This biological determinism, or what we might call, following Lady Gaga, the \"born this way\" discourse, has pushed feminist discourse into a fatalistic heteropessimism, or the idea that heterosexuality is irredeemable but that straight women are simply stuck with it. This, despite the reality that many women can and do refuse to become or to remain heterosexual. Such discourses, I argue, are profoundly anti-feminist because they obscure how heterosexuality works as a political system. Thus, under the guise of admiring lesbians' freedom from men, heteropessimist feminism paradoxically reinscribes heteropatriarchy's status as natural. Instead of accepting the limited gains that the \"born this way\" discourse has achieved, we must advocate for sexual freedom and autonomy built around the fundamental premise that our desires are contextual, not static, innate, and unchangeable.</p>","PeriodicalId":46044,"journal":{"name":"Journal of Lesbian Studies","volume":" ","pages":"128-142"},"PeriodicalIF":1.4,"publicationDate":"2026-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144973711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}