JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY最新文献

{"title":"The Impact of Subsidies on Film Quality: Empirical Evidence from France, Korea, the United Kingdom, and United States","authors":"Jimmyn Parc, Camilo Umana-Dajud, P. Messerlin","doi":"10.1080/10632921.2022.2120141","DOIUrl":"https://doi.org/10.1080/10632921.2022.2120141","url":null,"abstract":"Abstract There is a widespread belief that the higher the level of subsidies, the better the performance of film industries (both in quantity and quality). This article focuses on film quality—evaluated by audiences and critics—and scrutinizes this assumption through four selected countries—France, Korea, UK, and US. The main findings of this article are summarized through two points. First, despite the Korean film industry receiving the lowest level of public support, its film quality is higher than that of other selected countries. Second, the impact of subsidies on film quality turns out to be positive for the French, UK, and US films while it is negative or nil for Korean films. Although these results reflect partly differences in the background of each film industry and its public support in the four countries, they suggest that the effectiveness of subsidies and enhancement of film quality can be best achieved by better designing the subsidy schemes—not by increasing their amount.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42309278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Music Export Business: Born Global","authors":"H. McDonald","doi":"10.1080/10632921.2022.2123876","DOIUrl":"https://doi.org/10.1080/10632921.2022.2123876","url":null,"abstract":"Berlant, Lauren. 2011. Cruel Optimism. Durham: Duke University Press. Campbell, Peter. 2019. Persistent Creativity: Making the Case, for Art, Culture and the Creative Industries. Cham: Palgrave. Carnwath, John Alan Brown. 2014. Understanding the Value and Impacts of Cultural Experience – A Literature Review. Accessed July 12, 2022. https://www.artscouncil.org.uk/publication/ understanding-value-and-impacts-cultural-experiences. Centre for Cultural Value. 2020. Research Digest: Culture on Referral. Accessed July 12, 2022. https://www.culturalvalue.org.uk/wp-content/uploads/2020/10/Culture-on-Referral.pdf. Daykin, Norma 2020. “Arts, Health and Well-Being: A Critical Perspective on Research.” In Policy and Practice. London: Routledge. Durrer, Victoria, Toby Miller, and Dave O’ Brien (eds.) 2017. The Routledge Handbook of Global Cultural Policy. London: Routledge. Morse, Nuala 2021. The Museum as a Space of Social Care. London: Routledge. Oman, Susan. 2021. Understanding Well-Being Data: Improving Social and Cultural Policy, Practice, and Research. Cham: Palgrave Macmillan. Organisation for Economic Co-operation and Development. 2022. The Culture Fix: Creative People, Places and Industries. Accessed July 12, 2022. https://www.oecd-ilibrary.org/docserver/991bb520-en.pdf ?expires=1657657315&id=id&accname=guest&checksum=64136 E2E395F1D75937B0E4226287BDE. Welsh NHS Confederation. 2018. Arts, Health and Wellbeing. Accessed July 12, 2022. https:// www.nhsconfed.org/sites/default/files/media/Arts-health-and-wellbeing_0.pdf","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45076387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Transforming Museum Management: Evidence-Based Change through Open Systems Theory","authors":"Catalina Urtubia Figueroa","doi":"10.1080/10632921.2022.2120586","DOIUrl":"https://doi.org/10.1080/10632921.2022.2120586","url":null,"abstract":"Museum management has taken a turn into a human-focused trend in the last few decades (Lord and Blankenberg 2015; Moore 1994). As noted by Yuha Jung, museum professionals are increasingly interested in valuing “networks and people-centered approaches rather The framing of the book is that while markets in the art world are often associated with nihilistic capitalistic ideals like profit and price, arts managers and artists can use the term to understand how they can find value in sustaining creative careers. Whitaker then leads the reader on a journey through the fundamentals of the economics of art where the reader learns useful tools for managing the art market. Chapters One through Three introduce the classical economic concepts of Markets, Cost, and Price to give the reader an overall economic structure to work within. The next three chapters cover Failure, Structure, and Power to show how, within this structure, there are variables that can affect how price and value can be (mis)aligned and how arts managers and artists can think about realignment. Chapters Seven through Nine cover branches of economics that pertain to the art market, including Labor, Property, and Investments. The concluding chapter brings this all into perspective, Whitaker’s perspective, that both art and economics are subjective and creative, and in that way, they can work together. We can not only bring “economics to art” but we can also bring “art to economics.” In doing so, we can reimagine systems for how the art market can work, but