AMERICAN LITERATURE最新文献

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Ann Petry and the Existential Phenomenology of Race 安·佩特里与种族的存在现象学
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-12-20 DOI: 10.1215/00029831-10345435
Shane Vogel
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引用次数: 0
The Parasitical Trick: Mediating Dispossession in Early America 寄生的诡计:早期美国的财产剥夺
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-12-20 DOI: 10.1215/00029831-10345379
E. Plaue
{"title":"The Parasitical Trick: Mediating Dispossession in Early America","authors":"E. Plaue","doi":"10.1215/00029831-10345379","DOIUrl":"https://doi.org/10.1215/00029831-10345379","url":null,"abstract":"\u0000 How do settlers organize their discursive relationship with the lands they settle, in order to claim, conceptually and materially, the position of owner and occupant? What must they do to transform themselves, in their eyes and in the eyes of others, from parasite to host? And in what ways have these practices been contested? This article addresses these questions in the historical context of early American settler colonialism and demonstrates the relational structure that colonial legitimation requires, including how this structure is mediated by subjects not strictly part of that relation. Through readings of John Marshall, Mary Rowlandson, James Printer, and Martin R. Delany, this article brings together the fields of media philosophy and settler colonial studies to theorize the “parasitical trick” as a fundamental and flexible technique of settler colonialism that removes Indigenous people from relationality by, paradoxically, making them central to it.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47018657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“A Handful of Syllables Thrown Back across the Water”: Dictée’s Aesthetic Legacy and Thai American Poetics “一把音节倒回水面”:Dictée的美学遗产与泰美诗学
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-12-20 DOI: 10.1215/00029831-10345365
Jasmine An
{"title":"“A Handful of Syllables Thrown Back across the Water”: Dictée’s Aesthetic Legacy and Thai American Poetics","authors":"Jasmine An","doi":"10.1215/00029831-10345365","DOIUrl":"https://doi.org/10.1215/00029831-10345365","url":null,"abstract":"\u0000 This article draws on the formal and aesthetic qualities of Theresa Hak Kyung Cha’s Dictée as a critical model for theorizing the transnational legacies of colonialism and empire embedded in the acts of language learning and as an opening for Asian American literary studies to engage with the previously understudied genre of Thai American and Thai poetry. Foregrounding aesthetics and unique, translingual poetic practices, the readings in this article explore rich connections between Dictée and two experimental collections of Thai and Thai American poetry: Padcha Tuntha-obas’s trespasses (2006) and Jai Arun Ravine’s แล้ว and then entwine (2011a). Thai American cultural production is uniquely situated to offer aesthetic insights into the history of US presence in Southeast Asia from the mid-twentieth century onward, which in Thailand took the form of allyship and soft power as Thailand’s formally uncolonized status obscured the violent codifications of gender, racial, and sexual norms to align with Western, imperial worldviews. The author argues that, just as Dictée marked a revolutionary period in Asian American literary studies as the field grappled with the role of poststructural theory, experimental literary forms, and transnational, decolonial politics in the United States and Asia, a more sustained engagement with Thai American and Thai poetry can offer a critical entry point to address US informal empire building in Southeast Asia, including activities often occluded in mainstream historical narratives by a singular focus on Vietnam during the Cold War era.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48918979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lorraine Hansberry and Miriam Makeba’s Affirmative Movements in History Lorraine Hansberry和Miriam Makeba的平权运动
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-12-20 DOI: 10.1215/00029831-10345421
Soyica Diggs Colbert
{"title":"Lorraine Hansberry and Miriam Makeba’s Affirmative Movements in History","authors":"Soyica Diggs Colbert","doi":"10.1215/00029831-10345421","DOIUrl":"https://doi.org/10.1215/00029831-10345421","url":null,"abstract":"Lorraine Hansberry’s essay “Stanley Gleason” expresses her theory of Black existence. The essay depicts everyday acts that transform the body and, in so doing, expand what is possible. Her ideas about Black existence emerge as part of a long history of Black thought and in relationship to the artistic and political communities she organized. While working in Greenwich Village, Hansberry crossed paths with and learned from an international cadre of intellectuals and performing artists, including South African singer Miriam Makeba, how to shift the body to shape reality. The essay offers possibilities for locating live options within historical periods marked by despair and, therefore, for remapping the Black world from one of negation to one within what Hansberry called an affirmative movement in history.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45688718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Destroyed Documents and Racial Vulnerability in the Literature of Slavery’s Legal Afterlife 被毁坏的文献与奴隶制法律余生文学中的种族脆弱性
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-12-20 DOI: 10.1215/00029831-10345337
V. Sirenko
{"title":"Destroyed Documents and Racial Vulnerability in the Literature of Slavery’s Legal Afterlife","authors":"V. Sirenko","doi":"10.1215/00029831-10345337","DOIUrl":"https://doi.org/10.1215/00029831-10345337","url":null,"abstract":"\u0000 This article argues that Black writers throughout the nineteenth and twentieth centuries produced a critical knowledge of how legal documentation functions to produce racialized structures of power and Black vulnerability at law. In literature that reckons with slavery’s legal afterlife, particularly antebellum slave narratives, post-Reconstruction novels, and neo-slave narratives, Black authors frequently represent legal documents as pivotal to legal personhood and theorize how these documents produce vulnerability to violence and dispossession. The adversarial relationship with contract law that Black people have experienced throughout US history has uniquely positioned Black writers to produce a critical knowledge of law’s structures of power. These writers reveal the mechanisms by which legal authorities manipulated the legal contracts that as texts stipulated protections for Black subjects yet in practice failed to accomplish those protections when white legal authorities refused to carry them out. Building on critical race theory and law and literature scholarship, this article proposes a heightened awareness for how race interacts with legal procedure, particularly during the material processes involved in a document’s creation and execution. Focusing on law’s materiality, this article uncovers an understudied literary vein in which Black authors represent documents as materially fragile and vulnerable to destruction in order to theorize law as a series of practices enacted by persons inhabiting bodies marked by race.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49184559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Repetition and Value in Richard Wright’s Man Who Lived Underground 《住在地下的人》中的重复与价值