only with a fundamental understanding of economics. The book starts off with appeasing the nerves of artists and arts managers who think they’re not good at math by making complicated economic topics comprehensible through simple descriptions and delightful applications to the arts world. The book transforms the artist or arts manager reader by giving them the comfort and ability to stroll through topics like marginal cost, price elasticity, and externalities. Near the end of the book, the reader has the chance to apply what they’ve learned to pertinent issues in the arts dealing with ownership, work conditions, and valuation. The conclusion retransforms the reader from thinking like an economist to using creativity to reimagine systems in the arts world, now with an underpinning of how to create value with economic tools. The book is a journey that any student of arts administration, arts manager, artist, or anyone with an interest in the visual arts market will find satisfying, and at the end, surprising that something that seems as hard as economics is not that hard at all.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42498301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Understanding Well-Being Data: Improving Social and Cultural Policy, Practice and Research","authors":"Sarah Feinstein","doi":"10.1080/10632921.2022.2123875","DOIUrl":"https://doi.org/10.1080/10632921.2022.2123875","url":null,"abstract":"","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44834384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introduction","authors":"Antonio C. Cuyler","doi":"10.1080/10632921.2022.2135953","DOIUrl":"https://doi.org/10.1080/10632921.2022.2135953","url":null,"abstract":"Though some view culture as a vehicle for rights, the acquisition of political capital (Ross 1998), or as an instrument for achieving social justice, the claim that culture can achieve social justice remains a highly contested assumption lacking reliable empirical evidence. This roundtable will explore, first, what we mean by social justice in the arts and, second, a discussion of ways to evaluate and show culture’s power in actualizing social justice.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48463438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Impacts of COVID-19 on Black, Indigenous, Artists and Arts Administrators of Color in the U. S.","authors":"Antonio C. Cuyler, Evan Linett, Quanice Floyd, J. Jenkins, Gabriela Shutt","doi":"10.1080/10632921.2022.2058137","DOIUrl":"https://doi.org/10.1080/10632921.2022.2058137","url":null,"abstract":"Abstract This study investigated the impacts of COVID-19 on Black, Indigenous, and artists and arts administrators of Color. We addressed the primary research question, in what ways has COVID-19 impacted BIPOC artists and arts administrators? We also answered the secondary research question, do differences in impacts exist in health and wellness for BIPOC artists and administrators based on demographic characteristics? By centering BIPOC artists and arts administrators in this study, we initiated an area of critical scholarly inquiry that explored the impacts of COVID-19 on creatives who identify as historically marginalized and oppressed based on their race in U. S. society.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49508877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"From Grassroots to Systems Change: Art for Social Justice","authors":"Marian Taylor Brown, Hyppolite Ntigurirwa, Antonio Gordillo, Micah Rose","doi":"10.1080/10632921.2022.2120142","DOIUrl":"https://doi.org/10.1080/10632921.2022.2120142","url":null,"abstract":"Abstract Art for social justice has long challenged notions of whose stories are told, how, and by whom, positioning it as a key body of practice to combat neoliberalism and other structures of domination. In the global struggle for liberation, art and social justice practices must be contextualized, requiring approaches and pedagogy that address the cultural landscapes in which they are rooted. Against this backdrop, the artivist-authors explore two questions: 1) In what ways do practices in the arts and social justice differ and intersect across cultural contexts? and 2) What lessons can be gleaned from grassroots and systems-level approaches to arts for social justice? Here, three vignettes, explored through Chicane testimonios and story circles rooted in Black and Indigenous theater practice, elucidate approaches to building creative justice in the landwaters colonized into Colombia, Rwanda, and the United States. Across these three vignettes, questions of practice and lessons learned emerge.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46306423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sewing Connections between Artists’ Legacy and Fashion… A Matter of Tailor-Made Economics and Marketing","authors":"A. Besana, A. Esposito","doi":"10.1080/10632921.2022.2102558","DOIUrl":"https://doi.org/10.1080/10632921.2022.2102558","url":null,"abstract":"Abstract Artists, fashion and foundations can connect in different ways. Operating and independent foundations tell biographies and legacies of artists. During their life and as for their legacy, artists can influence styles, frames, fashion being one constitutive way of life. Fashion corporations and foundations can be inspired by artists and artists can be supported by them. The aim of this article is to estimate how much accounting data of American artist-endowed foundations give evidence of their connections through art-keting with multiple stakeholders in order to support creativity, above all, fashion. Art-keting includes several and complex phenomena, from co-marketing to contaminations and hybridizations. It encompasses both relationship marketing and social media communication. The methodology includes the analysis of economic performance as for data in 990 Forms and a multiple regression analysis of 2016’s accounting main lines of a sample of the biggest US artists-endowed foundations. If artist-endowed foundations connect with fashion thanks to multiple projects, their assets grow thanks to art-keting.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44249874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Impact of Specific versus General Art Expertise on Art Experiences – The Case of the Sistine Chapel","authors":"Christina Lidegaard, Trine Bille, A. Baldin","doi":"10.1080/10632921.2022.2102557","DOIUrl":"https://doi.org/10.1080/10632921.2022.2102557","url":null,"abstract":"Abstract From the literature on art experience, we know that art experts and non-art experts have different cognitive information processes when encountering an artwork, but we don’t know how this difference might influence the art experience. The purpose of this article is to test how expertise affects art experiences. Expertise is measured on several dimensions, one of them being the level of knowledge on the specific artwork, which is a new contribution to the literature. Our case is the Sistine Chapel at the Vatican Museum in Italy where the investigations took place in a real museum context.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42960633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The New Arts Entrepreneur: Navigating the Arts Ecologies","authors":"Stephen Rueff","doi":"10.1080/10632921.2022.2080139","DOIUrl":"https://doi.org/10.1080/10632921.2022.2080139","url":null,"abstract":"Within academia, business programs provide the history, tools and methods to manage and grow businesses. Entrepreneurship programs explore innovation and the creation of new business ventures. Arts Entrepreneurship is an emerging discipline centered on the unique needs related to launching and running creative practices in the fields of visual arts, performing arts, and design. Arts Entrepreneurship educators are preparing students for creative careers in the arts and cultural industries, be it as an art or design practitioner, or in a field working with or supporting artists and designers. Arts Entrepreneurship as a discipline is still being defined as researchers and educators seek to understand how to best prepare students for professional lives in the creative sector. The new Routledge publication The New Arts Entrepreneur, Navigating the Arts Ecologies (2022) by Gary D. Beckman presents a novel approach to combining elements of business, entrepreneurship and arts pedagogy while centering on the unique needs of artists and designers. In the introduction the author states that “Most established disciplines possess a codified curriculum of some sort” yet, “Serious discussions in our field [arts entrepreneurship] concerning a codified curriculum have not occurred” (p. 2). Arts Entrepreneurship educators are constantly searching for theoretical and experiential approaches that meet the needs of their programs. Since there are not established parameters for an Arts Entrepreneurship curriculum, faculty are often left to extract theoretical and experiential elements from business and entrepreneurship programs and adadpt them to their Arts Entrepreneurship courses with inconsistent results. Despite the rise in arts administration degrees and other attempts to bridge the business and art communities, Järvinen found a continuing reluctance among arts organizations to identify with business terminology or tap into business strategies. He acknowledges that the arts are not a traditional market, for example, the cost of creative labor generally increases while potential audiences for live performance are often fixed by a venue’s capacity, and there is an expectation that artists will lead, rather than follow, public demand. However, this is not an excuse to ignore strategic management. As Järvinen points out, an organization’s failure to identify their business model does not indicate that the organization does not have a business model, but rather that they have failed to articulate or capitalize on it (51), which can leave them vulnerable.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48596751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}