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-12-20 DOI: 10.1215/00029831-10345407
Douglas A. Jones
{"title":"Repetition and Value in Richard Wright’s Man Who Lived Underground","authors":"Douglas A. Jones","doi":"10.1215/00029831-10345407","DOIUrl":"https://doi.org/10.1215/00029831-10345407","url":null,"abstract":"","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41320111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On (Not) Waiting for Godot: Absurdity and Action in Mississippi 《等待戈多:密西西比的荒诞与行动
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-12-20 DOI: 10.1215/00029831-10345449
Paige Mcginley
{"title":"On (Not) Waiting for Godot: Absurdity and Action in Mississippi","authors":"Paige Mcginley","doi":"10.1215/00029831-10345449","DOIUrl":"https://doi.org/10.1215/00029831-10345449","url":null,"abstract":"\u0000 This article traces the reinvention and circulation of existential thought and action through the Student Nonviolent Coordinating Committee in the first half of the 1960s, especially in Mississippi. Here, Fannie Lou Hamer, Bob Moses, and the founders of the Free Southern Theater, among others, immersed themselves in the existential questions of freedom and responsibility, pointing the way toward ethical action at a time when there was, as the characters of the FST’s production of Waiting for Godot put it, ”nothing to be done.“","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46528481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Existentialisms: Blackness, Literature, Performance 存在主义:黑人、文学、表演
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-12-20 DOI: 10.1215/00029831-10345393
Soyica Digg Colbert, Douglas A. Jones, Jr. Paige McGinley, Shane Vogel
{"title":"Existentialisms: Blackness, Literature, Performance","authors":"Soyica Digg Colbert, Douglas A. Jones, Jr. Paige McGinley, Shane Vogel","doi":"10.1215/00029831-10345393","DOIUrl":"https://doi.org/10.1215/00029831-10345393","url":null,"abstract":"","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46646581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What the Afterlife of SCUM Can Teach Us about Autotheory 人渣死后的自我理论教给我们什么
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-11-15 DOI: 10.1215/00029831-10341734
Anna Ioanes
{"title":"What the Afterlife of SCUM Can Teach Us about Autotheory","authors":"Anna Ioanes","doi":"10.1215/00029831-10341734","DOIUrl":"https://doi.org/10.1215/00029831-10341734","url":null,"abstract":"\u0000 The emerging genre of autotheory has been tied to a longer lineage of feminist and queer writing. Valerie Solanas’s SCUM Manifesto (1967) forms an important context for contemporary autotheoretical practices not only as an influence but also as a cautionary tale. Published in 1967, just one year before its author shot Andy Warhol, the SCUM Manifesto was quickly overdetermined by readings that saw the shooting as a fulfillment of the manifesto’s vision, rewriting the manifesto as a kind of autotheory-in-reverse. Tracing SCUM’s afterlife in a range of cultural texts, including riot grrrl zines and Andrea Long Chu’s autotheoretical work Females (2019), reveals consistent anxieties about the relationship between the manifesto and the shooting. As a parallel cultural formation arising alongside autotheory, SCUM’s afterlife shows how anxieties about interpretation drive the autotheoretical impulse.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44447955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Diversity Requirement; or, The Ambivalent Contingency of the Asian American Student Teacher 多样性要求;或者,亚裔美国学生教师的模糊偶然性
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-11-15 DOI: 10.1215/00029831-10341762
Douglas S. Ishii
{"title":"The Diversity Requirement; or, The Ambivalent Contingency of the Asian American Student Teacher","authors":"Douglas S. Ishii","doi":"10.1215/00029831-10341762","DOIUrl":"https://doi.org/10.1215/00029831-10341762","url":null,"abstract":"\u0000 “The Diversity Requirement” takes on anti-neoliberal criticisms of the post-2008 US university as emblematized by quit lit, the essay genre in which tenure-track hopefuls announce that they are leaving academia, as deracinated yet totalizing theories that ignore how racism structures institutional contingency and academic precarity, even when the diversity requirement is a norm. This article responds by turning to the Asian American campus novel, a generic category not readily deployed because of the recurrence of universities in literary and lived model minority narratives. Taking Asian American institutional racialization as representative of the ambivalence that subtends contingency, “The Diversity Requirement” connects the author’s experience as contingent faculty and as staff of the campus diversity requirement to readings of Karen Tei Yamashita’s I Hotel (2010) and Weike Wang’s Chemistry: A Novel (2017) through the figure of the Asian American student teacher, the apt pupils within liberal whiteness who lack expertise or experience and yet are tasked with teaching responsibilities for diversity without full access to institutional power. In doing so, this article theorizes ambivalent contingency—a mitigated agency and constrained privilege from within institutional contingency that reflects contradicting intersections of power within and beyond the individual—as a strategy for surviving the institution without reproducing its logics of exclusion.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49382436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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